* Well, shit and double shit: George R.R. Martin was hospitalized on Christmas Eve with the urinary tract infection from hell. Fortunately, he’s okay; unfortunately, the “big announcements” he’d planned for HBO’s TCA reception (why whatever could they have been!!!) are kaput. Get well soon, George.

* You maniacs! You blew it up! Ah, damn you! God damn you all to hell! Poor Steve Lyons does what he can with a thankless task.

* There’s a passage in my friend Ryan “Agent M” Penagos’s exit interview with outgoing Marvel Editor-in-Chief and reigning Chief Creative Officer Joe Quesada that I find very revealing about the man’s approach to his job: He sees his tenure and the projects he helped develop as the Watchmen or Dark Knight Returns he didn’t have it in him to produce as a cartoonist.

* Springboarding off Fantagraphics’ Complete Carl Barks announcement, Graeme McMillan asks what it means that Disney is publishing comics starring its characters through publishers other than Marvel. The long and the short of it is that Disney sees Marvel as being not in the comics business, but in the Marvel business. That’s consistent with their approach to many of their other brands: It’s not like they made Jim Henson start building all the puppets for their theme parks or had Pixar do Tangled for them. But it also tells you something about what Marvel’s approach to comics will likely be for the foreseeable future.

* Elsewhere, Graeme and Jeff Lester ponder at length why Axel Alonso got the Editor-in-Chief gig at Marvel over Tom Brevoort, who’s both more visible to the public and more integral to the company now-flagship Avengers franchise and nearly all of its big line-defining crossover events. But I don’t think it’s a mystery at all, frankly: Brevoort has said multiple times that he had no desire to take that job. I also don’t think it’s any mystery what Quesada will be doing, as it’s what he’s already been doing for quite a while.

* DC goes day-and-date digital with its Batman Beyond ongoing series. I note these things because they seem noteworthy, not because I have any idea what they really mean. I also note that I hear a lot of these series have had problems actually coming out day-and-date even when announced as such, particularly at Marvel.

* Gosh, Yanick Paquette has come into his own as the artist for Batman Incorporated.

* Cliff Chiang does Jaime Hernandez doing the Archies, basically.

* My friend and collaborator Isaac Moylan does Jeffrey Brown doing MMA.

* I haven’t seen Gareth Edwards’s much-lauded first-person giant-monster romance Monsters, but what little I’ve heard about it makes him sound like a pretty good choice to direct the next American Godzilla remake. Then again, wasn’t that basically what Cloverfield was? I mean that as a compliment by the way.

* Good news: The Second Circuit Court of Appeals struck down an FCC fine against boobs and butts on NYPD Blue.

* Real Life Horror headline of the day: “Severed head full of bullet holes found dangling from bridge in Tijuana, Mexico, official say.”

* Real Life Horror photo of the day: I’m not posting it here because even though it’s not graphic, its immediate implications are disturbing enough that doing so might be hurtful to some readers. But basically, a family photo snapped by Filipino city councilman moments before he was shot to death reveal his assassin with gun drawn and pointed directly at him right behind his unsuspecting family, and you can see it at the link. (Via Heidi MacDonald via Ivan Brandon.)

* My Representative, IRA supporter and anti-Muslim bigot Peter King, is the new head of the Homeland Security Committee; he says the New York Times should be indicted under the Espionage Act. He is a terrible person, and a dangerous one.

* Lighter-note time! Hahahaha, Tom Ewing reviews “Turtle Power” by Partners in Kryme for Popular, the blog on which he reviews every UK #1 single ever. A number-one hit that misattributed leadership of the Teenage Mutant Ninja Turtles to Raphael!

* Three music videos of note today:

* My gosh, what a song “Film Music” by Family Fodder is! (Via Douglas Wolk, through whom I first heard it a while back.)

* Here’s the hugely enjoyable video for master pasticheur Destroyer’s late-period Roxy Music homage “Kaputt.” (Via Ryan Catbird.)

Destroyer – Kaputt from Merge Records on Vimeo.

* Finally, this one’s unembeddable so you’ll just have to click through: Wubba wubba wubba, goodbye, God bless, not only in the USA but in the UK too, it’s Hercules & Love Affair’s “My House.” Perhaps only my wife, who hears me sing “Everybody Everybody” on the daily, has any idea just how ready I am for Club MTV/House of Style nostalgia. (Via Pitchfork.)

* Here are links to the three Carnival of Souls posts I did over the break through today: post-Christmas/blizzard, pre-New Year’s, post-New Year’s.

