“Shall we begin?”
Seven hells, yes! After a longer-than-ever wait between seasons (for a smaller than ever run of episodes) Game of Thrones has returned – and so, for that matter, has. Daenerys Targaryen, heir to Aegon the Conqueror and rightful ruler of the Seven Kingdoms. The Mother of Dragons has finally touched down on her ancestral soil to reclaim what was once hers. The premiere of the show’s more-anxiously-anticipated-than-ever seventh season, entitled “Dragonstone,” concludes with a five-and-a-half minute wordless sequence depicting her arrival at the island fortress that gives the episode its title. When Dany utters those three words and the show smash-cuts to the closing credits, the message is clear: The game is on at last.
Not that the waiting for winter to come was ever boring. If it’s a neatly summarized story you want, one that proceeds neatly from beginning to end with no detours or delays, read a wikipedia article. The fact is that without the preceding six seasons’ many twists and turns, few of this premiere’s many beats would have an iota of their impact.
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Yet despite the cast of dozens (seriously, we haven’t even touched Samwell Tarly‘s bedpan-and-broth montage, or Bran Stark‘s arrival at the Wall), the real protagonist of this episode is the audience. From the very first season’s inuagural scene, we’ve known the White Walkers were coming – and from that season’s parting shot, we knew dragons had been born. For over half a decade we’ve simply waited for the pieces to come together, while countless characters fought and died in ignorance of the big picture. How fitting, then, for this episode to feature not one but two gigantic maps – the boards on which the game of thrones is played. We’re getting closer and closer to the moment when the major players see the whole thing for what it really is.
Indeed, like the small-scale replicas of the Seven Kingdoms studied by Dany and Cersei, “Dragonstone” was the Season One model in miniature. After Arya’s lethal prologue, the main action began with the march of the Night King and his army of zombies, and ended with the arrival of the Mother of Dragons and her reptilian children. The show has essentially scripted our anticipation of this grand convergence from day one – a huge difference from basically every single other great show of the era, which kept audiences guessing at the endgame. Game of Thrones is designed to make us the greatest players of all. We’re finally beginning to reap the rewards.
I reviewed the premiere of Game of Thrones Season Seven for Rolling Stone.
Tags: A Song of Ice and Fire, fantasy, Game of Thrones, George R.R. Martin, reviews, Rolling Stone, TV, TV reviews