Carnival of souls: Special “pre-BCGF” edition

* Every year as the Brooklyn Comics and Graphics Festival approaches, I start to see my wallet as an object of intermingled pity, dread, and revulsion, like the Eraserhead baby. I’m racking my brain to see if this is an exaggeration, but nope, I don’t think it is: There’s something interesting at literally every table. Can you say that about any other show? Anyway, I’ll obviously be there, so please say hello to me if you see me. I look like this:

The lack of lens glare over my left eye can be attributed to me breaking my glasses last night on the platform of the Jamaica Long Island Rail Road station while overenthusiastically acting out a scene I enjoyed from season one of Breaking Bad.

* Continuing from last Carnival, here are several guides to noteworthy books you’ll be able to buy there. If you read only one, make it Chris Mautner from Robot 6’s comprehensive round-up post. But beyond that, there’s info galore from…

* Zack Soto, who’s repping the new publishing collective Press Gang, his own Study Group Magazine, and about a million lovely prints;

* non-attendee Dustin Harbin, who notes among other things the opportunity to pick up this year’s alt-festival circuit sleeper hit, Ethan Rilly’s Pope Hats #2 from AdHouse;

* Barry Matthews and Leon Avelino at Secret Acres, who in addition to bringing nearly every single person they publish will have a new issue of John Brodowski’s excellent alt-genre series Curio Cabinet on hand;

* Ryan Sands, who’s bringing tons of work from the greater Same Hat!/Electric Ant/Thickness/Chameleon hivemind;

* Closed Caption Comics, who are literally just filling little cardboard boxes with comics they recently made and calling that issue #9.5 of their flagship anthology;

* Benjamin Marra, who’s bringing the whole panoply of Traditional Comics releases, including the brand new Night Business #4;

* Tom Kaczynski, who lists the goods to be gotten from his Uncivilized Books imprint;

* and Unciv artist Gabrielle Bell, who posts the latest in her ridiculously strong year of autobio strips.

* Few things on the comics internet excite me more than a new Tom Spurgeon review of a book I’ve read; each one reminds me that nobody does it better. Here he is on Johnny Ryan’s Prison Pit Book Three. And though I haven’t read the comic yet, here he is on Joe Sacco’s new minicomic from Fantagraphics, The Road to Wigan Pier, a review of George Orwell’s book of the same name.

* Here’s another massive TCJ.com interview I’m saving for when I can really savor it: Dan Nadel speaks with the singular talent Marc Bell.

* Meanwhile, Robin McConnell interviews Geof Darrow, who was practically Cartoonist of the Year this year despite not publishing anything simply by virtue of his influence. Over on Robot 6 I noted Darrow’s recent rejected Superman cover, which he talks about (and posts!) in the interview.

* Game of Thrones hits DVD and Blu-Ray on March 6.

* Dark Horse is the latest publisher to go same-day digital, as of a mere two weeks from now. Après DC la déluge.

* Adrian Tomine just says no to making graphic novels instead of short stories. I’m pretty okay with this.

* Will Jonny Negron’s winning streak never end?

* There’s not a great deal to dislike about Power Comics, a new tumblr dedicated, essentially, to the ’80s black-and-white-boom books Benjamin Marra is pastiching in Night Business. (Hat tip: Agent M.)

* Aeron Alfrey reminds us that it’s never a bad time to revisit Charlie White’s Understanding Joshua.

* First U2, now Bryan Ferry: Trent Reznor’s year in cover versions has been a fun one.

* Any time my friend and collaborator Matt Rota posts new art, it’s worth checking out.

* Like most people on the Internet, I enjoy artist Brandon Bird’s unique entertainment-industry surrealism, both in his own paintings and the shows he curates. His latest is dedicated to the humans of Jurassic Park. I find myself hoping that someone chose to immortalize this one low-angle shot I remember quite vividly of Laura Dern’s khaki-clad hind end as she prepares to sprint across an open field to safety — I’m pretty sure it put me through puberty. (That or an En Vogue video, most likely.) Anyway, that’s Lisa Hanawalt doing Jeff Goldblum below. (Via Agent M again.)

