Posts Tagged ‘music’
You can, and should, listen to the new album by The Knife, Shaking the Habitual, at Pitchfork right now. First impression: OH MY GOD
David Bowie’s been looking back at himself in his music for at least 16 years, but this is the first time he’s doing it as an artist who’s actually, legitimately, honest-to-god old. At a dashing-looking 66, he’s hardly ready for the record books as World’s Most Decrepit Rocker, but in the past you’d get the impression that to Bowie, being “old” simply meant wrestling with the reality of no longer being the sexual provocateur he was in the early ’70s, the art-rock innovator he was in the late ’70s, or the world-bestriding megastar he became in the early ’80s with Let’s Dance. Now, on his new album, The Next Day, it sounds like “old” means “Jesus, I could have died on an operating table.”
I wrote about Psychic TV and William S. Burroughs’s “Pirate Tape” over at Cool Practice. Lots of adolescent anecdotes in this one.
5. The Ting Tings – “Happy Birthday”
4. Mya – “The Peanut Butter Stomp”
3. Nikki Flores – “The Twirly Whirly”
2. The Postmarks – “Balloons”
1. Dean and Britta – “Let’s Ride”
I’m going to hell when I die.
I’ve been keeping pretty busy these days.
At Cool Practice, I wrote about “Missing You” by John Waite and the kinkiness of crystalline-sheen ’80s pop rock. This is the sound of my soul.
At Vorpalizer, I continued my series of posts on alt-genre webcomics with entries on SuperMutant Magic Academy by Jillian Tamaki and Forming by Jesse Moynihan. I also posted the second in a series on formative fantastic fiction, focusing on Taran Wanderer and the Prydain Chronicles by Lloyd Alexander.
And at Rolling Stone, I updated my list of the Dowager Countess’s best quotes from Downton Abbey Season Three with a few from the season finale.
something i want to say
So I made that post about my favourite songs of 2012 (including taylor swift and gangnam style etc.) and people just hated on it.
I just don’t understand.
I mean, I do understand. I have my own issues with ‘the industry,’ I have issues with how it’s hard to compete with a bunch of people with great connections, and that a lot of real artists get lost along the way because they dont have an ‘in.’ and that women feel pressured to act like strippers and its ok to make rape threats but its not ok to say your a feminist. However, I don’t see why we have to hate something just because it’s successful, or assume that because it is successful it has no substance.
Like, how can you hate Beyonce? Shes changing the world. She stands for people of colour and women everywhere succeeding in a stifling patriarchy without compromising her morals. And she makes challenging, interesting art. She’s always positive. She is everything good. And the fact that she is hugely successful is not a shitty thing. It’s an important and amazing thing and she clearly works hard for it.
and I’m sorry, but I think it’s fucking incredible that a korean language song is the most popular thing on the planet. Thats so good for humanity. Psy wrote and produced gangnam style himself and directed the video HIMSELF. No one made psy. psy is a genius and i dont think its so terrible that hes been recognized for this. It also doesn’t make him evil. His art is creating a generation of kids that will grow up seeing asian culture as being as valid as western culture which they currently don’t. I know because I grew up in Vancouver and half my high school was korean or chinese and the kind of shit i heard all the time was horrible. I used to walk around with my chinese boyfriend and people would yell slurs out of cars. Racism isn’t over. Sexism isn’t over. The only way things actually effect social change is by hitting the audience that perpetuates these ideas. therefore, when a deserving artist blows up its good for everybody.
I’m tired of people telling me I’m ignorant for liking pop and hip hop, because I’m not. I know whats up with music. I have thoroughly investigated both mainstream and experimental music. in fact, i was so dedicated to experimental music that I didn’t even bother to learn about pop and R&B until i was 21. I put out multiple records on a label that was run by my friends and released my music on tape because it was the cheapest option. so please don’t tell me that I haven’t been enlightened to the world of alternative music.
and yet I know very few adult males who consider themselves serious ‘music guys’ who don’t laugh when I say I like Mariah carey.
Why? because shes beautiful and people like her. therefore she must be selling sex, right? so obviously her music is terrible, right? ugh.
The first time I heard mariah carey it shattered the fabric of my existence and I started Grimes
We’ve got to do better.
* Clive Barker revealed that he worked as a hustler through the publication of Weaveworld in 1987, in a Facebook conversation with the artist Dave McKean. By that point he’d published all six Books of Blood, The Damnation Game, and The Hellbound Heart. Barker is one of my very few heroes, a man who seems to have lived his life and pursued his art the way these things are meant to be done; I’m sad that he clearly remains so saddened by this secret part of his life.
