“Tokyo Vice” thoughts, Season Two, Episode Eight: “The Noble Path”

But as driving as Tokyo Vice’s plot can be, it’s the look and atmosphere that keeps me coming back excited week after week. Carefully composed and illuminated nighttime street scenes. Vistas of the city seen through windows behind our characters, or our characters seen through a window from somewhere high in the sky above the city. Needlessly gorgeous interior shots. Seriously, if you look at my notes on the gifs that illustrate this review, the adjectives are all effusive: “Stunning elevator shot,” “really cool hotel hallway shot,” “incredible street scene with the green phone.” Even in a show this good-looking, director Eva Sørhaug and DP Corey Walter do memorable work here.

Actors, of course, can contribute to the look and the atmosphere of a show as much as anyone. All these handsome men in tailored suits. Ansel Elgort painstakingly lighting and smoking a cigarette as Jake guts his way through his meeting with Yabuki. Rachel Keller and Show Kasamatsu getting into bed at the end of a long day, looking exhausted and beautiful. The way actors look and move and sound is as much a part of the art of filmmaking as cinematography or editing, and in this case it’s all sumptuous stuff. This suits Tokyo Vice, the most sumptuous show on television right now, to a tee.

I reviewed this week’s episode of Tokyo Vice for Decider.

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