But mostly, trying to encapsulate the brilliance of this show is best done by simply recounting a litany of the many many ways in which it draws the Star Wars struggle down to a human level. This is a show concerned with prison bureaucracy, with the existence of toilets, with the existence of deaths from despair. It’s aware of revolutionary factionalism and bureaucratic infighting. It unflinchingly depicts cops and corrections officers as unrepentant, moronic sadists. It shows how prisoners can be made to turn on one another, crabs-in-a-bucket style. It includes insightfully fascistic phrases like “Can one ever be too aggressive in preserving order?” and “If you’re doing nothing wrong, what is there to fear?” It acknowledges that the quaint customs of the various exotic civilizations in the Star Wars Galaxy include shit like arranged marriages between children. It shows committed romantic partners reading each other to filth, as when Cinta dismisses Vel as “a rich girl running away from her family,” then effectively quoting the Velvet Underground & Nico by telling Vel “I’m a mirror…you love me because I show you what you need to see.” A prison overseer tells Andor “Losing hope? Your mind? Keep it to yourself.”