* And hey, that reminds me that longtime ADDXSTC fave Robert Burden (not Flaming Carrot Robert Burden, labor-intensive portraits of action figures Robert Burden) recently painted the Thundercats.

* Finally, it’s the most wonderful time of the year: Matthew Perpetua has posted the Fluxblog 2011 Survey Mix! 10 discs, 183 songs, 13 hours of music, yours for the downloading!

Comics Time: 1-800-MICE

1-800-MICE
Matthew Thurber, writer/artist
PictureBox, 2011
176 pages, hardcover
$22.95
Buy it from PictureBox
Buy it from Amazon.com

For today’s Comics Time review, please visit The Comics Journal.

Carnival of souls: Mautner on Morrison, BCGF debuts, more

* Chris Mautner’s “Comics College” column on the work of Grant Morrison was worth the wait. It’s a terrific capsule guide to the most important superhero writer of the post-Moore/Miller era. The “Avoid” section in particular nails it, although I think it’s way too early to call it a day on Action Comics — Morrison’s the first to tell you his new series tend to start off shaky. (And I actually like Action so far anyway.)

* I don’t think I linked to this yet, and I know I haven’t read it yet, but I’m looking forward to diving into Hayley Campbell’s interview with Anders Nilsen. It’s great to see all the Big Questions covers in one place like that, too.

* Michael DeForge showcases the four comics he’ll be debuting at this weekend’s BCGF, including a collaborative effort with Benjamin Marra! And lest you think he’s getting lazy in his old age, he’s got the latest Ant Comic up as well.

* And Ryan Cecil Smith is rolling out a three-part SF Supplemental File #2, with part one debuting at BCGF as well. Damn, look at this printing job!

* Matthew Perpetua talks to Tony Millionaire about his new book of illustrations, 500 Portraits, with a strong selection of said portraits accompanying. This is probably the best drawing of Art Garfunkel ever.

* Well lookee here, it’s a page from the best single comic I’ve ever seen, Kevin Huizenga’s “The Sunset.”

* Looks like Renee French is posting her art at her Posterous site nowadays, so update your bookmarks.

* Outsider graphic novels (by “outsider” I mean people operating totally independently from the comics-making industry as we know it) are a fascinating arena of discovery. Comics is such an oddball medium that when people arrive at expressing themselves using that medium on their own, it takes on an almost miraculous quality. For example, check out Brad Mackay’s piece for the Comics Journal on Bus Griffiths’ 1978 paean to his career as a lumberjack, Now You’re Logging.

* Gorgeous post-it note art by Theo Ellsworth. Longtime readers of the blog will understand why the one below is my favorite.

* Johnny Ryan is a national treasure.

* Sam Bosma draws Solomon Grundy.

* It’s tough to beat Uno Moralez.

* A whole bunch of Hieronymous Bosch-channeling drawings by Salvador Dali called Dreams of Pantagruel? Sure, I’ll eat it.

* I really like this painting of Jack Kirby’s Darkseid by Daniel James Cox. As you scroll down to see it, at first it appears like it’s some giant monument with fires burning in the eyes as the evening sun shines through the retreating clouds of a summer thunderstorm.

* I thought Dan Harmon’s obsessive-compulsive sitcom Community got off to a really rough start this season — way too much Chang, way too much emphasis on the unpleasant aspects of the characters’ friendship given that that was the focus of the end of the previous season too, and frankly not enough actually funny jokes. But I caught up on the season this past weekend, and the two most recent episodes were both hilarious, with the character stuff tipped back toward “these people bounce off each other in unpredictable and occasionally destructive but ultimately funny and rewarding ways” from “ugh, stay the fuck away from each other already,” and the more outlandish bits actually connecting (the entire karaoke/hallucination/drifter serenade sequence was a scream). So I’m now joining the rest of the Internet in being bummed out that the show’s in limbo after midseason, and in celebrating gratuitously insular stuff like a Beetlejuice gag that took three seasons to complete.

* Finally, here is a picture of Kristen Stewart, who is attractive.

