THICKNESS #3
30XX by Lamar Abrams
PROTESTPLOITATION by Jimmy Beaulieu
NIGHTCRAWLERS by Edie Fake
THE CHASM by Julia Gfrörer
THE COCKROACH by William Cardini & Sean T. Collins
STANDING OVATIONS by Gengoroh Tagame
QVIET by Andy Burkholder
…and a pinup by HamletMachine

(via Ryan Sands)

Respect creators. Respect art. Respect comics. Respect yourself.

* It’s the most wonderful time of the year: Time for Tom Spurgeon’s comically massive guide to the San Diego Comic Con, fully revised and updated this year and as wise and funny and practical as ever. It is literally the next best thing to being there, and every time I read it, I miss the show more. If you want a taste of what it’s like without going, spend your lunch hour with this sucker.

* Matthew Perpetua has unleased another monstrous eight-disc survey mix, this one featuring the best songs of 2006. It’s funny: I don’t disagree with him that 2006 was a weak year overall, but I look at this mix and it’s jam after jam. But I think I started regularly reading Matthew’s Fluxblog site in 2006 because I liked the songs he was writing about, so I suppose it’s not surprising that I’m 100% behind the majority of his selections here.

* Tom Spurgeon also interviews Study Group/Press Gang cartoonist and impresario Zack Soto, who’s at the center of a lot of interesting things going on in alternative comics making and publishing right now.

* By all means enjoy Marc Spitz’s oral history of The Wire for Maxim. The revelation of this little bit of actor business by Jamie Hector, the actor who played the evil-eyed druglord Marlo Stansfield, was dynamite:

You know, I never looked in the mirror, never worked on that stare. I’d look through the other person, like they just don’t exist.

* DC Comics’ big New 52 relaunch helped, but didn’t transform, the company’s sales.

* Okay, so apparently there’s some kind of anthology called CAKE BOOK 2012 edited by Andy Burkholder (related to CAKE the con? I don’t know) and featuring, and I quote:

Dane Martin
Anna Haifisch
Paul Nudd
Brecht Vandenbroucke
Patrick Kyle
Sua Yoo
Michael Olivo
A. Degen
Anders Nilsen
Jason Overby
Nick Drnaso
Sanya Glisic
Jason T Miles
Ginette Lapalme
Blaise Larmee
Otto Splotch
Eamon Espey
Molly O’Connell
Paul Loubet
Jesse Balmer
Aidan Koch
John Hankiewicz
Jeff Lok
Max Morris
Lyra Hill
Karneeleus
Henry Glover
Jaakko Pallasvuo
Michael Deforge
Jesse Fillingham
Edie Fake
Jesse McManus
Mike Redmond
Leslie Weibeler
Matthew Thurber
Josh Bayer
David Alvarado
Chris Day
Mickey Z
Scott Longo
Austin English
Julie Delporte
Andy Burkholder
Conor Stechschulte
Onsmith
Zach Hazard Vaupen
Joe Tallarico
Bret Koontz
Aaron Shunga
Noel Freibert
Andy Ortmann
Shalo P
Anya Davidson

Holy moses.

* Anders Nilsen talks about what looks and sounds like an extraordinary sketchbook-based book and gallery show he’s doing called Rage of Poseidon.

* Zach Hazard Vaupen, the weirdest gag cartoonist on the planet, has started another humor strip called Pixel Dog’s Soft Bark. That’s what this is.

* Julia Gfrörer’s Black Is the Color (of course it is) is now playing on the Study Group webcomics portal.

* Isaac Molyan revisits one of our old collaborations, “I Remember When the Monsters Started Coming for the Cars.”

* Lovely cartooning from Michael DeForge.

* Uno Moralez, image/gif gallery, solid gold, you know the drill.

* Drawn & Quarterly will be publishing a Lisa Hanawalt collection. Great news for all involved, including the readers.

* Filing these away for when I’ve read the book: The Comics Journal’s Nicole Rudick and Ken Parille on Alison Bechdel’s Are You My Mother?.

* Tom Ewing on the silence of Star Wars. I know exactly what he’s talking about, and it’s the sort of thing one misses when watching contemporary blockbusters.