* Here’s a guide to all of Robot 6’s big 2nd anniversary special content, including some cool stuff involving yours truly;

* And here’s Comic Book Resources’ Top 100 Comics of 2010, all in one place. This also includes a list of the list’s participants, which I think is helpful.

* Today on Robot 6:

* Bill Sienkiewicz is telling the story of his (mostly) unpublished collaboration with Alan Moore Big Numbers;

* Becky Cloonan is posting pages from her unpublished Tokyopop book East Coast Rising Vol. 2;

* and DC Comics makes a slew of announcements: all ongoing series are $2.99, letters pages are returning, Peter Milligan on Red Lanterns, and Sean Murphy on an American Vampire spin-off. That’s a pair of shots fired in the PR war, hopefully a step in the right direction for the Direct Market on pricing, a sign that Green Lantern is joining Batman as the two core franchises of the DCU, and a sign that American Vampire is joining Fables as the two core franchises of Vertigo.

* The Comics Journal has launched The Panelists, a new group blog featuring Derik Badman, Alex Boney, Isaac Cates, Craig Fischer, Jared Gardner, and Charles Hatfield. That’s a formidable crew.

* Dark Horse’s Facebook page hosts a very useful and thorough guide to the state of Mike Mignola and John Arcudi’s Hellboy and B.P.R.D. comics.

* Which reminds me that the use of Facebook for PR was, along with now largely confirmed claims that the iPad is a digital-comics gamechanger, one of the big hobbyhorses of the late great Journalista blogger Dirk Deppey. “Seriously, what idiot ‘advertises’ their event solely on a website that requires registration to see the advertisement?” The kind of idiot who wants to advertise on the country’s most popular website, I guess.

* Chris Allen and Alan David Doane think that good superhero comics are the very least we should expect and demand. I see their point, although a good superhero comic is a good comic, after all.

* From good to bad: Graeme McMillan and the Comics Alliance crew explain what made some of 2010’s worst superhero comics so awful — very little schtick, lots of dragging very bad writing and art choices into the light of day and investigating what went wrong. Well done.

* If you’ve ever wondered what a smart critic with zero experience with any comics or video games would think of Scott Pilgrim vs. the World, check out Edward Copeland’s review. He situates the movie in the (500) Days of Summer/Nick and Nora’s Infinite Playlist sphere, as you might expect, and preferred the rom-com stuff to the fighting and video-game stuff, as you also might expect.

* I’d need to reread the Fourth World saga to be sure — it’s been a few years — but I’m pretty sure that, contra Tim O’Neil, Jack Kirby’s Anti-Life wasn’t fascism, or more accurately it wasn’t just fascism — it was war. I cribbed that from Tom Spurgeon and I think it squares — after all, anti-fascist superhero comics from the World War II generation were a dime a dozen, but the Fourth World Saga stood out for a reason. Regarding Tim’s contention that Morrison’s Anti-Life is less powerful a concept than Kirby’s because it’s imposed rather than embraced, I think that’s probably true, but there certainly are people who want to impose Anti-Life’s real-life equivalent and it’s a valid avenue of exploration.

* Tom Spurgeon’s interview with the comics critic and journalist David Brothers helped me get at something I’ve often found frustrating about Brothers’s work. He’s a fine writer who brings welcome eye-on-the-ball focus and deserved indignation to his commentary on industry ethics, diversity issues, and business practices, but I’ve been frustrated by his tendency to focus so much on superheroes and other fantastic-action genre work and his occasional lapses into his particular character-specific version of “Wolverine would never say that!” But regarding the former, Brothers reveals that he only this year started reading Chris Ware and Los Bros Hernandez — and what a year to start! — and regarding the latter, he owns up to “basic fan entitlement.” In other words he’s young and (like all of us, hopefully) growing as a writer. Read the interview for his smart rejection of “hey, true art takes time!” defenses of late books and for a great bit on superhero comics’ civilian fashions (although I strongly disagree with his contention that “part of being an adult is wearing a shirt that has buttons on it every once in a while”):

The lack of attention paid to fashion in comics is baffling to me. We all pay a certain amount of attention, time, and money on what we wear, but you wouldn’t know it when you look at mainstream comics. Guys still wear Solid Colored T-Shirt and Latex Tight Jeans, with maybe a loose, formless leather jacket on top. Women wear Solid Colored Belly Shirt/Baby-T, Low Rise Jeans, and Visible Thong Straps. Belts, jackets, suspenders, and even something as simple as logos tends to be almost nonexistent, barring the relatively few artists who take the time to do it right.

