“Yellowjackets” thoughts, Season Two, Episode Nine: “Storytelling”

I came into the Yellowjackets season finale expecting it to be brutal. Well, it was brutal alright, just not in the way I hoped it would be. Folks, we need to talk about needledrops, specifically all the ones on this show. Simply put, Yellowjackets has the worst music supervision on television, and it’s fucking the rest of the show up, bad.

Seriously. “Zombie” by the Cranberries as everyone staggers back to the cabin with Javi’s corpse in tow, eyes glassy, completely drained, shuffling around like, you guessed it, zombies. “Street Spirit (Fade Out)” by Radiohead as Natalie hallucinates being back on the crashing plane as she dies from an accidental lethal injection by Misty before, you guessed it, fading out. “The Killing Moon” by Echo and the Bunnymen, one of the most overused music cues of the past two decades (which should have been retired after its pitch perfect usage by Richard Kelly in Donnie Darko), as the surviving kids stand outside their burning cabin, looking forward to a future of, you guessed it, killing people under the moonlight. 

Every song is hugely famous already, carrying tons of preexisting emotional weight, and used to the most literal effect possible, like a sort of musical Cliff’s Notes for what’s happening and how we’re supposed to feel about it. It’s all so blunt, so artless. It makes Stranger Things sound like The Sopranos. (Nora Felder, who took over from Euphoria’s Jen Malone on music supervision duties this season, also handled Stranger Things, to which I can only say no shit.)

I reviewed the season finale of Yellowjackets for Decider. Woof.

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