…And Justice for All is the biggest metal band’s best album. I see you, Master of Puppets people, but I’ve strapped on the blindfold of Lady Justice and let the scales tip where they may: Justice wins. The songwriting of singer James Hetfield and drummer Lars Ulrich is their most complex and vicious, retaining the power of their early thrash while jettisoning its simplistic schoolyard chants and avoiding the less-compelling hard rock tendencies to come. Use, abuse, experience, and enough beer and Jägermeister to make Keith Moon drive a luxury car into a swimming pool had tempered Hetfield’s reedy yell into something fuller and more forceful, with none of his later cigar-chomping bluster. The lyrics are a ground-level portrait of bureaucratic order pushing down on people too powerless to fight back. And the sound is nearly industrial in its ear-killing intensity, a piece of serrated steel designed to carve you and leave its nihilism in the wounds. Oh, and maybe you’ve heard this: You can’t hear the bass.
I reviewed the excellent reissue of Metallica’s masterpiece …And Justice for All for Pitchfork.
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