* Not that I expected any less, but I sure am glad to see the Mindless Ones avoid the new “Wolverine wouldn’t do that!” school of Mad Men criticism in their review of last week’s pivotal episode “The Other Woman.”

* Speaking of, Gwynne Watkins’s Mad Men interview series for GQ has made for marvelous reading. Big surprise: the actors tend to be very smart interpreters of the show. Particularly recommended but ONLY IF YOU’RE ALL CAUGHT UP: Jared Harris and Christina Hendricks.

* Real Life Horror: What kind of person voluntarily sits in on Obam’s Kill List meetings? Like, where are you in your life where you think to yourself “These are calls I’m comfortable making”?

* Finally, news you can use: Emma Watson will be performing in full Rocky Horror lingerie regalia in her next movie.

How do we feel about this, ’90s high-school drama-club goth Christina Hendricks? “Well, at first I was like…”

“But then I was like…”

Nurse Nurse
Katie Skelly, writer/artist
Sparkplug, 2012
160 pages
$15
Buy it from Sparkplug

For today’s Comics Time review, please visit The Comics Journal.

Behold Edie Fake’s cover for Thickness #3, the erotic comics anthology featuring Edie Fake, Lamar Abrams, Julia Gfrörer, Jimmy Beaulieau, Sean T. Collins (yep, me!), William Cardini (who drew the thing I wrote), Gengoroh Tagame, Hamletmachine, Andy Burkholder, and True Chubbo, edited by Ryan Sands and Michael DeForge. Debuts at CAKE on June 16, available online everywhere shortly thereafter.

* Let’s start with a couple of quick updates to the piece I wrote yesterday about Tim Marchman’s essay on superhero comics for the Wall Street Journal. First, I thought it was important to add that I read and like quite a few Big Two superhero comics being published today, and I enjoy the field overall more than Marchman does, so that would be another quibble of mine with the piece. My attitude for the last few years has been that since I have an easy enough time finding superhero comics I enjoy, I don’t bang my head against the overall health of the genre. (Indeed it’s been a long time since I felt worrying about the Health of Comics was a productive or worthwhile goal for me as a writer.)

* Second, the Washington Post’s Michael Cavna wrote in to point out that he has indeed been covering the ethical ramifications of the Avengers movie and Marvel’s treatment of Jack Kirby for WaPo’s Comic Riffs blog: here he proposes Marvel just up and giving the Kirby heirs a million dollars, and here he interviews writer-artist Roger Langridge about his decision to cease working for Marvel and DC over creator-rights issues. I guess there’s a difference between the book review section (where Marchman’s piece appeared) and a dedicated blog for comics and cartooning, but I said that the national media hadn’t touched these issues at all, and here you have one of the most national-est and mainstream of national mainstream news publications talking about it. My only defense is that I simply missed the articles. Thanks to Cavna for bringing them to my attention, and for bringing these issues to the attention of his readers.

* Normally I’d save items like this for All Leather Must Be Boiled, but Entertainment Weekly’s big scoop on all the new characters in Game of Thrones Season Three (I’ve linked to Westeros’s coverage because they add a couple scoops of their own) is good enough news to share it over here, too. Basically, that character you love and were worried wasn’t going to be in the show, whoever that happened to be? He or she is in the show.

* Another one bites the dust: Like it did with me, fatherhood has forced my old Robot 6 editor JK Parkin to retire from the blog. John’s a smart writer and a tireless editor, who was responsible for making perhaps the great “you got peanut butter in my chocolate” comics blog — Robot 6 covers the entirety of comics from the home base of a superhero-centric site, and John’s the one who navigates the conflicts and congruencies — as good as it’s long been. Good luck, Papa John, and good luck to the equally awesome Kevin Melrose, who’s officially taking over.

* Speaking of Robot 6, Chris Mautner provides an introductory course on Charles Burns.

* Whoa: Benjamin Marra unveiled a whole new primitive style this past week. Feast your eyes on “Inner-City Wizard” and “College Buds.” But don’t worry: “High School Hooker Vigilante” still has that old-school Marra magic.

