There’s a joke in the animated series Adventure Time, where the young hero, Finn, praises the biscuits cooked by his sidekick Jake, a talking, shapeshifting dog. “Finn,” says an exasperatedly honest Jake in response, “I made those biscuits with so much butter! You were just responding to the butter!”
This is worth thinking about when you watch TV. (Other than Adventure Time, I mean.) How often are we responding favorably to a show because all the parts work in sync to create a whole that’s more than their sum, or because we just like a bunch of the parts a lot? When are we responding to the biscuits, and when are we just responding to the butter?
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After the first episode, I started wondering if The Old Man’s primary strength was just how enjoyable and talented veteran actors Jeff Bridges and John Lithgow are. This episode proves that Alia Shawkat is a vital ingredient, without whom The Old Man noticeably feels like half a show.
It also shows that she, too, is a casting coup in the same way Bridges and Lithgow is: She’s simply a very interesting person to look at. Bridges has his Old Man of the Mountain visage, Lithgow his unparalleled look of officious aggrievedness, and Shawkat a prodigiously freckled canvas across which emotions as simple as rage and defiance and as complicated as grief for a life never allowed to exist are splashed like a Jackson Pollock.
The Old Man returned last week with a two-part premiere; I reviewed episode one and episode two for Decider.
Tags: decider, the old man, TV, TV reviews