The visible thong thing really is the post-millennial equivalent of ’70s and ’80s shirtless vest-wearing street toughs and ’90s mullet-based hairstyles.

* Can you imagine a world in which Lord of the Flies, The Fellowship of the Ring, The Two Towers, Waiting for Godot, Rear Window, and The Creature from the Black Lagoon were in public domain as of this year? Yeah, neither can I. Fuck Thank you very much, Congress!

* Real Life Horror 1: I’m always up for reading about the giant octopus of that washed up on the shores of St. Augustine in 1896.

* Real Life Horror 2: Here’s a wonderfully written history of the bubonic plague by writer Mark Sumner on, of all places, Daily Kos.

* Real Life Horror 3: It’s always worth pointing out that my Representative, Peter King, supported IRA terrorism, especially given that he’s planning McCarthyite investigations of American Muslims who didn’t.

* Real Life Horror 4: The political blogger Digby has been doing yeoman’s work reporting on American law enforcement’s willy-nilly use of painful, frequently lethal tasers on non-violent non-criminals.

* Real Life Great Job: I can’t believe that one of the candidates for Republican National Committee Chairman is named Reince Priebus. Are we sure he’s not a Tim and Eric character? What do Prance Stuard, Bilb Ono, Doug Prishpreed, and Dun Dorr have to say about this?

* Cinema just got a lot less convincingly simultaneously genteel and dangerous.

* Whoa oh oh oh, ohhh.

* Oh, so that’s what’s up, Michael DeForge.

* Speaking of DeForge, who apparently never stops drawing, he has a funny new strip up at Vice.

* I’m glad to hear that I played some small part in getting Curt Purcell psyched about blogging about horror again.

* Speaking of: I can’t help but be a bit disappointed with the (leaked and/or official depending on what post you’re reading) video for Kanye West’s monster, especially given such recent direct points of comparison as the clips for Scissor Sisters’ “Invisible Light” or West’s own “Runaway.” To the table occupied by the former’s dizzyingly trashy recreation of giallo and other groovy-age staples and the latter’s go-for-baroque parade of sexual, racial, and self-mythological neurosis, “Monster” brings a cornucopia of played-out “sexy dead model” visuals I saw in a fashion magazine, like, ten years ago. Moreover I think the whole sentiment behind “Monster” loses something when removed from the self-loathing draped all over My Beautiful Dark Twisted Fantasy; conflicted tracks like “Runaway” contain both sides of Kanye’s macho-asshole schtick in the way that the tough-guy songs just don’t. Finally, once you’ve read Nitsuh Abebe’s suggestion that Nicki Minaj should have been represented by a shapeshifter rather than a pair of good/evil twins, you really can’t unsee it. It’s like (as I’m fond of mentioning) when I learned that the Frankie Pentangelli role in The Godfather Part II was supposed to be filled by Pete Clemenza until it fell through over a wage dispute with Richard S. Castellano.

* Happy birthday to my favorite author, J.R.R. Tolkien. I love you, Professor!

* Finally, HOLY SHIT

* Quick note: I am creating this post from 30,000 feet above the American Midwest, so apologies for the airplaine-wireless-mandated lo-res images.

* Like the comics blogosphere’s own version of the Jelly of the Month Club, Tom Spurgeon’s Holiday Interview Series is the gift that keeps on giving. Recent entries of note include interviews with beleaguered Malaysian political cartoonist Zunar, esteemed Drawn & Quarterly associate publisher and publicist Peggy Burns (perhaps my acquaintance of longest standing in all of comics), and garrulous webcomics craftsman Dustin Harbin.

* The most informative of the bunch so far has to be Spurge’s interview with CBR News Editor (and my friend) Kiel Phegley. Kiel serves up a survey of the state of the industry that I think will really impress you with its insight and candor, not just “coming from a CBR editor” if that’s the kind of thing that’s inclined to turn you off but coming from anybody.

* I wrote up Anders Nilsen’s masterpiece Big Questions for the first installment of Comic Book Resources’ Top 100 Comics of 2010.

* Speaking of year-enders, Tucker Stone lists his 20 Best Comics of 2010. Many fine choices on there.

* Tim O’Shea interviews Axe Cop‘s Ethan Nicolle. It’s fascinating to learn that Axe Cop is written largely through actual, literal play. I also had no idea the Nicolle Brothers have a print Axe Cop miniseries on the way from Dark Horse called Bad Guy Earth.

