You got to do some real serious fantasy stuff during your time on the show. I mean, you rode a dragon into battle.
Oh, mate, I loved it. It was one of the best things I’ve done. I’m not sure if you’ve ever been to Ibiza or Magaluf or somewhere like that, but you have these bulls in the bars you can jump on and ride them, like a rodeo-type thing. It’s a bit like one of them: You jump on and it’s been programmed for a minute long, and it’s got all the dips and twists and turns, and you strap in. And they have a giant leaf blower and a guy just blows wind in your face. I can’t lie: I thought it was amazing. I’d do that all day.

What’s it like to walk into a production on this scale?
It’s a weird one. I was — still am — a massive Game of Thrones fan. I say that all the time but then I realize I weren’t as big a fan as I thought, because the fans of the books are just so, so, so much more clued up. [Laughs.]

When you’re on the outside, it’s massive. But on the inside, I didn’t realize the scale of it. When you’re shooting scenes, it just felt like the job. My agent still says to me, “You don’t realize how big this show is, do you?” And I’m like, “No.”

I interviewed House of the Dragon‘s Theo Nate, aka Laenor Velaryon, for Vulture.