Comics Time: Tales Designed to Thrizzle #7

Tales Designed to Thrizzle
Michael Kupperman, writer/artist
Fantagraphics, November 2011
32 pages
$4.95
Buy it from Fantagraphics

For today’s Comics Time review, please visit The Comics Journal.

Thanksgiving reading

Kiel Phegley’s analysis of Marvel’s current publishing situation in light of its many recent cancellations, layoffs, budget cutbacks and so on is one of my favorite pieces of comics writing in recent memory. It’s one of the first such articles, if not the first (and if not the first then certainly the most thorough), to put these moves together with the publisher’s concurrent drive to pump as many issues as possible out of its top creators and characters, and to consider what this means for developing or non-marquee talent in particular. Fascinating stuff if you’re an industry watcher. Grab a beer and read. And don’t miss Tom Spurgeon’s response, either.

Carnival of souls: Matthew Weiner interviewed, Vince Clarke and Martin Gore reunited, more

* I feel like every moment of my marathon run through all four seasons of Mad Men was leading me to this: A five-hour interview with series creator Matthew Weiner. This is heaven, absolute heaven. Everyone who created a work of art I enjoyed as much as Mad Men should be interviewed about the entirety of their life and career for five hours. And Sopranos fans will absolutely want to watch this as well, as he talks about his involvement in that show at length, and makes an argument for its greatness. (And reveals that he is the Peggy to David Chase’s Don.) My favorite thing about it is Weiner’s good humor and streak of genuine humility/self-deprecation. He’s not needlessly hard on himself — obviously he’s quite good at his job, it’d be stupid to deny that — and nor is he an egomaniac. If you know any talented successful creative people that you personally are friendly with, he sounds like those people. What a treat!

* Great googly moogly: Vince Clarke and Martin Gore are reuniting! This makes me happy in my heart. When I watched that BBC documentary Synth Britannia a while back, I was struck by how a dude like Clarke who made such warm music ankled the rest of Depeche Mode in such a cold way. These were his friends from school, and he ditched them because advances in technology had allowed him to do everything he needed to do (except sing) by himself, so his friends were now superfluous. So glad to see two of my favorite synthpop songwriters working together again, even if it’s for a minimal techno album.

* Five new B.P.R.D. miniseries next year! Way to take advantage of the apocalyptic 2012 zeitgeist.

* I’m bummed to see the very good Panelists group blog shutting down. I’d actually been wondering about this, seeing as how co-founders Craig Fischer and Charles Hatfield have columns going at The Comics Journal. But hey, there’s your silver lining, innit?

* Interesting: The Last Vispo Anthology: Visual Poetry 1998-2008. Curious to see what this looks like.

* Fantagraphics: minicomics publisher!

* “With Great Power Comes No Responsibility.” Tattoo it on your forehead, America!

* Wizard’s Gareb Shamus is blogging and tweeting and quietly shutting down his digital magazine.

* Amazingly, Jason Adams of My New Plaid Pants interviews Michael Fassbender and never once asks to see his penis! He doesn’t even hint around at it! Jason, I’d like you to know that whenever I think of him now, I mentally refer to him as Fassy, without fail.

* Happy 71st birthday to Cardinal Fang Terry Gilliam, one of the very best people.

* And congratulations to Anders Nilsen for his book Big Questions‘ deserving presence on the New York Times Book Review Notable Books of the Year list. As you can see from the review-link sidebar on my blog, I’m its biggest fan, although I have yet read the collected edition. But then I have yet to read a ton of promising comics that have come out this year. I’m hoping to reorganize my life to make that possible again. It’s so important to me to have my hands in these things. It makes me feel better as a person and happier in life. Do you know what I mean?

Carnival of souls: Night Business #4, Lose #4, more

* Benjamin Marra’s Night Business #4 is on sale now! Wow, this is a big year for Ben.

* I take this Michael DeForge post to mean that Lose #4 is on its way. And here’s some illustrations and a strip, because it’s Michael DeForge and a couple of days have past since the last set of illustrations and comics he posted.

