Is it not clear to everyone that the entire careers of both Jessica and Ashlee Simpson are simply a way for them to be lived through vicariously by their obviously gay dad?

I read this Tom the Dog item about Bruce Jones’s run on The Incredible Hulk today, and it got me thinking. Now, I happen to be a fan of Jones’s Hulk work, or at least the first four collections’ worth of it or so, but that’s not the point.

I just want to know: Has Marvel said whether or not Jones’s big conspiracy storyline will reach a resolution before his run is over, given his abrupt departure from the company?

Does anyone know about this? I really, really don’t want to think I stuck with the series as long as I did only to never get an answer to the big question. (And yes, I realize the answer is going to be “The Leader was behind it all!”, but I want to read this, not just guess.) Please, if you’ve got the scoop, drop me a line.

Quote of two days ago, this time. We’re getting closer and closer to actually having a quote of the day on the day the quote was actually written. Ahem:

Have you noticed how online comics fans have decided it’s okay to like Dan Clowes now he’s done a superhero comic?

Warren Ellis, ignoring everything online comics fans have ever written about “Ice Haven” (near-unanimously regarded as the best single-issue comic book in human history, as far as my experience with the comics internet goes), David Boring, Ghost World, Caricature, 20th Century Eightball, and on and on and on and on and on…

(I’m also not sure Warren Ellis, of all people, should really be playing the “themes explored better by Chuck Palahniuk” game. But I did enjoy issue number one of Ultimate Nightmare!)

(Link courtesy of Jog the Blog, who also reviews Jason’s new book, You Can’t Get There from Here.)

Steve Lieber recently started a meme that encourages bloggers to list eleven comic-book titles that no library should be without. Here’s mine.

1. Jimmy Corrigan: The Smartest Kid on Earth by Chris Ware

3. The Diary of a Teenage Girl by Phoebe Gloeckner

…and that’s it.

Nah, okay, wait a minute, here’s the second tier:

4. The Dark Knight Returns by Frank Miller

7. Poison River by Gilbert Hernandez

Okay, now, my criteria:

It’s really simple. I’m only listing books that totally knocked me on my ass, and continue to do so, both in retrospective remembrances and in re-readings. The top three is the top three because they so thoroughly destroyed me with their brilliance that I’m barely coherent about them. If I’m going to presume to tell every library what they shouldn’t be without, they’re what I’m looking for–absolute world-shattering brilliance.

The second tier’s members are second-tier for a variety of reasons. Words can’t describe how much I love Dark Knight, which I still think is as great as I thought it was when I first read it in sixth grade; Watchmen is in a similar league. I’m just not totally convinced that you don’t need some grounding in superherodom to appreciate them as much as I do. “Ice Haven,” astounding as it is, is just a pamphlet, and I have a feeling we’re really looking for graphic novels here. (We’ll see how the proposed expansion of the piece into graphic-novel length goes.) Poison River should have been collected into Palomar bu

Okay, again, not this day, but a day:

I certainly enjoyed [Alan Moore’s] Watchmen more than I have most of [Moore’s] ABC line, but let’s remember: a guy smearing his shit all over Bristol boards in the eighties would sell far more copies than a comic written by Shakespeare, drawn by God, and released in 1999.

Marc Singer, during a discussion of the recent “kids and comics” kerfuffle that takes both the Chabon and Bendis/Millar sides (rightfully) to task.

Well, quote of Thursday, July 29th, anyway:

I’ve heard a few people call this and other new X-spinoffs “unnecessary”, which always makes me kind of wonder what Marvel/DC comics are “necessary” to begin with.

—Steve Pheley

I’m not even sure I agree, but well said! Steve also offers a capsule review of Avengers 500 (aka the issue that begins the whole “destroy all Avengers” thing) that’s a useful corrective to the “Bendis is an overrated hack and this is a gargantuan sack of shit and you shouldn’t be killing characters and it’s lazy shock tactics and blah blah blah” stuff goin’ ’round.

Back before my trip to San Diego I was pretty comprehensively blogging critical reaction to Dan Clowes’ Eightball #23. A handful of late entrants have since filtered in, namely Adam Stephanides’ musings on emptiness and joylessness in both protagonist and creator, Marc Singer’s reading of the book as an anti-current-administration political tract (coupled with his usual harsh take on Clowes in general), and Jog the Blog’s explanation of how the political content could be much less political than it seems. Read them all.

