“American Primeval” thoughts, Episode Four

One of my favorite film microgenres is the Ordeal. In Ordeal movies, characters embark on a perilous journey across some wild territory, and endure a grueling struggle for survival along the way, marked with repeated instances of terror and pain. Think Deliverance, Sorcerer, The Descent, Gravity, and most relevantly The Revenant, written by American Primeval creator Mark L. Smith. Go ahead and throw Martin Scorsese’s After Hours in there if you’re feeling generous, and Homer’s The Odyssey if you want to be complete about it. These narratives are compelling because of how they join the viewer and the protagonist at the hip: You’re not going anywhere until this guy or girl gets out alive, or dies trying. The only way out is through.

American Primeval is an attempt to create an Ordeal TV Show, which in this age of spiffy limited series is now a possibility. There are pros and cons to this approach. In the former column is the obvious point that on  television show, your Ordeal can last a whole lot longer. You can drag out that primal struggle, allowing for more moments of bloody horror and stark beauty. And to fill up that extra real estate, you can create multiple protagonists, each on a different path, each undergoing an Ordeal of their own, each with their own appeal.

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But on the big screen, the Ordeal is a uniquely focused form of storytelling. The pleasure of the Ordeal is its ability to burrow deep into the mindset of its main character as they’re put through their paces over the course of an entire film. By the end, ideally, you feel what she feels in your gut. That’s just not going to be the case when you’re bouncing around between stories and characters on a regular basis, episode after episode. It can even start to feel a bit, well, episodic: This happens, and then this happens, and then this happens, and then this happens, and the next thing you know a grizzled mountain man is snapping a screaming child’s splintered bone back into place and it’s cut to black, roll credits.

I reviewed episode four of American Primeval for Decider.

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