* Marvel’s keeps moving in the direction of day-and-date digital releases, but they’re smaller movements than I expected to see by now.

* Curt Purcell has a few quick thoughts on Battlestar Galactica. He’s also looking for recommendations as to which shows to watch next. Curt, The Sopranos and Deadwood are the best shows. The Wire is very good except for the final season. You know I loved Lost.

* And Now the Screaming Starts’ CRwM pleads for Bernard Rose’s Candyman. The post includes an anecdote that makes me really disappointed in Philip Glass.

* Fine writing by Zak Smith/Sabbath on the “Riddles in the Dark” chapter of The Hobbit and what it means for fantasy storytelling and RPG storytelling alike.

* Brian Chippendale’s last few Puke Force strips have been really good.

* Aeron Alfrey has posted a fine selection of video game covers over at Monster Brains.

* Whoa, what is up, Michael DeForge?

* Renee French titled this image “Shatner.”

* Real Life Horror 1: TPM’s Rachel Slajda presents the year in Islamophobia — to me the most dispiriting development in an already dreadful year.

* Real Life Horror 2: Glenn Greenwald continues to chronicle the harsh treatment of WikiLeak source Bradley Manning by the U.S. government. That’s the “how”; I have a feeling this lengthy round-up of revelations provided by WikiLeaks in 2010 is the “why.”

* Related: The story of #mooreandme, the vociferous Twitter protest of comments made by Michael Moore and Keith Olbermann dismissing and mischaracterizing the rape allegations against WikiLeaks’ Julian Assange and a link retweeted by Olbermann to an article outing the accusers.

* Real Life Horror 3: I’ve been remiss not to have linked to this already, but my home land mass of Long Island appears to have sprouted a serial killer.

* Every time I read stories like this — and that’s often — the phrase “of historic proportions” pops unbidden into my head.

Would President Obama call the boss of a man who tortured his dog to death to congratulate him for giving the torturer a second chance?

* Dirk Deppey’s farewell post at Journalista is big-hearted and gracious, and thus out of character for the irascible sonofagun. Aw, I kid — Dirk gave me my “big break” as a comics critic, as he did with many other denizens of the then-nascent comics blogosphere, by hiring me to write for The Comics Journal, an institution that, whatever its subsequent faults, he opened to manga and “mainstream” comics like never before. Even before that, his facilitation of conversation between distant blogs made him a pioneer in online comics discourse and thus a central figure in the last decade of comics criticism. If NeilAlien is the father of comics blogging, Dirk Deppey is the father of the comics blogosphere. Good luck, Dirk!

* If you can forgive Time’s absurd hit-whoring slideshow format, which is not the sort of thing that should be rewarded but is also not the fault of the fine critic and swell person Douglas Wolk in any way, then you can read his Ten Best Comics and Ten Best Graphic Novels of 2010.

* Tom Spurgeon interviews the fine young critic Matt Seneca. I say “young” not because age matters, but because seriously, here is a person who started blogging about comics after Afrodisiac came out. He’s a new breed.

* Real Life Horror: The Obama Administration unveils their kinder, gentler indefinite detention policy.

* Craig Thompson says “Habibi production is stuck in limbo.” In a good way, I hope?

* Mike Mignola tells CBR some more about his forthcoming Hellboy plans, including collabos with Kevin Nowlan, Richard Corben, and his own bad self. I especially enjoy the news that he may start treating Hellboy like an altcomic in terms of numbering; rather than label things “issue #2 of 6” or whatever, he’ll just start from #1, and they’ll come out when they come out, and the stories will finish when they finish. Hell yeah.

* Murderers’ Row: Sammy Harkham, Gabrielle Bell, Anders Nilsen, Kevin Huizenga.

photo by Dan Nadel

* Tucker Stone has his “WE are the walking dead!” moment. This is a great column on some of the year’s worst comics, worth both reading and just scanning through the horrifyingly awful panels Tucker picked out to illustrate. And seriously, stop buying terrible comics. (I do straight-up enjoy those last two images, though.) Moreover, right near the top of the piece Tucker rattles off a rock-solid best of 2010 list that covers superhero comics, alternative comics, and “fusion comics” alike. (Via Kevin Melrose.)

* Hey, Closed Caption Comics’ Ryan Cecil Smith has his own blog! (Via Tom Spurgeon.)