Carnet de Voyage

Top Shelf Productions

When a glorified sketchbook is a more compelling graphic novel than three-fourths of the official output that comes down the old funnybook transom, you know you

So I’ve seen clips about the San Diego Comic-Con on nearly every show that’s run this weekend on the E!-VH1-MTV celebrotainment continuum: Best Week Ever, E! News Weekend, The Soup, ET on MTV, and on and on and on. Now, of course they have the hosts put on coke-bottle glasses and talk about how they’ve never known the touch of a woman after each segment ends, but generally the tone isn’t “I’m embarrassed to be here” so much as it’s “hey, this is kinda neat–and oh, look, isn’t that Jessica Biel?”

This excites me anyway. I simply could not have been happier with how these films turned out, and it’s only recently occurred to me how wonderful that is.

This I liked. I’d certainly be up for seeing what he might do with Galactus.

If you enjoyed Grant Morrison & Cameron Stewart’s astoundingly imaginative and deeply emotional miniseries Seaguy and would like to see Morrison’s planned second and third Seaguy miniseries actually get published, please go and sign this online petition. Sure, such efforts are usually about as vain as resisting the fun-filled fascism of Mickey Eye, but it’s worth a shot, right! Adventure, ho!

(Link courtesy of Graeme McMillan.)

Has Warren Ellis become the least interesting “interesting” writer alive?

I’m feelin’ too lazy to write up a full recap of my own. What can I say? Even when you don’t have a giant clothing corporation buying $500 worth of comics for you, San Diego Comic-Con is nerd heaven, particularly if your nerd tastes are as catholic as mine are. It’s an indy con, a superhero con, a movie con, a party, a freak show, and a flea market all rolled into one.

If you’re looking for a more in-depth assessment, I recommend the takes of Heidi MacDonald (who still doesn’t have an RSS feed–I think she’s just being difficult at this point) and Steven Grant. Rich Johnston was a little disappointing this go-round, but ymmv.

Grant Morrison yet again delivers an interview so good and quoteable that it’s sort of a literary masterpiece unto itself. This time he’s talking up his upcoming DC projects, a JLA run and a very ambitious project called Seven Soldiers. In the process he takes potshots at both Identity Crisis and Hush & its “let’s do a greatest-hits album for a story” imitators. (The latter of which, come to think of it, seems as squarely aimed at his protege Mark Millar’s plans for Spider-Man and Wolverine as earlier interviews’ comments on gratuitious badass-isms, paramilitary chic, and the aping of action cinema seemed targeted at Millar’s Authority, Ultimates, and Wanted. (All of which I like, by the way, but I take his point.))

Meanwhile, a blog called simply John and Belle Have a Blog has put together several strong superhero-centric posts. First is an essay on superheroes and time, looking at both the nostalgia factor and superhero stories’ open-endedness before culminating in a rather dismissive assessment of Alan Moore. Second, and much stronger, is an examinaton of the way in which superhero stories can or cannot handle “realism”. There’s also a digression on the way superhero stories accrue moments in the manner of a picaresque but, unlike as in a picaresque, insist on accruing really really big moments. It’s great writing, and includes a link to more great writing in the form of one Timothy Burke’s essay on the perils of continuity. To go the whole hog and force the fictional world to incorporate superpower-created advances and setbacks (a la Watchmen or Squadron Supreme), to ignore such advances and setbacks completely (a la any superhero comic that involves teleporting, or the massacre of an entire city or country), or to strike a compromise and try to inhabit an unrealistic world realistically (a la Astro City)? That is the question. Finally (though it only touches on superheroes tangentially, in a spoilery discussion of Unbreakable) there’s a post on infodumps and infolocks in genre fiction.

Given where I’ve been spending my days lately, these are all a lot of fun to read.

Links courtesy of NeilAlien and Kevin Melrose.

I’ve reviewed Craig Thompson’s new book, Carnet de Voyage, for Comic Book Galaxy. Go check it out!

Bad panels today

Tracking down cheap comic books

Smelly hot and moist

See you there!

Between Identity Crisis and Avengers Disassembled, and this whole idea of using rape and murder to clear out dead-weight characters and give the survivors something to talk about, I

Yep, I’ve updated the big Clowes/NYT piece again. Here ’tis. Or just scroll down.

Today I was walking past the local comics shop and I saw a poster for the new Firestorm series. “The fallout begins in May!” read the tagline. Turns out they were off by about two months, but were otherwise all too accurate, huh?