* Julia Gfrörer is publishing a book version of her comic Black Is the Color through Fantagraphics and she posted a hugely impressive comic called “World Within the World” that feels like getting slapped in the face repeatedly.
* Somehow I’d managed not to read “Cody,” a story Michael DeForge serialized on one of his websites last autumn — it’s now all on one continuously scrolling page so there’s no excuse anymore. Turns out it’s a weird, funny, really precise and thoughtful exploration of subcultures and the sacrifices we make of parts of ourselves that are surplus to our chosen identities.
* Also, I somehow whiffed on the announcement that Koyama Press is putting out Michael DeForge’s collected short stories in a volume called Very Casual. It’s a very good time period for that kind of thing, with killer collections from Josh Simmons, Gabrielle Bell, Hans Rickheit, and Sammy Harkham coming out last year as well.
* Zak Smith devises a table of 100 random Tolkien/Jackson elements for your RPG needs. Listing these elements in this way does a few things. First, it’s funny. Second, its list-format-derived fantasy-potpourri feeling gives lie to the notion that Tolkien had a hemmed-in, orderly imagination that made its impact primarily through “realistic” worldbuilding. Third, it gives some shine to Jackson as an interpreter and remixer of Tolkien’s foundational work. Fourth, it demonstrates that both artists have a facility for conjuring very specific and unique emotional or tonal images arising from setting and/or character (eg. “a depressed warrior princess,” “magnificent fireworks”), to go with the genre-related images of creatures and plot points and so on (eg. “enormous, intelligent birds of prey,” “a horde of climbing goblins.”)
* Speaking of the Mignolaverse, BPRD cowriters Mignola and Arcudi are doing an armored-supersoldier WWII period piece called Sledgehammer 44 with artist Jason Latour. I hadn’t even heard this was in the works.
* And a less rare but still always welcome Moralez-assembled image/gif gallery!
* My collaborator Matt Rota’s art is getting to that “was this made by human hands?” point. Those pink fleshtones!
* Had to happen eventually: Jonny Negron and cocaine.
* Had to happen eventually: Jonny Negron and animated gifs.
* Had to happen eventually: Jonny Negron and full-color comics. Negron is inevitable.
* I can’t say enough good things about the elliptical fantasy one-pagers my collaborator William Cardini has been putting up lately. What an innovative marriage of format, genre, pacing, and effect.
* This is some immaculate cartooning by Gabrielle Bell. There’s an intensity here I’ve never seen from her before, and her off-kilter way of spotting blacks is really cohering into a statement.
* You’d be hard pressed to find better value for your illustration-enjoying dollar than a “Here’s all the stuff I drew in 2012″ post by Hellen Jo.
* Tom Neely started a tumblr for his porn drawings. They’re gorrrrgeous. (They get much dirtier than the ones below.)
* Robin McConnell interviews Noel Freibert for Inkstuds. His work keeps getting better and white-hotter.
* Was Kylie Minogue the first person to make music that “sounded like Kylie,” or is there some antecedent of which I’m unaware? (Via Jamieson Cox.)
* I got a great deal out of BuzzFeed’s rundown of 16 great musical happenings from the past month — fine writing about fine music in a variety of styles. One of those things is “Full of Fire,” the 9-plus-minute new single by the Knife, which is relentlessly intense yet never ever aggravating. How they can keep you in that edge-of-panic listening state for that long across repeated listens is beyond me, but I’m glad they’re doing it. I’m glad they’ve constructed this aggressive industrial edifice at the heart of critical attention.
* Before I saw this video for “Heidi’s Head” by Kleenex I’m not sure I’d ever really internalized the way in which punk and post-punk were threatening to the existing rock paradigm, perhaps because I always loved them all equally. But man oh man is this ever the sound of a bunch of young people telling the dinosaurs “We don’t need you.” (Thanks, Douglas Wolk.)
* On the dinosaur side of the equation, I’ve been enjoying Steven Hyden’s “Winners’ History of Rock and Roll” series on enormously successful critic-proof rock bands. The link takes you to the opening installment, on Led Zeppelin, the second-greatest band of all time, isolating the Jimmy Page-concocted “sound” of how the band recorded itself as the key to its lasting success, which seems dead-on to me. He also tackles Kiss and Bon Jovi, the worst and second-worst bands of all time, and Aerosmith, who were very good through Pump and then stopped being good.
