What will it remind me of?

“Shogun” is very much a product of the post-“Game of Thrones” television landscape: It is a high-budget medieval-esque action-adventure period piece with a high melodrama quotient. While many shows indebted to “Thrones” are fantastical — “The Wheel of Time,” “The Rings of Power,” “House of the Dragon” — “Shogun” is straight historical fiction. Its visual grandeur, however, makes it look like an epic fantasy minus the dragons.

There are other clear influences, including the samurai films of Akira Kurosawa — as Frederick E.O. Toye acknowledged in his acceptance speech for best drama directing on Sunday night. This applies not only to the show’s setting and swordplay but also to the psychological drama, scheming and tragedy.

The show’s emphasis on the roiling interior lives of its women characters, who are hemmed in by cultural and religious constraints, echoes the work of Ingmar Bergman. Lady Mariko’s desperate life, in particular, feels like “Cries and Whispers” with samurai swords.

I wrote a primer for the Shōgun-curious after last night’s Emmy Awards romp for the New York Times.

Best Actor in a Drama
Sterling K. Brown, This Is Us
Anthony Hopkins, Westworld
Bob Odenkirk, Better Call Saul
Matthew Rhys, The Americans
Liev Schreiber, Ray Donovan
Kevin Spacey, House of Cards
Milo Ventimiglia, This Is Us

WILL WIN: Here’s a Drama category in which the absence of Game of Thrones actually doesn’t wreak havoc, since HBO nominates everyone from Peter Dinklage to Kit Harington in the Best Supporting Actor slot. Plus, last year’s winner – Mr. Robot‘s Rami Malek – isn’t even nominated this year, so the field is wide open. Our guess is that the mass appeal of This Is Us gives the excellent Sterling K. Brown an edge over the star power of Anthony Hopkins on Westworld, whose show has plenty of other opportunities to take home trophies.

SHOULD WIN: Matthew Rhys and Bob Odenkirk are both plumbing such depths of unhappiness on The Americans and Better Call Saul that their performances should come with an antidepressant prescription; we’d give either of them the gold, particularly over such “well, we’ve got to nominate these guys again, I guess” choices as Schreiber and Spacey. Let’s go with Odenkirk, thanks to his material’s higher degree of difficulty this year.

ROBBED: Rami Malek won the Emmy in 2016 for his indispensable work on Mr. Robot; this year he wasn’t even nominated. The yeoman’s work that Justin Theroux has done on The Leftovers for years deserved recognition. And while we realize the networks decide which actor is submitted for which character, it’s nutty that Jeffrey Wright got tapped for Westworld‘s Best Supporting Actor and Sir Anthony got Best Actor, rather than the other way around. But tops on the list is Michael McKean on Better Call Saul, delivering a performance of such profound misery that you’ll forget Spinal Tap and Laverne & Shirley within minutes.

The tradition continues: I took a stab at predicting the outcome of all the major categories at this coming Sunday’s Emmy Awards for Rolling Stone. I have no truck with awards shows as barometers of quality, but they can be a lot of fun to analyze like a sport.

Best Drama
The Americans
Better Call Saul
Downton Abbey
Game of Thrones
Homeland
House of Cards
Mr. Robot

WILL WIN: Mad Men, the final jewel in the crown of TV’s New Golden Age, wrapped up its run with a triumphant final season last year — and Game of Thrones still beat the damn thing. Despite the long-overdue appearance of The Americans and the well-deserved debut of Mr. Robot on the Best Drama list, look for the Khaleesi and company to repeat the feat this year.

SHOULD WIN: We said it last year even while we were hedging our bets:“No series on TV thinks bigger or strikes harder than Game of Thrones.“ With its stunning dual climaxes — the jawdropping “Battle of the Bastards” and the destruction of seemingly half the cast as Cersei Lannister settled all family business — the show left it all on the field this year, and deserves the gold.

ROBBED: While Showtime’s smart, sexy The Affair and Lifetime’s breakout reality-TV satire UnREAL had to settle for Best Supporting Actress nominations to even get their feet in the door, the year’s two biggest turnarounds from their first-season woes, AMC’s Halt and Catch Fire and HBO’s The Leftovers, were unjustly shut out entirely. Any of those four shows deserve the slots occupied by the Downton Abbey/Homeland/House of Cards trifecta.

