“The Rain” thoughts, Season One, Episode Five: “Have Faith”

Some shows don’t know their own strengths. Westworld, for example, is the best example of this phenomenon on the air right now. Its creators took Michael Crichton’s old sci-fi horror concept and ported it to a modern-day prestige-TV landscape where they could play up the sex and violence all they wanted, while still having the breathing room to depict the robotic theme-park attractions’ burgeoning self-awareness so slowly that entire scenes can pass featuring completely realistic conversations between “characters” who have no idea their every thought, word, and deed has been preprogrammed. The pulp thrills are right there for the taking; so is the (as far as I can tell) unprecedented experience of watching a work of fiction in which the heroes start out from a position where their interactions no more “real” than your iPhone connecting to your car via Bluetooth. And what does Westworld do? Bury both the juicy and heady stuff in boring puzzle-box narratives, pointlessly shifting timelines, and long boring conversations about What It Means To Be Human—a perennial thematic non-starter, given that all of us have a pretty good idea of what that means every time we wake up in the morning, thanks. There’s a fine show in there, but the show itself doesn’t know it.

The Rain is the anti-Westworld. As its fifth episode (“Have Faith”) amply demonstrates, it knows where its bread is buttered: in the faces and emotions of its cast of characters as they face a horrific world in which only connecting with each other keeps them afloat, and in racing through a series of post-apocalyptic tropes at a pace brisk enough to keep them feeling fresh while making each deviation from the expected path a genuine surprise rather than a “twist” so painstakingly telegraphed that redditors could figure it out months in advance and call it a day.

I reviewed episode five of The Rain for Decider. This one took a tried-and-true staple of post-apocalyptic narratives — the colony of seemingly well-meaning survivors who maybe aren’t so well-meaning — and made something new out of it.

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