* Catching heavy Renee French vibes, of all things, from Tyler Crook’s portrait of the Childlike Empress from The NeverEnding Story.

* Mind you, the original Renee French is always available for your perusal as well.

* You anti-London Olympics people out there, and I know there are a bunch of you, ought to appreciate this savage, vulgar thing from Pete Barn Paulsz. (I wish I could remember how I found this.)

* Jonny Negron, man. Jonny Negron.

* Music writer Jamieson Cox interviews music writer Brandon Soderberg for his tumblr-centric music-writing podcast. Two great writers who taste great together.

* Aw man, that Jack Kirby “Spiderman” image that went around last week was a fake. (Via an apologetic SHIT COMICS.)

* Fun fact I learned from Glenn Greenwald #1: Did you know the Obama administration defines any military-age male in a strike zone as a combatant? Keep this in mind next time you hear about how many militants our fleet of flying killer robots blew up.

* Fun fact I learned from Glenn Greenwald #2: Did you know that the way we caught Osama Bin Laden was by hiring a Pakistani doctor to pretend to vaccinate children for Hepatitis B when in actuality he was collecting DNA samples? Keep this in mind the next time you hear about how those evil Pakistanis put that guy in jail for 33 years for the crime of “helping us find Bin Laden.” And try to imagine the damage this will do to vaccination rates in Pakistan — “Oh, you want to vaccinate my kid? Sure, sign me up for the program that could well be a CIA front to find someone, shoot him to death in view of his family, and dump his body in the ocean.”

* I already knew this was going on so it’s not a fun fact I learned, but as Glenn Greenwald points out, the Obama administration’s interpretation of “due process” is as ludicrous and laughable as it is totally horrifying.

* On a palate-cleansing final note: this fake menu handed out at the Brooklyn food festival Googamooga is the funniest bit of writing I’ve seen in a very, very long time. Panty slaw has entered the lexicon of the Collins household in a big way.

This much-buzzed-about-by-comics-folk Wall Street Journal piece on contemporary superhero comics and the comics industry at large by Tim Marchman pretty much stunned me, for several reasons.

First and most of all, it ran in the Wall Street Journal. If you’re at all familiar with mainstream-media comics coverage, you know that, outside the confines of reviews or profiles of the biggest alternative/literary graphic novels and their makers, for these publications comics equals superheroes, and superheroes equal whatever the Big Two say they equal. The ease with which DC and Marvel can place plot twists, publishing initiatives, and cultural-hotbutton gimmickry in fawning, unquestioning puff pieces everywhere from The New York Times on down would make the Defense Department blush. So it’s quite shocking to see someone write a thinkpiece (in the guise of a review, but you wouldn’t know it if you didn’t look at the section header) about how much he doesn’t like today’s superhero comics, complete with names named and alternatives proposed and celebrated.

Second, he’s writing his anti-superhero-comic piece from a position of openness to and familiarity with superhero comics, even if he goes on to reject them. To the extent that alternative comics are discussed in these big-name publications, it’s usually accompanied by sneering derision of the entire genre, with perhaps one or two exceptions thrown in to prove the rule. But Marchman knows enough about the field to articulate why it’s lacking in what could once have been considered its cardinal virtues, and that’s impressive, too.

Third — and as best I can tell, aside from James Sturm’s Avengers-boycott advocacy in Slate, this issue has been entirely untouched by the national media — he frames much of his disgust in ethical terms, singling out DC’s odious Before Watchmen project for especial opprobrium but also mentioning the plights of Jack Kirby, Jerry Siegel, and Joe Shuster. It’s not just that movie critics and entertainment-business reporters whiffed on the Kirby lawsuit when covering Avengers — everyone did, including progressive pop-culture critics I read and enjoy every damn day, who’ve made a career out of reclaiming genre (including superheroes) and investigating the moral, political, and ethical ramifications of art. If Ta-Nehisi Coates and Alyssa Rosenberg and Spencer Ackerman can (as best I can tell) miss the issue entirely, it’s just amazing to see someone, anyone, bring this up at all.