* This episode of a geek podcast named Bear Swarm! leaves no doubt that it is an episode of a geek podcast with a name like Bear Swarm!, if you know what I mean, but it also features a lengthy, geekish interview with George R.R. Martin about the Song of Ice and Fire novels, so I do recommend listening to that part.

* Eve Tushnet on Eyes Wide Shut and the pleasure of finding pleasure in occasionally less-than-pleasurable art:

I don’t think I’ve been nearly attentive enough about restraining this tendency in myself: the tendency to summarize, to grade. To say, “This movie was fantastic in ways x, y, and z, but ultimately failed/succeeded because q.”

It’s that “ultimately” which I need to work harder to avoid. Art is not an exam! You don’t pass or fail.

* Mark Bagley is returning to Ultimate Spider-Man, one of my favorite superhero titles for years and years on end now. I think it’s safe to say that his work for DC showed that Ultimate Spider-Man is where he belongs, although let’s be honest, David LaFuente creams anyone else who ever drew that book.

* In further news related to the good Brian Bendis comics, They’re making a TV show out of Alias. I’m not confident it’ll be any good, based simply on the track record of adaptations of any and all genre comics. It occurred to me yesterday that I could list all such adaptations I consider to be genuinely creatively successful on one hand and still have fingers to spare.

* Pure Sean crack: Ta-Nehisi Coates slags superhero movies for their smallness, praises The Lord of the Rings for its bigness. I’m telling you, I remember so vividly the 20-minute sneak-preview I was able to attend after the Cannes Film Festival, when they were screening the Mines of Moria sequence for critics. I went with a skeptical friend, and we left astonished. The instant Legolas fired that arrow and we traveled with it as it traversed that vast chasm and hit that orc, who then plummeted into the abyss, I realized: They’ve gotten the scale right, for the very first time in the history of fantasy cinema.

* Speaking of Coates, I understand why American fiction writers used to be so smitten with the idea of ex-Confederate soldiers righting the wrongs inflicted on them and theirs by Union thugs. I don’t understand why they’d still be smitten with it today. Or maybe I do, sad to say.

* Finally, a little Real Life Horror (and let’s face it, for the next two years that could be the name of any given Congressional Beat column) for your weekend: My congressman, the odious, racist (and not incidentally IRA-supporting) Peter King, will be heading up a McCarthyite committee to “investigate” American Muslims come the next Congress. Fuck this asshole, fuck anyone who thinks this is a good idea, fuck this failed-state country of ours, hallelujah, holy shit, where’s the Tylenol.

* If you caught my LOVE AND ROCKTOBER wrap-up post early enough, you probably missed the update, in which I added advice as to which Love and Rockets books you should read first if you’re interested in giving either Gilbert or Jaime’s half of the series a try.

* Well, this is the most fascinating and exciting thing I heard all day. (Which says something about me, probably.) Okay, so you know how World of Warcraft’s big Cataclysm expansion/revamp has added various new races from which players can create playable characters, like goblins and so on. The best known of these is the Worgen — werewolves, basically. Now, I figured that the story would be that there’s some preexisting (albeit previously unplayable) race/civilization of werewolves just like the humans and dwarves and orcs and night elves and so on — but no, the story is much more interesting. Basically, when you opt to play as a Worgen, you start out as a human in the isolated, isolationist city of Gilneas. Trapped behind its own massive defensive walls, the city succumbs to a werewolf epidemic, a la a George A. Romero movie or 28 Days Later. You become a Worgen after you fail to save the city and succumb to the curse yourself. How cool is that? A brilliant and sinister approach to werewolves, and a fascinatingly creepy and unexepcted way to storytell this race of characters into existence.

* Am I the only person who didn’t know that Ben Jones was coming out with a new book of comics, art, and interviews about being a man called Men’s Group Black Math in January from PictureBox? And that the covers are denim? (Hat tip: David Paggi.)

* Speaking of Jones, The Problem Solverz is indeed a full-fledged Cartoon Network show for kids, not an Adult Swim show for adults on ambien. Can you even imagine???

* Today on Robot 6: How Scott doin’? He’s survivin’. He was drinkin’ earlier — now he’s drivin’. Where y’all evil exes, hanh? Where you hidin’?

* and yep, Lane Milburn’s Twelve Gems still looks pretty terrific.

* Wow, Chester Brown’s Paying for It and Anders Nilsen’s complete Big Questions can’t get here soon enough.

* Kudos and sympathy alike to the Onion A.V. Club’s Keith Phipps for dealing forthrightly and classily with a really, really lousy situation. Would that the same could be said for the A.V. Club’s commenters, among most insufferable on the Internet and currently deluging Comics Comics.

