STC @ SPX

Once again, I will be attending the Small Press Expo in Bethesda, Maryland this weekend. I’ll be moderating the following panel on Sunday at 2pm in the White Oak Room:

Troubling Tales, Difficult Drawings
Effective comics can elicit a number of intellectual and emotional responses from readers. Undoubtedly, some of the most memorable comics have been those which have an unsettling effect that lingers long after the final page has been read. Comics critic Sean T. Collins will speak with Ben Catmull, Julia Gfrörer, Michael DeForge, and Ulli Lust about the intent and methodology behind work that troubles, disturbs and gets under the reader’s skin.

I look like the person in the photo above, so if you see me, please say hello if you feel like doing so.

9.11.13

As he followed her inside Mother Abagail’s house he thought it would be better, much better, if they did break down and spread. Postpone organization as long as possible. It was organization that always seemed to cause the problems. When the cells began to clump together and grow dark. You didn’t have to give the cops guns until the cops couldn’t remember the names…the faces…

Fran lit a kerosene lamp and it made a soft yellow glow. Peter looked up at them quietly, already sleepy. He had played hard. Fran slipped him into a nightshirt.

All any of us can buy is time, Stu thought. Peter’s lifetime, his children’s lifetimes, maybe the lifetimes of my great-grandchildren. Until the year 2100, maybe, surely no longer than that. Maybe not that long. Time enough for poor old Mother Earth to recycle herself a little. A season of rest.

“What?” she asked, and he realized he had murmured it aloud.

“A season of rest,” he repeated.

“What does that mean?”

“Everything,” he said, and took her hand.

Looking down at Peter he thought: Maybe if we tell him what happened, he’ll tell his own children. Warn them. Dear children, the toys are death–they’re flashburns and radiation sickness, and black, choking plague. These toys are dangerous; the devil in men’s brains guided the hands of God when they were made. Don’t play with these toys, dear children, please, not ever. Not ever again. Please…please learn the lesson. Let this empty world be your copybook.

“Frannie,” he said, and turned her around so he could look into her eyes.

“What, Stuart?”

“Do you think…do you think people ever learn anything?”

She opened her mouth to speak, hesitated, fell silent. The kerosene lamp flickered. Her eyes seemed very blue.

“I don’t know,” she said at last. She seemed unpleased with her answer; she struggled to say something more; to illuminate her first response; and could only say it again:

I don’t know.

—Stephen King, The Stand

“Boardwalk Empire” thoughts, Season Four, Episode One: “New York Sour”

NEW YORK SOUR

* Before I say anything else, please go read Ryan Leas’s piece on Boardwalk Empire for Salon, by far the best writing on this show I’ve ever seen. Alone out of the professional critics I’ve seen tackle this show, most of whom appear to be imagining themselves at a cool kids’ table with David Chase and Matthew Weiner, gleefully refusing Terence Winter a seat, Leas gets what the violence and spectacle of this show are, what they mean. It’s not the show trying and failing to to have taste.

* Anyways:

* Aw, that poor gas-station guy from No Country for Old Men. All he does is get menaced during monetary transactions with professional killers.

* Richard Harrow emerges silently, retreats into the darkness.

* Dunn Purnsley! He’s a main character now? Or is he just the germinative incident for the Chalky White storyline? Either way, I am so deeply glad to see Erik LaRay Harvey get more screentime, in a season premiere no less. That is a very odd, very magnetic performance, made more so by the beaten-in eye socket make-up.

* Hey, Nucky’s German factotum (thanks, Cicero Daily Tribune!) survived! This is just the first of the Season Three finale cliffhangers resolved in fairly short order this episode: Rothstein’s not in prison from Nucky’s frame-up using the treasury secretary’s distillery; Masseria’s willing to meet and forget the massacre of his men post-truce; even Rosetti’s right-hand man is allowed to come back to A.C. for the meeting.

* I’ll never not be enough of a mafia nerd not to be thrilled any time I’m watching a scene in which Joe Masseria, Lucky Luciano, Arnold Rothstein, and Meyer Lansky are characters.