That said, is it a perfect piece? No. Before Watchmen scab J. Michael Straczynski deserves to be rhetorically roughed up, but Marchman’s He-Man reference is a cheap shot given the many other respected-by-society items on JMS’s resume, and there are other terrible Spider-Man storylines for which he should be blamed instead of “Spidey sells his marriage to the devil,” which was not his idea and which was done over his protest. Marchman’s slam of Joe Quesada, Brian Bendis, and Grant Morrison as three of the four men most responsible for superhero comics’ sorry sales state is unjustified given how they turned Marvel around from bankruptcy with Bill Jemas. His comparison to the ’90s million-selling juggernauts ignores the fact that that boom was driven by speculation and fueled by comics far more incomprehensible and awful than anything being published today. And in general I’m wary of any argument predicated on the notion that comics could or should be a mainstream taste or mass medium at any time later than, say, 1970. But kudos to Marchman for adding this necessary voice of dissent to the conversation. Or more accurately, kudos to Marchman for starting the conversation in the first place.

UPDATE: I thought it was important to add that I read and like quite a few Big Two superhero comics being published today, and I enjoy the field overall more than Marchman does, so that would be another quibble of mine with the piece. My attitude for the last few years has been that since I have an easy enough time finding superhero comics I enjoy, I don’t bang my head against the overall health of the genre.

xoxo, a Gossip Girl zine
edited by Robin McConnell
cover by Maré Odomo
contributions by Warren Craghead, Sean T. Collins and Dan White, Benjamin Marra, Jacob Ferguson, Michael Deforge and Steve Rolston

Coming soon!

Difficult Loves
Molly Colleen O’Connell, writer/artist
Domino Books, May 2012
24 pages, 2 poster inserts
$6
Buy it from Domino

For today’s Comics Time review, please visit The Comics Journal.

* Here’s a better look at Chris Ware’s elaborate packaging for Building Stories, via Chris Mautner, who helpfully contextualizes it with Jordan Crane’s NON #5 and Closed Caption Comics’ CCC #9.5. Also, they got J.J. Abrams to blurb it?!

* Dan Harmon, the mercurial creator and showrunner of the bizarre, hall-of-self-referencing-mirrors sitcom Community, has been fired from the show. With all my immersion in comics I thought of this in creators’-rights terms — how what’s now considered an outrage among fans of a show is frequently applauded by fans of comics (or comics characters, at least). The best thing I read about it is Maureen Ryan’s thoughtful essay on Harmon, Community, and learning to appreciate difficult people who don’t appreciate you back. I thought about that in comics terms, too.

* This piece by the New York Review of Books’ Elaine Blair on Lena Dunham’s increasingly terrific HBO show Girls is the best I’ve read so far due in large part to its focus on the show’s sex scenes. Girls is a sex comedy first and foremost, and they probably ought to have marketed that way rather than allowing it to become a referendum on what you think about wealthy artsy Brooklynites. The sex stuff is great, by the way — graphic and excruciating, like a ’90s alternative comic.

* If you like what Matt Wiegle’s doing Destructor, then you should be reading what he’s doing on Road of Knives.

* New Jonny Negron comic over at Vice. That opening image has me pining for autumn.

* The best thing about linking to Uno Moralez’s inimitable image/gif galleries is revisiting them to select representative images to post along with the link.

* Wow, Tom Spurgeon is right: Bill Everett’s imagery could be unsettling and odd. Click that link and see if you don’t come away with a whole new appreciation for Everett.

* Ross Campbell draws a worse-for-wear Katniss Everdeen from The Hunger Games. I know Ross disliked the movie, and I expect it’s because he suspects, correctly, that she’ll never look like this at any point during the movie series.

* I post a lot of sessy art, but this piece called “Haircut” by Sam Bosma is, I think, the sessiest I’ve posted in a long time.

* The Mindless Ones on last week’s Mad Men. Ginsberg über alles, Don.

* Every once in a while it pays to consider the remarkable progress that’s been made for LGBT equality in such a short period of time, and as that Ta-Nehisi Coates post points out it’s as much to do with giving people shit for being bigots and hoping they’ll want not to be given shit anymore as anything else.

