‘The Lowdown’ thoughts, Season 1, Episode 1: ‘Pilot’

The Big Lebowski’s influence, intentional or not, can’t be overstated. Lee is basically the Dude if he made a career of leaping off of couches and using that old pencil trick to see what Jackie Treehorn wrote on that note. A wise, mysterious older stranger sits down next to him at a bar. A car of unknown origin follows him around. He is beset by rich white assholes and beautiful, eccentric women. He gets mixed up in a sprawling case with a huge cast of colorful characters and humorously recreates classic crime narratives in pursuit of the truth. You get it.

Most importantly, like the Dude used to be back when he (and six other guys) wrote the Port Huron Statement and occupied ROTC buildings, Lee is, according to both Cyrus and Marty, that saddest of specimens: “a white man who cares.” Even though he dresses like a dirtbag and talks like he’s doing a bit and is perpetually broke, Lee still has tremendous power and privilege as a straight cis white guy. Because he cares, he’s using these powers for good. As a result, he nearly winds up murdered in a car trunk like Billy Batts. 

Caring, in other words, isn’t easy, even if you live life on the easy setting thanks to your background. It’s hard and dangerous. The Lowdown simply suggests that caring also can make you one of the coolest, most interesting people anyone’s ever met — a living legend without really trying to be one — while still solving actual problems. Maybe it’s not really that easy in real life, but if it results in a show as much fun as this one? Let’s hear ’em out.

I reviewed the series premiere of The Lowdown, Sterlin Harjo and Ethan Hawke’s new series, for Decider.

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