* Jason Leivian reviews the Mat Brinkman-designed board game Cave Evil. Good gravy.

* Dustin Harbin draws Osgiliath.

* Ben Morse is right: This is an incredible Survivor Series team.

* I love Big Boa.

* Is it just me or are con/signing photos of cartoonists getting better lately?

* Finally, a happier Occupy Wall Street story: behold the bat-signal of the 99%. I can’t be the only person who saw this and thought Turk-182!, right?

Carnival of OWS

* I’ve decided to put all my Occupy Wall Street stuff in its own round-up post today rather than mix it in with the usual comics/etc. talk, primarily out of lingering embarrassment over the intellectual and moral failings of much of my previous political writing. At the same time, I feel very passionately about this and can’t not write about it. I encourage you to read or not read as you feel befits me writing about political matters.

* Real Life Horror: I remain stunned by and frankly fixated on the weekend’s assault on peaceful protesters by pepper-spray-wielding police at UC Davis — both by the repugnance and casual ease of the act itself, and by the student protesters’ remarkable response. I’d like to note that the coverage of The Atlantic in particular has been thorough, informative, and impassioned. A sampling:

** Ta-Nehisi Coates links the use of a chemical weapon to force compliance on nonviolent protesters to the commonplace extralegally punitive “contempt of cop” violations common among poor neighborhoods and prisons.

** Coates also notes that the use of pepper spray for non-compliance is quite literally standard operating procedure for some police forces. I’m not a fan of ready-to-hand non-lethal weaponry like pepper spray, tasers and the like, because it’s clear that too often they’re used not as an alternative to deadly force but as an alternative to no force, or to just physically subduing a dude with no weapon who’s being a pain in the ass. That said, I assumed that there at least had to be some kind of defense-of-self-or-others justification for their use, like the bubbemeise the UC Davis police force initially ran up the flagpole about the cops being surrounded and cut off. But apparently I’m wrong, and in places like Baltimore police are taught to assault people for the crime of not following orders.

** I also want to make clear that as Coates says over and over, we get the police we want. I don’t wish to demonize the occupation (as in job) of being a police officer, or police unions. We should all have unions that wield that kind of power. To the extent that police behavior is problematic, and it’s hugely problematic as far as OWS is concerned, we the people have invested them with the powers they’re using to cause those problems, by electing people who are comfortable giving them those powers, and not saying anything when they start using and abusing them.

** How problematic is police behavior against OWS? Garance Franke-Ruta has a video-heavy roundup of incident after incident of police brutality against nonviolent, passively resisting protesters. Again and again, the deployment of riot gear and anti-riot tactics against people who aren’t rioting. Again and again, the use of non-lethal weapons where no weaponry is called for. Again and again, noncompliance and passive resistance treated as a crime requiring onsite corporal punishment or paramilitary-style force. I don’t know how to see this as anything but a sustained campaign of political violence against dissidents. Against dissent.

** How did we get to this point? Alexis Madrigal traces the history of police response to protest events by American police forces throughout the modern era. His argument is interesting in that he follows a track parallel to the one many commentators are using, that of militarized police forces via the war on drugs and the post-9/11 security state. Rather he focuses on the 1999 WTO protests — “The Battle of Seattle” — as a transformative event that inspired police forces nationwide to toss their more tolerant post-Vietnam/Civil Rights procedure for protests out the window, adopting instead a proscriptive approach that greets any protest that escapes predetermined boundaries with overwhelming force. He also factors in the rise of “broken windows” law enforcement, arguing that an approach originally intended to enhance quality of life and set an “as below, so above” model for fighting major crimes by targeting minor ones instead ended up elevating order and cleanliness to moral imperatives, thus rendering anything that threatens totally smooth sailing a public menace. His point, again, is that the problem is much bigger than a problem with Lt. John Pike, the pepper-spraying cop, and his fellows at UC Davis, or in the other police forces that have attacked OWS protesters. The problem, for the protesters and the public but also for the police themselves, is the system that makes men like that men like that. This may be the meatiest article of the lot.