* Hey look it’s pictures of Kate Moss and Foxy Brown and Kate Winslet and Michelle Dockery Beyoncé and Beyoncé again and Beyoncé again and Dave Gahan and Rainer Andreeson, for your looking at pictures of attractive people needs.
* Drawings of criminal conduct are not criminal conduct. No one should go to prison for having drawings.
* “we are all responsible for the dialogue we foster, the culture we create, the criticism we enable; a few more hits aren’t worth it”—Tom Spurgeon. I’d forgotten about this quote of Tom’s before browsing some old tweets just now, but I was thinking of something very similar after the long-awaited new album by My Bloody Valentine was suddenly released this Saturday — I found myself preemptively dreading the smartest seen-it-all, above-it-all guy in the room quips I suspected I was bound to see about it online. I’m trying to adopt what my Catholic school teachers used to call “an attitude of gratitude.” With something like MBV and their landmark record Loveless, which is so special and singular, it comes down to acknowledging it as such, and not spraying a bunch of diarrhea into the discourse surrounding a beautiful unique thing or the people that made it. The same thing could probably be said about Beyoncé, a monumental talent who seems to draw out the worst and most dismissive parts of some people. I’ve had a tough run for a while now, and the art that moves me is important to me, and I’m trying to conduct myself in a way that respects that, and surround myself with other people who do the same.
Pitchfork has a feature called 5-10-15-20 where they interview musicians about the music that was important to them at five-year intervals throughout their lives. On his personal tumblr editor-in-chief Mark Richardson asked people to create their own. You can find mine at my music tumblr, Cool Practice. A fantastic voyage from Lipps Inc. to A$AP Rocky.
I wrote about “Higher Love” by Depeche Mode for Cool Practice. A band playing to its strengths and obsessions, hard.
* Tom Spurgeon’s complete holiday interview series is up at the Comics Reporter. Go ye and click; so far I’ve really enjoyed the interviews with writer Mark Waid, cartoonists Dean Haspiel, Derf Backderf, Sammy Harkham, and Tom Kaczynski, and critics J. Caleb Mozzocco and Rob Clough.
* You should absolutely read “Sticky-Icky-Icky,” a stoner-sex-slice-of-life comic by Box Brown. I said “whoa” when I saw this page in particular.
* Ooh, it’s a master list of the tumblrs for all the members of Closed Caption Comics who have tumblrs. Thanks, Ryan Cecil Smith!
* Always glad to see smut from Julia Gfrörer.
* This painting by Charles-Frédéric Soehnée is a nightmare. (Via Monster Brains.)
* Just for fun, Dresden Kodak creator is doing a whole series of drawings and sketches and posts on J.R.R. Tolkien’s The Silmarillion. Many of them are idiosyncratic and beautiful.
* The addendum at the end hurts a bit because Coates in scold mode is the worst Coates, but otherwise this is a nice scales-from-the-eyes piece by Ta-Nehisi Coates about Kendrick Lamar’s excellent album Good Kid, M.A.A.D. City.
* Here are all of Chris “Shallow Rewards” Ott’s posts on the Cure from his stint on the themed music blog One Week, One Band last year. If you want to read a good writer write a whole lot about a good band he happens to love, then this is
* John Brennan belongs in prison, not running the CIA. If you did half the shit this guy says it’s okay for the government to do, you bet your ass you’d be in prison.
* Very sad news: Wilko Johnson, guitarist for Dr. Feelgood and Ser Ilyn Payne on Game of Thrones, is dying of pancreatic cancer. Man that guy played with style.
* Scientists have filmed a live giant squid in its natural habitat. I can die now.
My David Bowie sketchbook has been showcased at BuzzFeed Music. (The drawing above is by Tunde Adebimpe of TV on the Radio.)
I love this album cover. Barnbrook, the designers, talk about it at their blog.
Carnival of souls: Gossip Girl, Edie Fake, Fluxblog 2012, Chris Ware on Newtown, Shallow Rewards on shoegaze, moreFriday, January 4th, 2013
* Gossip Girl aired its series finale a few weeks ago. I watched every episode of that show and spent much of that time delighted in smiling-while-shaking-my-head-and-muttering-”you-magnificent-bastards” fashion. My friends Ben Morse and Kiel Phegley have reviewed the finale and the entire series in a two-part conversation that’s my favorite writing about Gossip Girl I’ve ever read. Here’s part one and here’s part two. The final two episodes of the show included two major events I’m still trying to wrap my head around; they both leave a bad taste in my mouth, but as Kiel and Ben convincingly argue, a Gossip Girl climax that didn’t leave a bad taste in your mouth wouldn’t be Gossip Girl.