* Hey, Chip Kidd designed the cover for Andrew Sullivan’s book about weed.

* Real Life Horror 1: War is peace, freedom is slavery, ignorance is strength, IRA collaborator Peter King is head of the House Homeland Security Committee. You almost have to admire the chutzpah involved in these Republican committee chair selections; it’s really like putting Doctor Doom in charge of the House Committee on the Fantastic Four. However, not even today’s GOP dares put Joe Barton in charge of Energy and Commerce, so good for them.

* Real Life Horror 2: Glenn Greenwald points out, among other things, that most of the people who publicly fret about the innocent lives that could some day be lost due to WikiLeaks are incapable of acknowledging the actual innocent lives already taken by the U.S. government and its military on a daily basis. That lacunae in people’s moral calculus, to which I have obviously been far from immune over the years, bears thinking about. (Of course it’s also possible for the same group of dying innocents to go from visible to invisible, as is now the case with Republicans and sick 9/11 responders.)

* Real Life Horror 3: I always find military invasions of domestic areas in response to out-of-control law-enforcement issues darkly fascinating. I think it captures my inner eight-year-old just like opposite-number villains do. As a kid in affluent suburban America, the idea of a government not having control over part of its own territory, so that they have to send in the army to reclaim control from whatever criminal enterprise is running it in their stead, is pretty much straight-up science fiction, like Jabba the Hutt having the run of things on Tattooine, Empire be damned. And so it goes in Rio de Janeiro, where the military and police invaded and retook the Complexo do Alemão slum, with the predictable mixed results. (Via Matthew Yglesias.)

* Ugh, I can’t leave you with this cavalcade of awfulness over the weekend. Here, listen to this episode of Meltdown Comics’ Meltcast podcast, in which Sam Humphries of Fraggle Rock fame names Destructor his Pick of the Week. Thanks Sam! Hey, it cheered me up…

* Here are some ways to kill time until Bruce Baugh blogs about Cataclysm.

* Radagast, Balin, and Beorn have been cast and Cate Blanchett has been re-signed as Galadriel in The Hobbit. Yes, ex-Doctor Who Sylvester McCoy is Radagast.

* Holy moley: Problem Solverz, the upcoming Adult Swim cartoon from Ben Jones, is almost literally unbelievably gorgeous. Do yourself a favor and watch this fullscreen at 720p. The colors are astonishing. It’s also really funny! Well done. (Via Sammy Harkham.)

* Here’s a very informative interview from the Innsmouth Free Press with artist and blogger Aeron Alfrey of Monster Brains fame. It includes the breaking news that Alfrey and Mat Brinkman are making a board game together.

* Today on Robot 6: Early and rare Bill Watterson art.

* Check out these effusive BCGF reports from AdHouse’s Chris Pitzer and pood‘s Adam McGovern.

* Speaking of AdHouse, AdDistro has added Revival House Press, publishers of the entertaining Trigger and Shitbeams on the Loose.

* AMC will be re-running Breaking Bad in its entirety, two episodes every Wednesday night starting tomorrow through March 2011. Sold.

* I don’t think all that much of the films of Christopher Nolan, and this post by Topless Robot’s Rob Bricken struck me as a pretty efficient film-by-film explanation of why.

* Today the New York Times’ RSS feed for Paul Krugman’s blog uploaded a post with the headline “Ice And Fire Update” and the synposis “The saga is getting better.” Man oh man was I disappointed when I clicked through to see it was a post about Iceland’s economy and not, you know, Nobel Prize Winner Paul Krugman blogging his thoughts on the chapters he recently read from George R.R. Martin’s A Song of Ice and Fire series.

* Real Life Horror: This Telegraph piece on potential UFO/extraterrestrial-related documents in the WikiLeaks diplomatic document dump is a Real Life Horror candidate for two reasons. One, hey, awesome, confidential government cables about aliens! Two, the litany of astonishingly bloodthirsty statements by various American conservative politicians and pundits calling for the state murder of Julian Assange and anyone who helps him. It’s almost as if the movement had been waiting with bated breath for a political enemy whose death they it could call for without reproach.

* America is Number One!

* Good eye, Ben.

* The inclusion of Bryan Ferry’s Olympia on Pitchfork’s Worst Album Covers of 2010 list is just bizarre. Like they’re asking, “Can you believe Bryan Ferry put a recumbent model on his latest album cover?!?” Um…yes?