“Lady in the Lake” thoughts, Episode Five: “Every time someone turns up dead in that lake, it does seem to lead to you.”

When Maddie talks to Shell Gordon and Reggie Robinson…okay, I’m gonna break format here and just say when this happened I practically cheered. Here we have Academy Award winner Natalie Portman sitting across from Wood Harris, The Wire’s Avon Barksdale, commanding the screen just as effortlessly. That show’s deep bench of talent is just extraordinary.

Anyway, when Maddie talks to Shell, he chooses and delivers his words with the kind of skill and care an unpracticed speaker and interviewer like Maddie can’t match. When she tries to be coy about his racket, he makes her come out and say it. He’s the person who finally makes the racial subtext of their conversation text, praising Jewish people like her for surviving a genocide and overcoming racism, but ultimately letting her know that for all intents and purposes, she’s as white as anyone else to a Black person like himself. It’s like watching a serious version of Zorro making a few quick swordstrokes and his opponent (or lady friend)’s clothes all falling off at once, effortlessly torn to shreds. 

Shell isn’t the only other person in the room, though. There’s also Reggie, who for all his gravelly soft-spokenness may as well be an open book. He lets slip that he’s a boxer — you know, the kind of hobby that leaves you with a black eye — and reveals that he and Shell collect tropical fish — you know, the kind that a Black guy with a black eye might have been seen buying at certain store the day a certain girl goes missing. The cherry on top is that, seemingly just for the fun of it, Shell reveals that Reggie was an item with Dora Carter, Cleo’s best friend. (Even now, when it’s in his best interest to do so, Reggie can’t hide his feelings: When Maddie asks if they were in love, he replies with a surprisinagly humble and tender “I’d like to think so.”)

I had a grand time reviewing this week’s excellent episode of Lady in the Lake for Vulture.

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