* Edie Fake has come out of nowhere with a series of gouache and ballpoint-pen pictures of buildings called Memory Palaces that are among those rare works of art that make me go “Wow, I had no idea you could do that.” If you took the castles at the end of a Super Mario Bros. level and imagined that culture evolved forward a thousand years, you’d get something like this. It also puts me in mind of the old NES game Milon’s Secret Castle, or at least my hazy memories of same. Finding out where the buildings are from only makes it more remarkable. I sit and stare at this art like an apeman at the monolith. Never saw it coming.
* Still the best: Matthew Perpetua has released the Fluxblog 2012 Survey Mix, a TEN-disc overview of the year’s best music. It’s an overwhelming number of songs in a dizzying variety of genres and styles, but Matthew puts each disc together with thought and care and attention to flow, so you should feel free to DL ‘em all but listen to them one at a time. Find one with a few songs you dig or are intrigued by and let the rest come at you.
* My wife is a teacher and we are parents, and Chris Ware is the greatest cartoonist, so virtually every aspect of Ware’s New Yorker cover and essay about Newtown resonated with me deeply. This passage in particular evokes the way all of my personal and political anger and dread runs together lately:
In the course of the next few days, I was privy to the exchanges among my wife and her colleagues about Newtown, culminating in flabbergasted e-mails and Facebookings following the farcical N.R.A. press conference. Memes abounded, like, “First they call us union thugs and now they want to arm us?!” and self-mocking jokes about their own forgetfulness: “Do you really want to trust people like us with guns?” (Teachers are notoriously overworked and so occasionally forget their two pounds’ worth of keys in one classroom or another.) What astonished me most was that the gun lobby seemed to imply that it was somehow partly the unarmed teachers’ fault that the Newtown shooting occurred at all. Well, why not? Isn’t everything lately always somehow the teachers’ fault?
Meanwhile, our government revved its engines to Evel-Knievel itself over the fiscal cliff, civilization’s rock face having partly crumbled away because a clot of representatives seem to feel that government shouldn’t be funded at all. Over the holiday break, news arrived that thirty-seven Philadelphia public schools were closing because of budgetary cuts, and meanwhile the whole idea of public education continues to be cored out nationwide by taxpayer-funded private “charter” schools in a sleight of hand that I still can’t believe is legal. (Meanwhile, my union-thug wife is too busy grading papers and planning lessons to be able to get properly mad about it all.)
* A pair of standouts from Tom Spurgeon’s Holiday Interview series: Tom Kaczynski on his surprisingly ambitious micropublishing outfit Uncivilized Books and Dean Haspiel with a startlingly frank and harsh assessment of his own career.
* The Comics Journal has self-selected its best posts of 2012. Something for everybody.
* Forgot to link to this before, but wow: The MoCCA Festival, now under the new management of the Society of Illustrators, has announced a new steering committee for its 2013 show: Anelle Miller, Kate Feirtag, and Katie Blocher from the Society, as well as Leon Avelino (Secret Acres), Charles Brownstein (Comic Book Legal Defense Fund), Karen Green (Columbia University), William Hatzichristos (CollectorZoo), Paul Levitz (Writer/ Educator), Barry Matthews (Secret Acres), and Tucker Stone (Bergen Street Comics). That’s an institution that’s getting serious about a small-press show that suffered from years of malign neglect — as ably detailed by Barry and Leon, who are now helping to guide it. Also I’m sure Tucker Stone and Paul Levitz will have a lot to talk about.
* Please go read First Year Healthy by Michael DeForge, now available in its entirety on one continuously scrolling page. Subtly effective horror with an extravagantly inventive sense of design. This is one of the best things he’s ever done.
* In contrast with the previous few links, all of which involve artists breaking their own mold in some way, this jaw-dropping Julia Gfrörer piece is more a matter of her becoming the most Julia Gfrörer she can be. I said “Jesus, Julia” out loud when I opened it.
* Always good to see new Uno Moralez work, no matter how small.
* Gorgeous cover by Zach Hazard Vaupen. Makes me wish he’d work in color more often.
* Dave Kiersh continues to post his old minicomics, which are ungainly and funny and pervy and immature and romantic and which put it all out there.
* Finally, congratulations and come back soon to Chris Ott, who says he’s wrapped up the initial run of his Shallow Rewards music-criticism video essays with (oh boy oh boy oh boy) the first two installments of a promised shit-ton of videos about shoegaze.