The action ends with a lingering shot of the ranking member of the Arellanos now that Benjamín is on the run—not Ramón, not Francisco, but their sister Enedina. The Narcos franchise has seen its fair share of would-be women crime bosses, but few if any of them were given the resources and the blessing of their predecessors that Enedina now enjoys. Along with the matter of whether Amado Carrillo Fuentes’s grand plans for the Juárez cartel will work out (a matter deferred entirelyl for this episode), the question of Enedina’s leadership is one of the show’s more intriguing storylines at this point. For her sake, and for the sake of the story, let’s hope her own merger of crime and business goes better than her brothers’. After all, there’s a lot more Narcos: Mexico left to come.

I reviewed the fifth episode of Narcos: Mexico Season 3 for Decider.

To me, the Narcos franchise is only rarely a series that offers up thought-provoking imagery, though when it does, it tends to connect in a major way. I mean, I still think regularly of the signature shot associated with Pablo Escobar, a semicircular spin around the druglord as he gazes off into the distance, plotting his next move, and the last one of those happened four seasons ago. So the episode-closing closeup on Amado, quiet and confident, is lingering with me. Amado’s a killer, no doubt—but so is, like, every president America has ever had. Could it be possible that there’s a kinder, gentler way to profit off the cocaine trade? And could Amado hold the key?

I reviewed the fourth episode of Narcos: Mexico Season 3 for Decider.

You can file this episode of Narcos: Mexico in the “boys will be boys” department. Entitled “Los Juniors” (and directed by none other than Wagner “Pablo Escobar” Moura himself), this ep of the long-running crime franchise officially introduces us to the clique of rich kids who’ve formed a mutually beneficial relationship with the Arellano Félix brothers in Tijuana—the “narcojuniors,” as our narrator, dogged reporter Andréa Nunez, dubs them. These pampered princes of the city get to taste the life of a gangster, while the narcoseniors gain access to their rich parents. When her newspaper editor asks her why the parents would get in bed with cartel bosses when they’re already rich, Andréa cheekily replies “Rich people always want more money—that’s why they’re rich.” Truer words, Andréa, truer words.

I reviewed episode three of Narcos: Mexico Season 3 for Decider.

I love it when Narcos goes Casino mode. Remember how Martin Scorsese’s mob epic opens with a full first act explaining the ins and outs of the mafia’s Las Vegas operation in general and Ace Rothstein’s casino in particular? The Narcos franchise became a Netflix stalwart, I believe, in large part because of how well it apes that format, right down to the voiceover narration. 

We’re not quite at that point in Narcos: Mexico Season 3 Episode 2—there’s not some new method of coke distribution to detail, or some brand-new faction whose rise needs chronicling, at least not yet. But in this episode (“Como La Flor”) we’re treated to a narrated who’s-who of the cartel world. And though the cast of characters is a bit dizzying to keep track of—lots of familiar faces returning, several new ones emerging—the plot is simplicity itself. 

I reviewed episode two of Narcos: Mexico Season 3 for Decider.

That’s kind of the thing about the Narcos franchise: It’s an aggressively mixed bag. At times, specifically the opening two seasons of the original Narcos, centered on actor Wagner Moura’s portrayal of Pablo Escobar, it’s been as good as anything Netflix has aired. It also maintains a bitterly cynical view of the War on Drugs, a view that this misbegotten and murderous policy has well and truly earned over the decades since its launch. There really aren’t any good guys on this show; even the noble DEA agents who’ve anchored it since its inception are complicit in ruining lives, and sometimes ending them outright. This is a welcome departure from your average cops-and-robbers show, even if it still has cops and robbers as its beating heart.

And to be sure, this episode has a handful of impressive cinematic moments. The opening car chase, the raid on the drug house, and the murder of Aguilar are all shot in single takes, alternately immersing us in the action and giving us a god’s-eye view of the violence. I could get used to a show that’s this thoughtful in its deployment of “oners,” in industry parlance.

On the other hand, it can sometimes feel that, like Amado’s crashing plane, the franchise is coasting on fumes. Narcos’ third season, focused on the Cali cartel in Colombia, never reached the heights of the Escobar material; Narcos: Mexico’s first two seasons focused on Diego Luna’s Guadalajara cartel founder Félix Gallardo, a character who never amounted to much more than the sum of his suit-wearing, chainmoking, unsmiling parts. 

But Félix is gone now, powerless and imprisoned, while his former capos like Amado are free to make their moves (and plunge Mexico into bloodshed). If the original Narcos suffered when the charismatic crime boss at its center was removed from the playing field, there’s an equally good chance that Narcos: Mexico will benefit from Gallardo’s exit, as power grows diffuse and more interesting bosses emerge. Here’s hoping that a more powerful show emerges as well.

I reviewed the season premiere of Narcos: Mexico, which I’ll be covering all season, for Decider.