“In a year that many have found bleak and depressing, Mirror Mirror II managed to channel this energy into one of the most riveting visual experiences of the year….the best horror comics anthology available.” —Phillippe Leblanc

“This book should win all the design awards for 2017. It’s as magnificent as the contents are (purposely) horrific.” —Heidi MacDonald

I’m honored to that Mirror Mirror II made the Beat’s Best Comics of 2017 list twice over, once courtesy of Phillippe Leblan and again via Heidi MacDonald. Perpetually grateful and glad so see this book reaching people. Buy it here.

Mirror, Mirror II, edited by Sean T Collins and Julia Gfrorer, published by 2D Cloud
I’m not going to lie, this one really messed with me. If I were listing comics that challenged me the most in 2017 (which Alex Hoffman has done in the past), this would have been number one with a bullet. I wasn’t sure what to think when I first finished it. Did I like it? Is it the kind of anthology that can be liked? Collins and Gfrörer push to the very edge without going over it, with stories that show the strong link between eroticism and horror. It’s really unlike anything I’ve ever read.

Rob McGonigal named Mirror Mirror II one of his favorite anthologies of the year at Panel Patter. Can’t beat a lede like that.

I’m pleased to learn that Mirror Mirror II, the comics anthology I co-edited with Julia Gfrörer for 2dcloud, has made the Honorable Mentions for PW’s annual graphic novel critics poll! If you want to see what it’s all about, buy it here or at the retailer of your choice.

MIRROR MIRROR II edited by Sean T. Collins & Julia Gfrörer

Darkness is as intimate as a caress and as distant as history in this chilling anthology of horror comics….This collection doesn’t just feel haunting; it feels corrosive.

Mirror Mirror II, the comics and art anthology I co-edited with my partner Julia Gfrörer ( @doopliss ), was named one of the 10 Best Comics of the Year by The Verge. As always, I’m so pleased to learn how this book has reached people.

Go and read. I’m just so, so happy this book has found its way to people who get so much out of it.

Mirror Mirror II is a sexy, creepy book which is daring in the topics it addresses, its creators eliding conservative platitudes or easy explanations for parts of human behaviour which psychologists have spent decades struggling to get to the bottom of (can you imagine if Freud had had access to PornHub’s stats when doing his formative work?). It does not shy away from how complex and difficult its subject matter is. It’s also a sumptuously designed, beautifully illustrated compendium of some of the most talented alternative comic creators working today. Just don’t read it on the bus.

Another wonderful review of our book Mirror Mirror II, this one from Tom Baker at Broken Frontier. I can’t begin to tell you how good it feels to see this book hit exactly the way we always wanted it to.

“The book is an eclectic mix, beautiful and unsettling, with a strong erotic element….Mirror Mirror II is an immensely strong book, full of varied, challenging work that will not disappoint fans of the featured genres. If you come across a copy, I highly recommend picking it up.”

—Pete Redrup, The Quietus

Our book Mirror Mirror II has gotten another wonderful review, for which we are very grateful. You can buy the book from our publisher 2dcloud or Amazon.

My co-editor Julia Gfrörer and were recently guests on Elana Levin’s Graphic Policy podcast, where we talked about our book Mirror Mirror II, horror, comics, labor, and more. Press play above or click here to listen!

Mirror Mirror II (2dcloud), anthology

As with any anthology, Mirror Mirror II features some entries that will leave more of an impression than others, but the totality of the work presented is both haunting and astounding. Collecting comics, prose, and illustrative work from such luminaries as Clive Barker and Al Columbia, as well as work by younger authors like Céline Loup and Trungles, editors Sean T. Collins and Julia Gfrörer have curated quite the book. The theme unifying all of these pieces is the convergence of the erotic and the macabre—some works being more explicit than others—but that may be the only commonality between them. Each one offers a striking aesthetic vision. And though some will resonate more deeply than others—which works stand out will most certainly depend on the reader—they accumulate to form an impressive volume. An enormity of spectacle is brought to bear on exploring the commingling of the pleasurable with the painful, the fantastic with the nightmarish, and the result is a series of truly shocking and often deeply moving images. Mirror Mirror II is troubling and challenging, but it is also rewarding and stunning—a thrilling experience that readers won’t soon forget. [Shea Hennum]

I’m proud to say that the AV Club selected Mirror Mirror II as one of its favorite comics of the year so far.  The reviews for this book have been just wonderful.

Mirror Mirror II by various (2dcloud)

There was a time when you could rely on comic books for bone-deep terror — the early-1950s was the heyday of horror tales produced by publishers like EC Comics. Alas, that heyday was cut short by a moral panic and a subsequent regime of censorship, and horror comics never quite recovered as a phenomenon. Thank goodness, then, for Mirror Mirror II, a new collection of short horror pieces edited by Sean T. Collins (who is a contributor to Vulture) and Julia Gfrörer. It awakens the long-underused genre and pushes your fear buttons in ways you could never have anticipated. It’s hard to pick the most memorably mind-devouring portion: Is it cartoonist Mou’s tale of a guy who one day finds himself painfully ejaculating letters that spell out a set of cryptic sentences? Or filmmaker Clive Barker’s painted vignettes of savaged and distorted human figures? Or Al Columbia’s unnerving single-panel depictions of old-timey cartoon characters engaging in unspeakable acts? Open wide and decide for yourself.

