Stefan Sasse and I take on Obi-Wan Kenobi in the latest episode of BLAH, available here or wherever you get your podcasts!

Which leads to a larger concern I have about the show: Why, exactly, does it exist? As with so many Star Wars tie-in projects, it dances between the raindrops of existing continuity, while occasionally shifting that continuity to its own ends. Like, we kind of knew Obi-Wan had to whip Darth Vader’s ass, because in A New HopeVader tells Obi-Wan he was “a learner” the last time they met. 

But establishing a pre-existing relationship between Obi-Wan and Leia—and in this episode, even Obi-Wan and Luke—adds a whole lot to the existing canon. And for what? A six-episode show with all the visual flair and emotional heft of a Star Wars Jedi: Fallen Order cut scene? I don’t think the game is worth the candle. (This is why stuff like “Why didn’t he just kill him when he had the chance?” is popping up in my mind—not because I’m some CinemaSins-style pedant, but because the project’s overall sense of mild aimlessness gave my brain a chance to question plot holes I’d otherwise overlook.)

I reviewed the finale of Obi-Wan Kenobi for Decider.

Overall, it’s hard to look at the episode as a success from a suspense perspective, though when you think about it, that’s nothing new. Star Wars has always been about characters we know aren’t gonna die anytime soon, with rare exceptions; its great trick was in constructing action set pieces so gripping that they make you forget. (Seriously: No one on the planet thought Luke Skywalker was going to get shot down during the attack run on the first Death Star, but if your knuckles don’t still whiten at least a little bit every time you watch it, I don’t wanna know you.) 

But a prequel show that features Obi-Wan, Darth Vader, and Princess Leia as main characters faces an extra challenge, just as the prequel movies did: We know, for a fact, that these characters survive, since we’ve seen their future adventures. For that reason, the action must be doubly exciting and inventive to maintain audience investment. 

Does the show deliver on that score? No, I don’t think it does. It’s true that there are occasional moments of menace or awe, like when the Grand Inquisitor sweeps back in to gloat, or when Darth Vader uses his incredible Force powers to stop an entire transport from taking off. (It’s a decoy transport, but still.) And of course there’s that nostalgic duel between Obi-Wan and pre-Vader Anakin.

But the battle between the Path folks and the stormtroopers is indifferently blocked and shot—it’s just a bunch of people shooting guns at each other and somehow missing despite the fact that they’re like four feet apart. The Imperials are so bad at this that Obi-Wan’s lightsaber-twirling presence on the side of the good guys is barely needed. The fight between Vader and Reva, at least, is supposed to be a one-sided affair, driving home Vader’s superior power, and on that count it succeeds. 

I reviewed today’s episode of Obi-Wan Kenobi for Decider.

All in all, it’s a brisk little episode that reminds me of nothing so much as a cut-scene sequence from a Star Wars video game like Star Wars Jedi: Fallen Order. (It doesn’t hurt that the game features a Fortress Inqusitorius break-in/break-out sequence of its own.) It utilizes the spartan Imperial aesthetic to create an illusion of impregnability, then shows our characters shattering that illusion. It’s a tried-and-true method of Star Wars storytelling that goes all the way back to Obi-Wan, Luke, Han, Chewbacca, R2-D2, and C-3PO’s adventures on the first Death Star. And there are interesting glimpses of how the Empire has handled Force-sensitives since its establishment, namely a hallway full of Jedi bodies in suspended animation that Obi-Wan stumbles across. Entombing the Force sensitive is at least part of the Fortress’s true purpose, and that’s some good Dark Side storytelling.

But the episode brushes past some of the series’ most momentous moments to date. Take that confrontation between Vader and Obi-Wan in the previous episode. That scene was already burdened by the filmmakers decision to wedge in a new face-to-face between the two old frenemies that had little of the mythic power of Anakin and Obi-Wan’s confrontation on Mustafar in Revenge of the Sith or their final battle on the Death Star in A New Hope. Now, its one moment of real urgency, Vader using the Force to push Obi-Wan into a fire so as to mimic Vader’s own injuries, gets brushed away with a quick dunk in a bacta tank. Hell, Obi-Wan doesn’t even stay in the tank for the doctor-recommended length of time! If this was all that was gonna come of that confrontation, why have it happen in the first place, given how it short-circuits the “circle-is-now-complete” loop between Mustafar and the Death Star?

I reviewed today’s episode of Obi-Wan Kenobi for Decider.

For his part, Obi-Wan mostly gets wrecked, which is to be expected—he’s facing the most powerful former Jedi in the galaxy, a guy who’s been using unchecked power for years instead of hiding in a cave in the desert someplace. But it lacks the drama and power called for by the moment—a poor follow-up to their final battle in Revenge of the Sith, which even most prequel haters seem to appreciate.

The new rendez-vous also calls into question the conversation he has with Vader during their fateful duel aboard the Death Star in the first Star Wars movie, about how when they last met, Vader was his student. As with Leia, who now has canonically spent time with Ben Kenobi prior to her plea for his help in A New Hope, there’s now an extra wrinkle to the Kenobi/Vader timeline, and I’m not convinced it makes sense, or that the payoff here was worth monkeying with the continuity.

And that’s the big question dogging Obi-Wan Kenobi. Is it pleasant to spend more time with Ewan McGregor in the title role? Absolutely. Is it fun to hear James Earl Jones’s voice coming out of Vader’s mask, and to catch blink-and-you’ll-miss-him glimpses of Hayden Christensen as the once and future Anakin Skywalker? You bet. But does the story that reacquaints us with these characters have both the logic and the emotional heft to make it worth telling, in the end? On this matter, the Force is hazy.

I reviewed today’s episode of Obi-Wan Kenobi for Decider.

What we’ve got in this episode amounts to a fairly serious retcon of the relationship between Princess Leia and Obi-Wan Kenobi. Previously, he was simply the legendary warrior to whom a desperate Leia reached out for help as Darth Vader’s forces attacked her ship. Thanks to the event of this episode, though, he’s now a person she would remember, recognize, and most likely treasure for rescuing her as a kid. You can probably square this away with how Leia reacts to his presence in A New Hope—her excited cry of “Ben Kenobi?!?” when Luke tells her the old Jedi is on the Death Star with them now feels more justified, for example—but speaking personally, I’d have kept him an aloof and mysterious figure. This feels a little like how the prequels randomly made C-3PO a creation of Anakin Skywalker. Like, okay, but…why?

I reviewed episode two of Obi-Wan Kenobi for Decider.

A long time ago, in a galaxy far, far away, there was a school shooting. Armed gunmen burst into an academy for children and began firing at anything that moved. A teacher sacrificed her own life to protect her students, dying so that they might live.

If you came in search of escapism, look elsewhere: This is the painfully timely way in which Obi-Wan Kenobi begins. At this early stage in the series—the most ambitious live-action Star Wars project that Disney+ has yet unveiled—it’s hard to tell if this awful coincidence is for the better or for the worse. Driving home the horror wrought by the Empire and its architects gives this project an emotional heft that predecessors sometimes lacked. (In the very first Star Wars film, an entire planet—which we see in some detail here—gets blown up, and it’s barely a blip on the emotional radar.) But does the show’s story of a Jedi Master’s time in the literal wilderness merit this kind of seriousness?

I’ll be covering Obi-Wan Kenobi for Decider, starting with my review of the series premiere.