‘Industry’ thoughts, Season 4, Episode 4: ‘1000 Yoots, 1 Marilyn’

There’s a lot of good TV on right now. Even more specifically there’s a lot of good TV on HBO Max right now. In addition to Industry, there’s The Pitt and A Knight of the Seven Kingdoms and Heated Rivalry. They’re all big buzzy dramas. (For the record, Knight isn’t a comedy or a dramedy, it’s a drama that’s funny, a subtle but crucial distinction.)

But even relative to its strong contemporaries, Industry is in a class by itself. It’s in the conversation with The Sopranos, Mad Men, and The Young Pope/The New Pope. I don’t know what that conversation is, necessarily — something to do with artful, ruthless television about how the cycle of venal but irresistible desire unmoors us from the morality that makes us human beings — but that’s where Industry is. Every time I sit down to write a review of this magnificent smorgasbord of sociopathy, my first thought is “Where do I begin?”

I reviewed this week’s Industry for Decider. What a show.

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