Do you feel there was a sublimated romantic or sexual tension between Rhaenyra and Alicent?
CAREY As a queer person myself, I read an undertone in the script that I knew could be played. That being said, I don’t think Ryan Condal [a creator and showrunner] sat there writing a Sapphic drama. If you want to see it, you can. If you want to pretend it’s not there, you can also do that.
The thing is, these girls don’t know what “platonic” or “romantic” means, whether that be the words or the feelings themselves. There’s just a closeness between two young women that cannot be verbalized, especially in the world they live in. I don’t think they fully understand the feelings; it’s just all-consuming love.
There’s an underlying jealousy that I read into it, especially coming off the back of Episode 4. It was this scene where we were on a bench, and it’s the first time we’ve seen these two women reconnect after losing this closeness they had. I remember in rehearsal at the end of the scene, we were like, “Did you feel like we were about to kiss?”
ALCOCK And I was like, “Yeah!”
Tags: A Song of Ice and Fire, asoiaf, books, emily carey, fantasy, fire & blood, Game of Thrones, George R.R. Martin, house of the dragon, interviews, milly alcock, new york times, TV