I predicted the winners of all the major Emmy Awards categories for Rolling Stone. As is custom when I theorize or prognosticate, this is 100% real and serious and definitive; I am right and I will be proved right. Don’t @ me.

Best Actress in a Drama, 2015

The Lineup: Claire Danes (Homeland), Viola Davis (How to Get Away With Murder), Taraji P. Henson (Empire), Tatiana Malsany (Orphan Black), Elisabeth Moss (Mad Men), Robin Wright (House of Cards)

Is this the strongest year for actresses in Emmy history? We say yes. The range of genres and tones represented by 2015’s nominees is crazy wide, with prestige dramas, smash-hit soaps, political potboilers, sci-fi imports, and postcards from Shondaland standing shoulder to shoulder. The performances are equally varied, equally strong, and virtually indispensable for their shows: Can you imagine an Empire without Henson, a Homeland without Danes, or an Orphan Black without Malsany? Even if you could, why would you? For women actors on television, this really is a New Golden Age.

I wrote about the strongest Emmy Awards lineups of all time in each major category for Rolling Stone.

BEST DRAMA

The Nominees:
Better Call Saul (AMC)
Downton Abbey (PBS)
Game of Thrones (HBO)
Homeland (Showtime)
House of Cards (Netflix)
Mad Men (AMC)
Orange Is the New Black (Showtime)

WILL WIN: A failure to award Matt Weiner’s masterpiece Mad Men one more time before it heads off to the big Coke commercial in the sky would be almost willfully perverse. If its most direct points of comparison — Weiner’s alma mater show The Sopranos and its AMC brother-in-arms Breaking Bad — could pull off the final-season win, the house that Don Draper built can do it too.

SHOULD WIN: Never mind the naysayers: Mad Men is an all-time top-five television show and deserves the trophy for its melancholy, valedictory suite of final episodes. That said, no series on TV thinks bigger or strikes harder than Game of Thrones, though it will take the departure of both itsBad/Mad rivals for it to finally take home the gold.

ROBBED: The biggest drama here may well be the shows that didn’t make the cut. Showtime’s uncompromising psychodrama The Affair took home the Golden Globe but didn’t even manage a nomination. FX’s political thriller The Americans gets better and better seemingly with every episode but has yet to garner a nod, even as its weaker counterparts Homeland and House of Cards keep racking them up. Fox’s ratings behemoth Empire was a way more entertaining soap than Downton Abbey’s sagging fourth season, while Boardwalk Empire’s morally merciless final episodes trumped it in the period-piece department. The Marvel/Netflix joint Daredevil was the best live-action superhero-comic adaptation since Tim Burton’s Batman in 1989 (eat it, Chris Nolan). And NBC’s violent visual fantasia Hannibal made almost everything else on TV look like a public-access show.

I wrote up my Emmy predictions for Rolling Stone, though my favorite part of the assignment was writing about all the deserving actors and shows who were robbed of nominations to begin with. So much good TV out there, people.

Best Actor in a Drama, 2013

Whether you were in the market for sirloin stake or a big fat ham sandwich, there was plenty on the menu to choose from this year. Jon Hamm and Bryan Cranston did their usual phenomenal work on Mad Men and Breaking Bad. Damian Lewis elevated sometimes shaky material as triple-agent Marine-turned-terrorist-turned-informant Nicholas Brody on Homeland, a role for which he’d won the previous year. But the victory of Jeff Daniels as The Newsroom‘s bloviator-in-chief Will McAvoy was all the more bizarre because of the slightly less top-shelf alternatives available to voters, if that’s what they really wanted. Why not, say, go for Kevin Spacey, who gave great hambone and drawled his way through House of Cards? And if it was fusty and blustery but ultimately good-hearted you wanted, Hugh Bonneville’s take on that template as Downton Abbey‘s Lord Grantham was altogether more appealing.

I wrote about the biggest surprises in recent Emmy history for Rolling Stone. Spoiler alert: 2007 was crazy, man.