* I sure would like it if there’s a Lucky/Meyer break-up-to-make-up storyline this season. That’s this show’s great undying romance, after all, if history is any indication. (Spoiler alert for non-mafia nerds?)

* “All of man’s troubles come from his inability to sit quietly in a room by himself.” I think this might be true! Out of the mouth of Rothstein, man. (Hat tip to Jim Henley for reminding me of the genius of “Flip a coin. When it’s in the air, you’ll know what side you’re hoping for.”)

* Michael Stuhlbarg’s Rothstein echoes Eddie Cantor in some way, doesn’t he? Pale pancake-makeup complexion, studied speech pattern — a performance by a performer who’s become his character. You can’t spell “vaudevillian” without V-I-L-L-I-A-N.

* Nuck at the window. Lots of conspicuous framing of Nucky overlooking things this episode.

* Leander is Gillian’s lawyer, lol.

* Hey, the Sigorskys are still around. That’s rad. I thought the saga of Jimmy’s little boy would be over, and that Richard’s girlfriend and her PTSD father would be gone with him. I hope there’s more thread to tug at there.

* Was Eli’s son hot last season too, or is this new?

* Mickey Doyle is back on my television. Truly this is the most wonderful time of the year.

* How soon did you see Agent Knox coming? Something was up with the guy, that was clear when he took that lingering look at the payoff money changing hands, but it took me until his next scene to realize what he was.

* Fuck “cellar door” — “Cicero, Illinois” makes my heart sing like no other two-word English phrase.

* Hey, it’s Herc from The Wire!

* “He gets my fuckin’ name wrong??”

* Actual note written down: “YESSSSS Eddie Cantor!” NERD

* Nuck loves the showgirls, huh. What’s up with that? I mean, I guess obviously they’re reliably attractive and relatively liberated. But are we to read into their nature as performers, entertainers, actors, dissemblers-for-hire?

* Gillian Darmody is, indeed, “quite the scene-painter.” Aaaaand she’s a junkie, and a whore. I’m still capable of feeling very, very bad for Gillian, the Cersei of New Jersey. As they made a very welcome effort to point out after that incredible Season Three climax’s smoke cleared, Nucky has an awful lot to answer for in terms of how she became what she is.

* The scenes with Richard on the hunt for…whatever he was on the hunt for regarding the insurance company were great, but as I guess is clear from this sentence I have no idea what that was. Maybe we’re not supposed to know. The episode is structured to make it look like he was trying to find his sister, but that doesn’t exactly square with, you know, killing his way there. Separate missions?

* Don’t stop fighting for the cherry and the white, college boy. I don’t think things will go well for you otherwise.

* Los Bros Capone

* “Yes, boss.” Christ. Nauseating scene, amazingly good at making the viewer feel Dunn’s helplessness, loathing, and rage. I knew exactly what he’d be getting himself into and didn’t care. I just wanted to see him stab that guy to death, in that moment. You want a show that addresses race, critics who cover the Mad Men beat? Good god. Ran right at the most noxious shibboleths of anti-black racism with a broken bottle. Right at the end of the sexiest scene in the show’s history, too, I think. Wow.

* Right, so, this next scene was where it became clear that our new agent setting the old agent up.

* Back to Dunn, now with Chalky and Nucky and Eli. I like how unwilling he is to own up to wrongdoing. He was being raped.

* The steel blue gray of that burial scene. Wow.

* Ron Livingston, I presume?

* It’s just a split second, but I loved the beat where Gillian realizes he’s not in it for the prostitution. Gretchen Mol is usually as heightened as her Lady Macbeth archetype calls for, as are a lot of the performers on this show, but that was really subtle and really strong work.

* Roy Phillips. Piggly Wiggly. Big Business.

* Outrageous splendor of the shots of that Cicero Daily Tribune office, for no good reason.

* “I don’t want anyone else’s grief.” Aw Nuck. Good luck with that.

* Chalky front and center, at least so far.

* “Bring on the dancing girls.” The Onyx Girls in a post-Miley era. “Deliciously primative.”

* Agent Knox:Boardwalk Empire::Todd:Breaking Bad

* “Albatross Hotel. Transients welcome. Closed.”

* “Big hauls down here. Come and see. McCoy.”