A box filled with books. NEXT LEVEL

(Via Kathleen Dunley)

* Phoebe Gloeckner is struggling with depression due to her decade-long immersion in a still-unfinished project about horrific crimes against women and girls in Juarez, Mexico. She says she feels alone. Phoebe is one of the best living cartoonists, creator of some of the best short stories and one of the best graphic novels of all time, and I’m as deeply connected to her work as I am to any comic. If you feel similarly and there’s any way you can make these feelings known to her, go ahead and do it.

* Well well well, what have we here? It’s Ticket Stub, a new Tim Hensley book coming soon from Yam Books.

* Gilbert Hernandez talks to CBR’s Shaun Manning about his forthcoming drug/zombie book from Dark Horse, Fatima: The Blood Spinners. Beto skeptics please note that he declined to make this a Fritz book because huge boobs would look silly on a super-athletic zombie killer. (Fritz makes a cameo, though, apparently.)

* Against “Was that really necessary” as a criticism of art:

I think “is it necessary?” is the single most overrated rubric for evaluating quality in art. For starters, no art is “necessary,” that’s what makes it art. Moreover, this allows only for utilitarian plot-advancement and arc-based character growth. All the weirdness that really matters — the spectacle, the symbolism, the dead-ends and meanderings and tics, the funny and frightening and unclassifiable flourishes that make art luminous — is argued out of existence. The daisy-chain of voyeurism [in a recent Game of Thrones episode] wasn’t necessary, no, but it was vital in that it was bizarre and ridiculous and awesome.

—me, in the comments for my Rolling Stone piece on the 10 biggest differences between the show and the books. It’s not just disgruntled book-fans you see complaining in those words, either. I love excess, so I’m not a fan of this line of argument.

* Related:

Some people have rules about sex in comic books or stories in general. It needs to serve the story and not just exist to titillate the reader. Do these people have sex at all?

Sex never “serves the story” in the way these people want. Hell, you could take the sex out if 9 Songs and the story would be there. It just wouldn’t be the story that anybody wants to watch.

Generally, people don’t look at war stories and complain that there’s a war in it. If someone does make that complaint, they get sent to the kids’ table.

—Darryl Ayo. He’s not talking about Game of Thrones, but he might as well be.

* Great music writing #1: Eric Harvey’s epic-length history of Quiet Storm, the ultrasmooth, bedroom/wallpaper-friendly R&B format that he likens to “ambient soul.” A week that produces this and Tom Spurgeon’s tribute to the comic-book creators of the Avengers is a pretty great goddamn week for long-form writing on the internet.

* Great music writing #2: It’s nothing so epic as the Quiet Storm piece, but Lindsay Zoladz’s review of Garbage’s new album is the kind of music criticism you’ll enjoy reading even when you haven’t heard the music in question. She’s just very straightforward and very clear and very entertaining and very insightful.

* The three My Bloody Valentine reissues are now out, and yet somehow remain a comedy of errors. Do I splurge for the CDs or will the remastering remain evident in the mp3 versions? Are there mp3 versions?

* Tucker Stone reviews Jean-Pierre Filiu & David B.’s nonfiction graphic novel (I know, I know) Best of Enemies: A History of U.S. and Middle East Relations. He describes it as feeling like not-comics in a way you’d think would be a dealbreaker, but which he argues totally isn’t. Very intriguing. David B., of course, like Gloeckner and Gilbert, is a top 10 cartoonist on the planet today.

* Matthew Perpetua interviews Arne Bellstorf about his admirably low-key Beatles-in-Hamburg graphic novel Baby’s in Black. Apparently Bellstorf wasn’t (isn’t?) even much of a Beatles fan.

* TCAF organizer Chris Butcher’s con report on the Toronto convention/festival’s latest go-round actually includes the methodology behind its attendance figures! This is kind of amazing if you’ve followed the comic-con circuit for any period of time, especially in contrast with an unfortunate tendency to release questionably high numbers in the wake of bad publicity. MoCCA, Wizard, take note.

* Speaking of, Noel Freibert’s TCAF photo parade is my favorite such post in a long long time. What a haul! What a karaoke outing!