Abraham Riesman included our book MIRROR MIRROR II in his list of the month’s must-read comics for Vulture. I’m pretty sure you’ll be able to get it one way or the other — retail or online — either at the very end of the month or the very beginning of July. I can’t wait till you all can see it.

When I was younger, I practiced vipassana meditation.  Unlike my current zen habit of ‘just-sitting’, vipassana asked me to contemplate the true nature of reality by focusing on certain images that would help bring me closer to truth. One of the pertinent images that drove the Buddha towards the path of enlightenment was that of a corpse. But when you haven’t really seen a corpse that wasn’t pumped full of embalming fluid and dressed up for you, there is some serious detachment from what it really means to see inside of Death. Still, I think those hours spent drumming up morbid-but-hollow imagery were the closest I had ever gotten to actually thinking about The Abject.  And I would argue it is only about as close as a S.I. swimsuit cover could take you to thinking about the truly erotic.

Bubblegum enlightenment.

In her foreword to Mirror Mirror II, Felker-Martin asks readers like me to consider horror on a continuum with the erotic; this realm—the realm of The Abject—weaves through our humanity; from our sexuality, to the desires we bury, and back through to the very fragility of our flesh and what that means for us as everyday creatures.  More than bubblegum enlightenment, this sets up a spectrum of artwork that acts as what anthology editor and contributor Julia Gfrörer calls on a recent Process Party podcast, a “sublime ritual of degradation.”

And while my girlfriend probably isn’t thrilled about the idea of watching Hellraiser, Mirror Mirror II brought at least one more person to the altar of fiction which rends flesh. Prior to this anthology, my interest in horror media generally was almost exactly ZERO.  Felker-Martin’s prognosis for the reader gave me pause: “What you’re about to read will hurt you.” Why in the fuck would I want that?

[…]

In writing this review, I first attempted to sum things up as best I could about the kind of work Mirror Mirror II is; but so many of the individual works themselves reached out and grabbed me in particular ways that I felt compelled to say something about each one.And this just kept happening.

There’s still more work to talk about, from Carol Swain (shit, one of my favorite comics in the book was hers!), Al Columbia(!), Noel Freibert, Dame Darcy(!!), Mou, Uno Moralez, a murderer’s row of Clive Barker illustrations(!!!!!), a piece authored by co-editor Collins, and more.  But any omissions certainly won’t haunt me as much as the work itself.

While words like “degradation” and “abject” don’t follow a straight line to “empathy” either in a thesaurus or in the minds of many people, there is obviously a broadening of perspective that comes when you are rendered vulnerable.  And you cannot will yourself into vulnerability.  Alone, you can only conjure decay once you are already no longer living and breathing.  While you can still feel and fuck and fear, you must be led by a dark muse to a fetid clearing where a more communal sense of perversion and violation crawls between your toes.  You must peer at what lies just beyond.

You must hurt.

This is the beginning and end of an absolutely extraordinary review of our book MIRROR MIRROR II by Comics Bulletin’s Austin Lanari. In between he goes in-depth on contributions by Laura Lannes, Sean Christensen, Aidan Koch, Josh Simmons, Trungles, Julia Gfrörer, and Meaghan Garvey, and basically exceeds my wildest expectations about readers getting it. I’m so grateful.

Great horror is the pursuit of meaning through defilement, a conscious and inquisitive violation of the mind, the body, the beloved, the home; the concentric circles of security that comprise our lives. Great porn proceeds from a similar root, grappling with that which delights and with that which abases in the context of their inextricability. There is no division between the shame that ignites desire and the desire itself, just as there is no division between love and the fear of death.

So begins Gretchen Alice Felker-Martin’s foreword to Mirror Mirror II, the second annual collection of horror and erotic comics from indie publisher 2dcloud. In this volume, editors Sean T. Collins and Julia Gfrörer curate a murderer’s row of alt-comic talent. Anthologies tend to wobble in quality from one story to the next, but the work here bottoms out at vivid and frequently reaches greatness. Empowered to grasp as deeply as they please into the darkest possibilities of their imaginations, these artists merge Felker-Martin’s ideas of great horror and great porn into a chimera of hideousness so lovingly detailed that it becomes beautiful.

[…]

Though plenty of the stories delve into explicit violence or sex (or both), or into outright body horror, others instead seek to insinuate anxiety in the reader’s gut — that floating chill you get when you sense that something is off, even if you can’t articulate what it is. It’s the instinctual reaction to the slime and drip from wounds and orifices, juxtaposed with the allure of naked bodies and pleasured genitals. This book is like a porn stash you’d find in the cupboard of a medieval demon. It feels truly forbidden, and reading it induces an exquisite sense of deviance.

Dan Schindel wrote a rave review for Mirror Mirror II, the comics anthology Julia Gfrörer and I co-edited and contributed to, for Hyperallergic. You can pre-order it from Amazon or directly from our publisher 2dcloud, which also has an extensive preview up. We can’t wait for you to see it!