The Dark Is Rising‘s trailer:

Well. That’s a fairly liberal adaptation.

(Hat tip: Justin Aclin.)

Crocodiles!

I meant to post this days ago, but this very cool image and very lame tagline are for Wolf Creek director Greg McLean’s upcoming monster movie Rogue. The creature-feature renaissance continues. (Via Jason Adams.)

Another day, another giant squid.

“Ray, has it ever occurred to you that maybe the reason we’ve been so busy lately is because the dead have been rising from the grave?”

–Winston Zeddemore, Ghostbusters

Replace the dead and the grave with cthulhoid monstrosities from the dead city of R’lyeh and maybe you’re onto something.

Chris Ryall–Publisher at IDW, the company behind the 30 Days of Night comics, and scripter of several of IDW’s Clive Barker adaptations, including the recent The Great and Secret Show—pays a visit to the New Zealand set of David Slade’s upcoming 30 Days of Night movie.

The good folks at Anime Insider bring you an A-Z bestiary of the monsters of Japanese folklore and mythology, as portrayed in various anime.

Certified nerd Patton Oswalt, whose new album Werewolves and Lollipops comes out today, talks his favorite comics and creators.

Okay, I’m excited now. Moreso when I saw which Lost episodes Cloverfield screenwriter Drew Goddard wrote. This kind of thing is still irritating, though, so I’m glad that, according to JJ Abrams, it actually has nothing to do with the movie. This does, but I still don’t have the time to play Myst with a movie’s ad campaign.

Reader Telemachos writes in that the New York Friggin’ Times has an article on the mapinguary, a South American jungle cryptid alternately speculated to be a giant sloth or a relative of sasquatch. Unsurprisingly, Loren Coleman goes wall-to-wall on the topic.

Basically, the world has sloths on the brain.

News broke over the weekend that Meg, the gigantic-freaking-shark movie based on the novel of the same name by Steve Alten, is “dead in the water” (no one could resist the pun, nor should they have) at New Line. They lose the rights in October, and Alten says he’s trying to make something happen elsewhere.

In googling around for this info, I discovered that Alten has written a Loch Ness Monster thriller called The Loch, which centers on the premise that the beastie is a gigantic (wait for it) eel. In a publicity stunt, Alten commissioned the creation of a six-foot replica skull of what such a critter would look like, which is awesome.

Listen to me pontificate about the latest issues of Action Comics, All Star Superman, Thor, Detective Comics, The Exterminators, and Fallen Son: The Death of Captain America at this week’s Thursday Morning Quarterback at Wizard.

At this week’s Horror Roundtable, we participants detail the lengths we’ve gone to for our beloved genre. I’m pretty sure I’m the only one whose response involved a nervous breakdown.

Besides the haunting off-center framing, the thing that struck me about photographer Cedric Delsaux’s series of real-world Star Wars photographs (enter here and click “series”) is how sinister and ominous all the villainous characters look when placed in everyday surroundings. Seeing them in the context of an environment that feels familiar and down-to-earth really makes them seem like a genuine threat, an occupying army ready to kill…

(Via Paul Pope.)

I’d buy D-War for a dollar…

Not to put too fine a point on it, but holy fucking shit.

Via Cinematical.

Going on record:

Monster movies will be the new torture porn.

Okay. On the one hand, I love giant-monster horror and mockumentary horror, so this is right down my alley. And the trailer does look good if you can get to it before Paramount (stupidly, shortsightedly, audience-alienatingly) yanks it from wherever it’s cropped up. On the other hand, I’m already irritated by the hype. The obvious comparison in terms of both the format of the film and the viral nature of its promotion is The Blair Witch Project, but in the case of that film, many if not most of the people hyping it had seen the film already. There’s something offputting about a gigantic corporation astroturfing a grassroots buzz campaign for a movie that doesn’t exist yet (while simultaneously shutting down individuals’ attempts to help them do so, by the way).

My biweekly interview column on the Wizard site returns, with The Salon‘s Nick Bertozzi. This is one of my favorite conversations about comics I’ve ever had (and as near as I can tell, beyond the fact that they’re both listed on the First Second webpage, it’s the first public confirmation that Nick and The Colbert Report writer Glenn Eichler are collaborating on a graphic novel). Hope you like it!

The sweetest-looking decrepit zombie I ever did see. That’s not me in this picture, by the way–I lifted this from the designers’ website so you could get a clear view–but I am wearing the T-shirt as we speak. Observe:

I bought this badboy at the MoCCA art festival two or three years ago from Squidfire. It was part of a series of horror-themed shirts they designed for a horror con. Supposedly they bombed at that con but cleaned up at MoCCA, where I snagged two other shirts featuring a nice bloody meat cleaver and a subtle chainsaw (seriously!). They’re there every year, and while their horror stuff is definitely most to my taste of their work, cutie-pie T-shirt fans will find much to enjoy at their site.

Bryan Lee O’Malley, writer-artist between the eminently enjoyable action-romance graphic-novel series Scott Pilgrim, covering Underworld’s “Born Slippy.NUXX,” the highlight of the Trainspotting soundtrack and one of my all time favorite songs by anyone ever. (It even incorporates a few snippets of “Jumbo,” another Underworld song that is another one of my all time favorite songs by anyone ever.)

For explanation and a link to more songs by O’Malley’s musical alter ego Kupek, go to RadioMaru.com, O’Malley’s website; it’s currently the top entry.

Land that I love.

If you’re into it, take note that Wizard’s going wall-to-wall with Transformers coverage. Interviews with Shia LaBoeuf, Megan Fox, John Tuturro, Jon Voight, Josh Duhamel, Tyrese Gibson, Peter Cullen, Frank Welker, and Michael Bay, toy image galleries, video game and comic previews, a review of the film–the whole shmear.

My current personal conundrum: On the one hand, giant monsters. (In this case robots = monsters, clearly.) On the other, Michael Bay.

George A. Romero’s Diary of the Dead, ladies and gentlemen.

Every once in a while a story comes along whose blend of the macabre and the technological is tailor-made for the great Bryan Alexander of Infocult. This is one of those stories.