Even the more minor characters stand out. Hall is a hoot as the slimy Jason Lannister and as his anxious twin brother Tyland, who’s replaced Corlys as Master of Ships on the Small Council. And Gavin Spokes has a winning presence as Lord Lyonel Strong, seemingly the only member of the Council willing to give Viserys advice that doesn’t directly benefit himself or his house. (He rejects his own son as a suitor for Rhaenyra in favor of Laenor.)

I reviewed tonight’s episode of House of the Dragon for Rolling Stone.

Once again, I’ve updated my House of the Dragon character guide for Vulture to reflect the events of the most recent episode. If you’re confused, this will set you straight!

Were you a “Game of Thrones” guy before you got this part?

Yes, I was. It had been going for about three or four seasons before I actually watched it because fantasy is not really my genre. I was staying with a friend in L.A., and he said to me, “Have you seen this ‘Game of Thrones’?” And I was like: “No. It’s got dragons, why the hell would I watch that?” [Laughs.] He said, “Just watch one episode.” And it was so much more gritty and, for want of a better word, realistic than I was expecting. I was hooked.

I interviewed House of the Dragon‘s Steve Toussaint for the New York Times.

Which brings us to the heart of the story: family drama. At this point, underneath all the dragon-riding and crab-feeding, this is ultimately a show about a dad, a daughter, and the demands that are pulling them apart.

Paddy Considine and Milly Alcock, the performers in question, root this material in vivid, empathetic acting. Considine constantly wears a hangdog expression on his instantly likeable face; his Viserys is a guy who wants to be happy, and is deeply frustrated to find that he can’t be. No wonder he selects Alicent, who’s become his closest friend, to rule the realm with him.

Alcock, meanwhile, projects a blend of precociousness and vulnerability, enhanced by the show’s blocking choices. She may insist on selecting the next Kingsguard knight, but she has to stand on a stepstool to see the candidates; she convinces Uncle Daemon to back down, but he towers over her in much the same way that his dragon dwarfs her own.

I reviewed last night’s episode of House of the Dragon for Rolling Stone.

Kicking off what we hope will be the start of a weekly series, Stefan Sasse and I review the premiere of House of the Dragon in the new episode of the Boiled Leather Audio Hour podcast! Available at the link or wherever you get your podcasts!

My guide to the characters of House of the Dragon for Vulture has been updated to cover the events of the premiere. Have a quick brush-up before tonight’s second episode!

Prince Daemon Targaryen is a man of action, and that suits the man who portrays him on “House of the Dragon” just fine.

“On an acting level, I was always quite pleased that I wasn’t in loads of the big table scenes,” said Matt Smith, who shares his royal character’s distaste for the minutiae of sitting down and running the Seven Kingdoms of Westeros. “They’re often the ones that are hardest to shoot — the ones that can drive you bonkers. I preferred being on a horse with a sword in the hand.”

Of course, starring in “House of the Dragon” — the prequel series to HBO’s blockbuster “Game of Thrones,” based on the fantasy novel “Fire & Blood” by the author George R.R. Martin — means riding far more exotic mounts than mere horses. As the potential heir to the Targaryen dynasty and its royal seat, the Iron Throne, Daemon is a dragon-rider, and a dangerous one at that.

Created by Martin and Ryan Condal, who serves as a showrunner along with the director Miguel Sapochnik, “Dragon” chronicles a turbulent time in the history of the Targaryens and their fiery steeds, when a crisis of succession threatens to tear the family, and the realm they rule, apart. As the younger brother of the ruling King Viserys (played by Paddy Considine), Daemon is at the heart of the conflict, and emerged in Sunday night’s series premiere as one of the show’s most charismatic characters.

And if you found him fascinating, you’re not alone. In a phone conversation last week, a pensive Smith, who has had earlier star turns in other major franchises like “Doctor Who” and “The Crown,” openly wrestled with Daemon’s duality — agent of chaos one moment, ferociously loyal and loving the next.

“There’s a sort of folklore among ‘Fire & Blood’ fans and ‘Game of Thrones’ fans that when a Targaryen is born, you flip a coin,” he said “One side is greatness and the other side is madness, and you don’t know which side it’s going to land on.”

“With Daemon,” he continued, “the coin is still in the air.”

I interviewed House of the Dragon star Matt Smith for the New York Times.

For now, there’s already plenty to marvel at — the uniformly excellent cast, for starters. Considine is marvelous as Viserys, a man who simply wants to be liked by everyone, an impossibility for someone in his position. Alcock is similarly impressive as the young Rhaenyra, caught in limbo between the freedom she enjoys and the power she’s beginning to realize she desires. Toussaint and Ifans make strong impressions as the king’s most powerful counselors, ever at odds. And Smith is a revelation as Daemon — both a brute and a sensualist, who’s able to privately smile at his rival’s insults even as he plots to defeat them.

I’m back at my old Game of Thrones stomping grounds, Rolling Stone, for my review of the House of the Dragon premiere.