** James Fallows’ post comparing the instantly iconic imagery of Lt. Pike sauntering up and down a line of college kids blasting them in the face with a corrosive chemical agent to similar images of Southern police and fire departments attacking Civil Rights demonstrators with fire hoses and the like raises an important point. With the civil rights protesters, the commonality between the attacks and the underlying issues was clear: These people were demanding the right to be treated like human beings by the authorities, who responded by not treating them like human beings. As Josh Marshall says at Talking Points Memo, however, Occupy Wall Street wasn’t about physical human rights violations of this sort until the police started physically violating the human rights of the OWS protesters. The underlying issue of economic exploitation of the middle and lower classes by the ultra-rich and the corporations they control really doesn’t have much to do with police misconduct at first glance. But as Donald Rumsfeld will tell you, when you can’t solve a problem, enlarge it. And as Glenn Greenwald or the comics blogosphere’s own Tim O’Neil will tell you, the ease with which civil authorities can send police to violently suppress protest movements is a symptom of the same system of two-tiered justice, economic inequality and immobility, and elite seizure of all the levers of power for their own ends that produced other symptoms like the bank meltdown, the European debt crisis, the American housing crisis, the current and ongoing un- and under-employment crisis, and on and on and on. The system may be broken, but that is not to say that it is not still a system, one designed to achieve certain results for certain people. The ease with which Mike Bloomberg could dominate the front pages of every local newspaper and the opening segment of every local newscast this morning with some farcical lone wolf “terrorist” bust that even the bust-manufacturing Feds couldn’t be bothered with is another case in point. Noise can be made and pressure can be applied, but only the right noise and only on the right pressure points.

* Finally, I want to be sure to encourage you to watch this remarkable video of a silent protest against UC Davis Chancellor Linda Katehi: Dozens of students sat silently, arm in arm just like the people who were pepper sprayed, forming a path from the Chancellor’s office to her car, watching in respectful but reproachful silence as she left. When I first saw this I gasped. If you put this in a movie people would think “Eh, that’s a little over the top, don’t you think? A little unbelievable?” Indeed it was. There’s power here.

If you read one thing today

Please make it Tim O’Neil’s extraordinary essay on poverty and the incident at UC Davis, which he attends. An absolutely astonishing piece of writing.

Carnival of souls: BCGF, Drake, OWS, more

* Recently on Robot 6:

* The Brooklyn Comics and Graphics Festival has announced its programming slate. Phoebe Gloeckner’s spotlight panel and a Tom Spurgeon/CF/Brian Ralph three-for-all are the highlights for me. I’m not sure if I’ve ever heard Tom talk about CF at length, now that I think about it…

* Related: AdHouse is gonna have a hell of a show, by the sound of it.

* And here’s a BCGF debut: Zack Soto and Milo George are (re)launching Study Group Magazine, with a killer initial line-up of comics and journalism that includes work by ADDXSTC faves Chris Cilla, Michael DeForge, Jonny Negron, as well as interviews with Eleanor Davis and Craig Thompson.

* Does Koyama Press have the coolest publisher backstory ever?

* Inspired by a quote from Chris Mautner’s excellent interview with Art Spiegelman about MetaMaus in which Spiegelman explains the pain of having such horrifying and personal subject matter at the heart of his career for so long, I defend Art Spiegelman against his “what have you done for me lately?” detractors.

* And inspired by Nadim Damluji’s excellent interview with Craig Thompson about Orientalism in Habibi (although I must warn you not to enter the ensuing comment thread unless forced at gunpoint, and even then you might want to consider taking your chances at disarming the guy), I defend Craig Thompson against criticism to the effect that he doesn’t really know what’s going on in his own work.

* I’m really enjoying Ben Katchor’s increasingly explicit anticorporatism.

* Top Shelf is going digital in a big way, with a couple of comics apps. And damn, the price is right on the books they’re launching with. Clumsy for two bucks?

* At last! Image is releasing a collected edition of Brandon Graham’s much-lauded King City in February.

* John Porcellino has a new King-Cat coming coming out on Wednesday!