* “Hello. I’ve come home.” Keep making Richard Harrow a myth, Boardwalk Empire.

“Breaking Bad” Q&A: Steven Michael Quezada

I interviewed Gomie for Rolling Stone! Am I happy about this?

“Breaking Bad” thoughts, Season Five, Episode 11: “Confessions”

I reviewed tonight’s episode of Breaking Bad for Rolling Stone. How about that guacamole?

Breaking Bad Q&A: Betsy Brandt

I interviewed Betsy Brandt, aka Marie Schrader from Breaking Bad, for Rolling Stone. I got to use the phrase “purple reign,” which is my all-time favorite pun.

Vorpalizing

Over the past couple weeks I’ve been a busy boy on Vorpalizer, the blog of the Science Fiction Book Club, as usual.

In my Webcomic Wednesday series, I wrote about the art of Heather Benjamin (which I obviously love) and The Long Journey by Boulet, empty calories but tasty, and “About the Author” by Pete Toms (“Repetition works, David. Repetition works, David.”).

And in my Roots and Beginnings series, I talked about The Goonies, bullying, and escapism, and (via art by Sam Bosma) my greatest D&D experience ever.

Breaking Bad Q&A: Dean Norris / Breaking Bad Thoughts, Season Five, Episode Ten: “Buried”

Last week I interviewed Dean Norris, aka Hank Schrader, for Rolling Stone. This week I reviewed the latest episode of the show. Usually I post quotes from these things but we’re so close to the end now that I’m afraid to screw anything up for anyone, so take my word that they’re worth reading, I guess.

BIEBERCOMIC PART 3

In this week’s installment of BIEBERCOMIC, a comic about Justin Bieber by me and Michael Hawkins, Justin gets some bad news about Selena Gomez.

“Breaking Bad” thoughts, Season Five, Episode Nine: “Blood Money”

I reviewed tonight’s Breaking Bad premiere for Rolling Stone. I start with a Donald Rumsfeld quote and include a Red Wedding reference, because that’s me all over.

Movie Time: Only God Forgives

Only God Forgives is director Nicholas Winding Refn’s own Drive reaction video. The middle-aged foreign not-white cop we’re trained to think will be the villain is in fact the one who’s heroically doling out street justice, hurting only those who hurt others. He’s the Driver. The strong, silent, handsome, blond American interloper is no white savior, and he’s only even the villain accidentally, if at all. Mainly he’s a sad and ineffectual patsy, cannon fodder caught up in the larger struggle between the hero and Kristin Scott Thomas’s Tiamat figure. (Refn’s solution to making particular character troubling in that particular way is to run right at it; the last time we see her, Gosling has his hand in her fucking womb.) It’s like Refn picked us up from where we were standing at the end of Drive, moved us a couple windows over, and showed us the same thing, using our knowledge of narrative convention to show how heroism and horror are a matter of perspective.

Breaking Bad’s 10 Most Memorable Murders

I’m back on the Breaking Bad beat for Rolling Stone during its final eight-episode run. I decided to kick things off with a list of 10 times people on this show killed other people on this show in ways I found difficult to forget. Oh, life.

Comic cards, comic movie, comic

I wrote about the early-’90s Marvel trading cards for Vorpalizer, explaining how for kids like me were our primary exposure to comics at all, and what that means.

I wrote about the history of Wolverine for Rolling Stone, marking the occasion of the release of the new movie The Wolverine by tracing how the Len Wein/John Romita Sr./Herb Trimpe–created, Chris Claremont/Dave Cockrum/John Byrne–developed character went from throwaway antagonist to one of the most popular in all of fiction.

And I wrote about Saman Bemel-Benrud’s webcomic Abyss for Vorpalizer, exploring its handling of information technology as a vector for the fantastic.

Book Time/Comics Time: A Wizard of Earthsea/July Diary 2013

Over at Vorpalizer, I wrote about A Wizard of Earthsea by Ursula K. LeGuin, and how it derives much of its strength from its depiction of physical and emotional isolation, a relatively rare thing for fantasy. I think it struck a nerve with people.

I also wrote about Gabrielle Bell’s July diary comics, 2013 edition. I think they’re the best she’s done.