Seven kingdoms, one Iron Throne, and a whole lot of people with odd names to keep track of: That was the formula for Game of Thrones. Now House of the Dragon, HBO’s would-be blockbuster prequel to its most successful series of all time, is set to follow suit.

The good news for fans of the world created by novelist George R.R. Martin is that Dragon features way fewer houses to keep track of; it tells the tale of a budding conflict and eventual civil war within the ruling family of House Targaryen. The bad news is that everyone is someone else’s aunt or uncle or brother or cousin or spouse — often more than one at once — and most of them share the same surname.

But don’t worry! With the help of the new show’s source material, Martin’s faux-historical novel Fire & Blood, we’ve put together a quick-and-easy guide to all the main characters you’ll meet during the premiere. Sit back, relax, and brush up on the history of House Targaryen before the Dance of the Dragons begins.

These are the people in your neighborhood: I wrote a House of the Dragon character guide for Vulture. This will be updated throughout the season, so stay tuned!

In the latest episode of the Boiled Leather Audio Hour, part of our series on the Best of A Song of Ice and Fire, Stefan Sasse and I discuss the fateful meeting of Jaime and Bran in the tower—available here or wherever you get your podcasts!

The Boiled Leather Audio Hour returns with the latest installment in our series on ASoIaF’s “greatest hits”! This time, Stefan Sasse and I discuss the story of the Knight of the Laughing Tree—available here or wherever you get your podcasts!

Very exciting news: Stefan Sasse and I are starting a new Boiled Leather Audio Hour podcast series called “Best of ASOIAF”! Our first installment is on the Tower of Joy, and you can find it here or wherever you get your podcasts!

Come celebrate the tenth freaking anniversary of the Boiled Leather Audio Hour podcast with me, my co-host Stefan Sasse, and a whole gang of special guests!

Not even the desert winds of the planet Arrakis can match the heat around the long-anticipated arrival of Dune, director Denis Villeneuve’s adaptation of Frank Herbert’s landmark 1965 science-fiction classic. Staring Timothée Chalamet as the young nobleman Paul Atreides, Zendaya as his love interest Chani, Oscar Isaac as his father Duke Leto, and Jason Momoa as his mentor Duncan Idaho, this new version of the old classic has weathered the pandemic storm to finally arrive in theaters (and on HBO Max) on October 22nd. But while Herbert’s dense worldbuilding and inventive jargon has made the book a bestseller since its inception, it can be a notoriously impenetrable work — especially when it comes to adapting its long, winding story for the screen.

Don’t know your Baron Harkkonen from your Bene Gesserit? Don’t sweat it: Our quick and dirty guide to Dune will get you up to speed.

I’m thrilled to be back at Rolling Stone for the first time in a long time with this new Dune cheat sheet.

Stefan Sasse and I discuss the role of magic, the very lifeblood of fantasy, in A Song of Ice and Fire in our latest BLAH podcast—listen here or wherever you get your pods!

Also, our $5/month Patreon subscribers can hear us talk about the characters who surprised us most in a Boiled Leather Audio Moment mini-episode!

Stefan Sasse and I address the role of monsters—the inhuman kind, I mean—in A Song of Ice and Fire in our latest episode, available at the link or wherever you get your podcasts!

And if you’re a $5 subscriber to our Patreon, you can hear our take on the role of Hizdahr in the story. Go subscribe!

In our latest mini-podcast at the Boiled Leather Audio Hour patreon, Stefan Sasse and I discuss our favorite A Song of Ice and Fire characters. There’s lots more where that came from on that patreon, so do consider subscribing!

Who taught Bran Stark and future media superstars Dunk & Egg how to do what they do? Find out in part three of me and Stefan Sasse’s series on the Teachers of Ice and Fire in the latest episode of the Boiled Leather Audio Hour, available at our Patreon or wherever you get your podcasts!

Take a pandemic. Add the paranormal. Make it a uniquely American story of survival horror. The result: “The Stand,” Stephen King’s epic post-apocalyptic novel from 1978, a new mini-series adaptation of which debuted Thursday on CBS All Access.‘The Stand’ Review: Stephen King’s Pandemic Story Hits TV AgainDec. 16, 2020

Conceived in the pre-Covid era, the show has taken on new resonance since, telling the story of a weaponized virus that wipes out 99 percent of the population. But that’s only the beginning. The real battle happens afterward as supernatural forces of darkness and light — embodied by the demonic dictator Randall Flagg (Alexander Skarsgard) and the holy woman Mother Abagail (Whoopi Goldberg) — duel for the souls of the plague’s survivors.

Since the original novel’s original release, King’s saga has entered the pop-culture consciousness in many different incarnations, including an expanded edition of the book and an earlier mini-series adaptation. In anticipation of the show’s arrival, we’re tracing the story from its point of origin to its latest mutation.

I wrote about the many inspirations and iterations of Stephen King’s The Stand for the New York Times.

Who taught Sansa and Arya Stark to do what they do? Stefan Sasse and I examine this question in the first part of our series on the teachers of Ice and Fire in the latest Boiled Leather Audio Hour episode—available here or wherever you get your podcasts!