* So this is the cover for Jonny Negron’s Chameleon #2. That make sense.

* The Matthias Wivel-edited Nordic comics anthology Kolor Klimax sure looks good.

* Here’s a long and excellent piece by Zom on the horror of Uno Moralez. It’s a rare feat to analyze what makes something mysterious and horrifying with this kind of accuracy but with no intention of deflating the mystery and horror.

* Fear Itself ate itself, basically. This certainly isn’t the first time a major event comic involved elements of planned rapid obsolescence — it was the knowledge that they’d be wiping out Spider-Man’s marriage and with it whatever other aspects of his history they wanted to fudge that enabled Marvel to unmask Peter Parker for a mainstream-media bounce during Civil War — but it’s really quite unusual for three epilogue one-shots branded with the event’s name to undo the three biggest status-quo changes of the event, within three weeks of that event’s official conclusion. Still more unusual is that in all three cases Marvel’s clearly better off having undone them.

* Tucker Stone’s interview with Mark Waid about Daredevil is really entertaining on both sides of the tape recorder.

* Wow, they are dropping a lot of characters from A Clash of Kings in Game of Thrones Season Two. In some cases I understand both why they’re doing it and how it’ll work. In a few cases I’m kind of unsure how you do certain things you need to do at all without them. But when you think about it, the challenge faced by GoT the show is unprecedented. It’s one thing for The Sopranos to take bit parts and grow them into main characters at some point down the line — you’ve simply taken a presumably grateful character actor and given him the material of a lifetime. It’s still another to know up front that you’re casting a role who’ll get maybe five minutes of screentime this season but will turn into an opening-credits role in three, four years. What do you do, tell the Shakespearean actor you cast this past summer to clear his calendar for 2014? The answer will likely be not to cast such characters until the big stuff is happening, which of course will mean doing things differently than they were done in the books.

* Can you imagine having a sex ed class in which physical and emotional pleasure were valued and discussed? The clitoris, orgasms, the importance of making your partner feel comfortable emotionally, and being made to feel comfortable emotionally yourself? I can’t remember when that particular lightbulb was switched on in my head, but once the idea of such a sex ed curriculum was introduced to me, it became something that made me just shake my head in disgust that that’s not how things are. That’s absolutely how things should be. And in this New York Times piece about such a class in a school in a Friends’ school in Philadelphia shows you how it works.

* Speaking of the Times, unfortunately: Everyone I know thought Occupy Wall Street intended to shut down the New York City subway system yesterday, because they heard it on the news. I heard it on the news and so it’s what I believed. My in-laws, who are visiting us from Colorado, canceled their usual day in the city yesterday because they heard service would be disrupted on the news and so it’s what they believed. After the shutdown never materialized, today my co-workers said that OWS had simply failed to pull it off, because they’d heard of the plans on the news and so that’s what they believed. It turns out it was total bullshit, invented by Fox and the New York Times. But I heard it on several other outlets besides those, up to two or three days in advance, complete with responses to the supposed planned shutdown by NYC authorities. And it was all horseshit. As I’ve been saying on Twitter, it’s really rather amazing to watch all the organs of a body politic afflicted with terminal-stage capitalism work to expel OWS from the system. And this memetic inoculation against it — “protest Wall Street if you want, but once you start making it impossible for regular working people to get where they need to go…” — will likely never go away.

* Another case in point: The truly routine violation of protesters’ rights by the Bloomberg administration and the NYPD. The impunity with which they assault people, illegally arrest and detain them, illegally spy on them for their political beliefs, and so on is breathtaking. But as Ta-Nehisi Coates (via whom the aforelinked article) always says, we’ve got the police force we want, basically. If we didn’t want it, there are many ways in which we could make sure we didn’t have it.

* To end on a happier note, here are a few music links I enjoyed:

* Mark Richardson on freaking the fuck out over My Bloody Valentine’s Loveless. Man, we’ve all been there. I think my favorite part of listening to the album is when you get to that end section of “What You Want,” right before the final song “Soon” kicks in, and it’s so lovely you almost can’t bear it.

