Posts Tagged ‘topless dancing’

058. The Sentry

February 27, 2019

The shadow lies upon Wade Garrett when first we see him. He stands ramrod straight, stiff lipped, chin up, eyes alert. He rocks back and forth from the intensity of the vigilance thrumming in every sinew and synapse. To his right is a sign of prohibition. To his left, a box controlling the generative energy of the bar itself. Behind him, a doorway, barred by his very body. His hair is grey with the knowledge and peril of the long years, and his raiment is black. Wade Garrett knows the gate. Wade Garrett is the gate. Wade Garrett is the key and guardian of the gate.

At that very moment, here’s what he’s looking at.

Not without professional cause, mind you. Within seconds, a horned-up Marine yells “CHARGE!” and rushes the stage, and Wade must rush into action. He sits the jarhead’s ass back down and defuses the situation with a quip about Rambo and saving the world from the Commies that shows Dalton is not the only cooler for whom Be Nice is a cardinal rule. But his protégé, strong though his game may be, could never match the sly grin Wade flashes at the dancer he rescued, who smiles and winks appreciatively in return. Condoms have been lab-tested with less.

What can we learn of the Way of Wade Garrett from this sequence? Most obviously, the integrity of the Wet T-Shirt G-String CONTEST every NITE! would rightfully be called into question but for his presence. We see that humor, even irony, feature prominently in his bouncing arsenal. We see him through the eyes of a dozen drunk, erection-toting members of the United States Marine Corps, who view him as likeable enough, formidable enough, or most likely both to allow him to lay hands on one of their number and walk away unscathed (and bowlegged). He is himself horny, and hairy, but not handsy. He’s quick to action, but not eager for it; not for him is Dalton’s remonstrance to Morgan about not having “the right temperament for the trade.”

And from that first look at him, standing silent sentry in the half light, we see that he harbors within him a darkness—one that does not belie the revelry with which he surrounds himself and the merry manner in which he polices it, but which informs and complements it. He is only at ease because he knows all there is in the world to worry about. Those things have worried at him, and he has held them at bay. For now, anyway. For now.