‘Adolescence’ thoughts, Episode 4

Is it cathartic to condemn yourself? Can it be healing to admit your wound was, in part at least, self-inflicted? Can you move on from the worst thing that’s ever happened even if you know you’re part of the reason it happened? Is that the only way you can move on at all?

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Asking your audience to accept that good intentions aren’t guarantees of good outcomes and don’t morally absolve you from bad ones is bold at any time, much less this one. It’s a dramatic third rail few shows dare touch; even the very fine and similarly themed Disclaimer, filmed by technical wizard Alfonso Cuarón, turned its well-meaning failures into outright villains rather than ask the audience to live with the pain of their understandable, relatable guilt. Wallowing in that anguish, employing a phalanx of performances by actors who make their characters feel like they’ve been set on fire from within, shooting through a camera that never lets us look away, Adolescence is truly exceptional television. 

I reviewed the finale of Adolescence for Decider.

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