* Jaimeson Cox has been writing about Drake’s new album Take Care all week, and it’s been great. Actually, that album has coaxed great writing out of a lot of music writers. Off the top of my head: Brandon Soderberg, Zach Baron (the bit about the title track’s a must read), Ryan Dombal, Hua Hsu (terrific point about how disconcerting delivering similar sentiments via both singing and rapping can be). It’s early yet, but I think this may be my second-favorite album of the year after Kaputt by Destroyer? There’s just so much to talk about in the music especially, which is why I may inflict a post about hip-hop on you all in the near future. You’ve been warned.

Comics Time: Flesh and Bone

Flesh and Bone
Julia Gfrörer, writer/artist
Sparkplug, 2010
40 pages
$6
Buy it from Sparkplug

Death as an irreparable rupture. Explicit, raw, wounded-animal sexuality. The calculating and casual torture and murder of children. Occult evil that actively belittles the human capacity for love and kindness. It’s tough to think of a darker brew than the one Julia Gfrörer serves in Flesh and Bone, the all too aptly titled tale of a man who’ll do anything to be reunited with his dead beloved and the witch who’s all too happy to accommodate him. But it’s a heady brew, too. Gfrörer’s intelligence shines through in virtually every particular, from pacing (the excruciatingly interminable sequence in which the bereaved man writhes first in agony then in resigned masturbatory ecstasy on his beloved’s grave) to dialogue (a devastating exchange between witch and demon in which love is dismissed as “mutual masturbation,” a form of slavery that prevents humankind from pulling itself out of the muck) to strategic absences of dialogue (a harrowing silent sequence in which an owl is sent to blind a young witness to a horrible crime) to character design (the man’s Byronic good looks, the demon’s disembodied lion head) to facial expression and body language (the witch’s arched back and closed lids as she copulates with a screeching mandrake creature) to a cover that nails the appeal of her wiry, frail characters and line. I can think of few efforts in this vein that impress me, or resonate with me, more deeply than Gfrörer’s. Highly recommended.

Carnival of souls: the end of pood, tons and tons of preview pages from very good cartoonists, more

* Sad news: pood is folding with its fourth issue. That was a nobly intentioned effort of the sort we need more of, not less.

* Ken Parille does his Ken Parille thing on Daniel Clowes’s The Death-Ray, which at the time of its release had a decent claim to “Best Single Issue of All Time.”

* Guy Delisle’s Jerusalem looks awfully promising. I think it’ll be an interesting book for a couple of reasons. First, unlike North Korea, China, and Burma/Myanmar, Israel is not an open dictatorship, regardless of what you think of its policies, and I’m curious as to how Delisle’s alien-abroad reportage will translate in that setting. Second, unlike those other nations, the degree of financial, political, and cultural complicity in Israel’s policies, good bad and different, is far greater for the West, so one assumes Delisle’s writing may get more openly political as a result. Regardless, damn, look at that cartooning. As elegant as he’s ever been.

* Closed Caption Comics’ Molly O’Connell will be debuting two books at BCGF; here’s what one of them is gonna look like, and my, it’s lovely.

* Speaking of CCC, Ryan Cecil Smith continues posting gorgeous pornographic pages on his tumblr. Not even reproducing this one, in deference to you shrinking violets out there.

* Michael DeForge, man. More Kid Mafia, stuff for The Believer. more Ant Comic, still more Kid Mafia, something called “Hot Dog.”



* Jim Woodring’s still posting splendidly troubling art almost every day.

* More Chameleon #2 promo art from Jonny Negron. I enjoy this pure concentrated Weirdness.

* Jeepers, take a gander at the art of Ulises Farinas. Darrow über alles these days, huh? (Via Tom Spurgeon.)

* B.P.R.D. teaser art? Sure, I’ll eat it. No pun intended.

* Finally, Uno Moralez has a new image/gif gallery up. You know what to do.

Comics Time: Queen of the Black Black

Queen of the Black Black
Megan Kelso, writer/artist
Fantagraphics, 2011
168 pages
$19.99
Buy it from Fantagraphics
Buy it from Amazon.com

For today’s Comics Time review, please visit The Comics Journal.