* Finally, Jamieson Cox’s insider account of R. Kelly’s expansion into the world of pharmaceutical manufacturing.

* Here’s everything George R.R. Martin is working on at the moment. Sounds like the fourth Tale of Dunk and Egg is finished.

* How far did you get in Jennifer Kahn’s New York Times Magazine piece on psychopathic children before you recoiled in horror? I hit the panic button at the cat thing, predictably. But in all seriousness, this is a very strong and very troubling article about something that I’ve wondered and worried about since I first started reading about serial killers years ago. Violent sociopathy is a real challenge to a liberal democratic society’s ideas of justice and liberty, and pop-psych serial-killer books tend to hammer that home hard. Kahn’s article adds some welcome, though no less challenging, ideas to the discussion, pointing out that a graduation to adult violent sociopathy is not guaranteed, and thus something likely can be done to save these kids and their future victims, just as people who’ve inherited heart disease can be prevented from dying from it. The problem is no one’s really sure what that something is. Lots more to ponder in this thing: Could you love a cruel child? Why is it so disturbing that the kid at the heart of the article doesn’t just lash out, that instead, he…waits?

* Roger Langridge quits working for Marvel and DC over creators’-rights concerns. I guess this is how it’ll work: people at the margins leaving, and publicly declaring why.

* The Mindless Ones come forth to tackle Mad Men‘s “Lady Lazarus.” A friend planted a far less optimistic appraisal of Peggy in my mind a while back than the one espoused by the Mindlesses, and I’m finding it tough to shake.

* Andrei Molotiu has had it up to here with your so-called “stories.” I like Andrei and I like many of the abstract comics he’s championed, but this post reminds me of that Sopranos episode where the local rock band guy complains about how the Beatles have boxed in his own genius.

* Oooh, a new I Just Figured It All Out from Tom Neely.

* Oooh, a new A Wrinkle in Time promo image from Hope Larson.

* Oooh, a new gif/image gallery from Uno Moralez.

* This is a gorgeous Karl Wills page. Funny, great physicality, love the blood spatter, love the big white thighs, love the erasure of the faces as the fight begins.

* Rob Bricken’s piece on the CW’s forthcoming Green Arrow show Arrow made me laugh. “People might accidentally recognize the name ‘Green Arrow’ — we all know how unpopular superheroes are nowadays!”

* Can you imagine listening to M83’s “Kim and Jessie” as a real-live emotional teenager?

* “You think you’re better than me?” is humankind’s worst emotion.

* Finally, there’s a panel in this Puke Force strip by Brian Chippendale that sums up America’s drone wars so perfectly and devastatingly I don’t even know what else to say. You’ll know the one when you click the link for the full comic.

Drifting over to the graphic novel section, Stewart gasps at seeing Black Hole. “This fucking store is like kismet!” she says. “I want to do this movie!” The book, about a sexually transmitted plague, “is disgusting, so gross,” Stewart enthuses. “I love the first image” – she turns to a completely black page with a white vagina-shape opening in the center – “a slit. You just grow, like, holes in your body. The imagery is so weird. See” – she flips to another page – “he’s looking at her hand and soon there’s gonna be a little mouth in there. It’s so sexual, the desire is so fucking palpable, but it feels so dirty, like [the characters] are so ashamed because they’re diseased, they’re literally getting these holes.”

—Kristen Stewart, Elle, June 2012

NOT MAD AT THIS AT ALL

Baby’s in Black
Arne Bellstorf, writer/artist
First Second, May 2012
208 pages, hardcover
$24.99
Buy it from Macmillan
Buy it from Amazon.com

For today’s Comics Time review, please visit The Comics Journal.

My A Song of Ice and Fire/Game of Thrones podcast is back! This time my co-host Stefan Sasse and I are joined by Race for the Iron Throne’s Steven Atewell for a brief discussion of the A Game of Thrones graphic novel and a lengthy discussion of the nature of prophecy in the series that manages to be both nerdy and heady. Enjoy!

* Here’s part three of the Comics Journal’s sumptuous Jack Kirby roundtable. Long live the King.