Nine Inch Nails, Live at the Roseland Ballroom, New York City, May 14 1994

Pinion // Terrible Lie // Sin // March of the Pigs/All the Pigs, All Lined Up // Something I Can Never Have // Closer // Reptile // Wish // Suck // The Only Time // Get Down Make Love // Down In It // Big Man with a Gun // Head Like a Hole /// Dead Souls // Help Me I Am in Hell // Happiness in Slavery

DOWNLOAD IT HERE

This was the very first concert I ever went to. I had turned 16 a little over two weeks before the show; I had met the girl I would go on to marry two and a half months before that. There were two opening acts. The first was the lipstick lesbian dance act Fem2Fem, who brandished strap-ons on stage. The second was Marilyn Manson; when we saw all the t-shirts at the merch booth we wondered who she was. Listening to the recording now, it’s clear that The Downward Spiral was new enough for songs like “Reptile” to be met with a muted reaction upon their opening notes. “Closer” goes over like gangbusters, though, which means that maybe it’s not the newness of the other songs that earned them a softer reaction, maybe the audience was filled with radio fans. I was really pleased that the audience was apparently so familiar with Queen that they all sang along when the band played “Get Down, Make Love,” only for an older kid to inform me that they’d covered the song on the Sin single. I spent the encore in the “mosh pit” and survived. Trent smashed his keyboard and as the crowd dispersed people were hunting for broken keys on the floor. My folks were so nervous about me being in the city that they sent a car to pick me and my friends up rather than let us take the train home. The car radio was set to WDRE, and I heard “Love Will Tear Us Apart” for the first time. Of the group of three kids I went with, I am now a father, the second is a father-to-be, and the third is dead. It feels like a lifetime ago.

Carnival of souls: BCGF, Chameleon #2, Gloriana, more

* Lisa Hanawalt’s poster for BCGF gives me a good excuse to link to BCGF’s list of exhibitors, featured artists, and debut releases, which is astonishing.

* Ohhhhh man: The latest old Kevin Huizenga c omic to get a full-fledged hardcover reworking/repackaging from Drawn & Quartelry is Gloriana (previously known as Or Else #2), which features “The Sunset,” one of the greatest comics of all time. OF ALL TIME!

* Related: My Robot 6 colleague Graeme McMillan on Ganges #4.

* Drawn and Quarterly has posted its Winter 2012 and Spring 2012 catalogues for download. And Fantagraphics has published its Spring/Summer 2012 catalog for download. I actually carry new Fanta catalogs around in my backpack to read and re-read like a comic.

* Recently on Robot 6: My quick take on Matthias Wivel’s epic L’Association article.

* Hey now: Jonny Negron’s Chameleon anthology has a second issue on the way in December! Here’s the cover and here’s a page from Negron’s contribution to it, “Violence City.”

* And here’s a page from Uno Moralez’s contribution to it. That’s right, Uno Moralez’s contribution to it.

* Big Two news: Things are looking good for DC’s big relaunch right now, though as many, many people have pointed out to me, these initial few months’ sales figures reflect sales to retailers, not to customers, and have all sorts of huge returnability incentives built in, so sales will likely settle down significantly at some point soon. And Marvel is cutting staff, series, budgets, and royalties. I do believe many Marvel staffers’ protestations that this has nothing to do with DC’s recent success, but the timing sure is unfortunate from a PR perspective.

* Saving this for when I really have time to savor it: Curt Purcell on the psychological underpinnings of the appeal of crossover stories.

* Happy sixth birthday to the A Song of Ice and Fire fansite Tower of the Hand! TotH has the most elegantly coded solution to the problem of spoilers that I’ve ever seen. Check it out and you’ll see what I mean.

* Tom Spurgeon on comic titles that read like Captchas.

* Tom Brevoort’s formspring seems to have gone from surprisingly candid to surprisingly lyrical.

* “The scientist’s plan worked perfect. The dog was now a super hero.”