* Territory, the comic Andrew White made for Frank Santoro’s correspondence course, is very pretty and, like all of the products of that course I’ve seen so far, very Frank!

* Good Mad Men writing: I liked Maureen Ryan’s take on how far above Don Draper’s head the Beatles are, and Deborah Lipp’s forthright reaction to the show’s death imagery, and the Mindless Ones’ comprehensive look at last week’s episode. Jeez, this is a rich text.

* Glenn Greenwald predicts the future:

…six more months of ritualistic, chest-beating dances over the body of Osama bin Laden and the constant hailing by Democrats of the stalwart, pulsating courage of our Commander-in-Chief for having safely sat in the White House, surrounded by layers of security greater than that enjoyed by any of history’s emperors, and ordering that bullets be pummeled into the skull of an unarmed man and his corpse thereafter dumped into the ocean.

Night Business #4
Benjamin Marra, writer/artist
Traditional Comics, 2011
24 pages
$3
Buy it from Traditional Comics

For today’s Comics Time review, please visit The Comics Journal.

* Matthew Perpetua’s Fluxblog returns with its latest eight-disc (eight disc!) survey of music from the ’00s; this time it’s 2005 in the spotlight.

* I think I may have missed an earlier announcement, but my RSS reader insists this is breaking news: The Brooklyn Comics and Graphics Festival, historically the best comics convention, has announced its date for this year: Saturday, November 10, 2012. That’s about a month earlier than usual, and while I’ll miss the gray wintry Brooklyn weather and holiday-season vibe a bit, I don’t see any reason the new time frame won’t work.

* Ooh boy, Secret Acres is publishing a print edition of the profoundly strange and uncomfortably sexy webcomic Slechtemeisjes called Wayward Girls, now revealed to be by Netherlands art-school graduate Michiel Budel! That’s a good get.

* Thickness #3 may be the final issue of the series, but co-editor Ryan Sands reveals a collected edition with added material is in the works.

* This Comics Journal roundtable on the comics of Jack Kirby and critic Charles Hatfield’s book about Kirby The Hand of Fire, is an absolute feast, and as of this writing there’s no end in sight. Featuring Jeet Heer, Dan Nadel, Jonathan Lethem, Sarah Boxer, Glen David Gold, R. Fiore, and Doug Harvey.

* Speaking of the Journal, here’s a great review of Benjamin Marra’s Lincoln Washington: Free Man by Matt Seneca. And Brandon Soderberg’s review of Derf Backderf’s memoir My Friend Dahmer, about the author’s adolescent friendship(ish) with Jeffrey Dahmer, makes me want to read the book even more than I already did.

* Salon’s Willa Paskin is a fabulous TV critic, and her piece on the exquisite awfulness of Joffrey from Game of Thrones offers ample evidence as to why. I’m going to print out that first paragraph and keep it under my pillow at night.

* Speaking of fabulous TV critics, don’t miss the Mindless Ones on last week’s Mad Men.

* So I guess the picture quality of The Hobbit‘s revolutionary 48 frames-per-second filming technique is so good that it actually goes back around to ugly-looking. Peter Jackson defends the move, while TheOneRing.net’s Quickbeam (whoa, flashbacks to 12 years ago!) says it’s a matter of taste that takes getting used to.

* Sam Costello talks to Robot 6’s Brigid Alverson about his decision to end his very, very ambitious webcomic/print-comic horror anthology series Split Lip. Sad to see it go.

* How bright will seem, through mem’ry’s haze, those happy, golden, bygone days: Grant Morrison waxes thoughtful on the big superhero characters for Playboy. Also Frank Quitely is now drawing him to look like a nightmare cross between Crowley and Burroughs.

* I don’t know how Michael DeForge’s Ant Comic is able to keep making me feel worse and worse, but I’m…glad it does…?

* Keep going, Jonny Negron. Just keep going.

* Let’s ask people about Alan Moore Before Watchmen. Let’s ask people about Jack Kirby and The Avengers. Let’s note for the record what they say.

* Julia Gfrörer on Dylan Williams. What a moving video.