“Monarch: Legacy of Monsters” thoughts, Season One, Episode One: “Aftermath”

The MonsterVerse is a mixed bag. As an official welding together of the big screen’s two biggest giant-monster icons, Godzilla and King Kong, it mostly does what it needs to do, i.e. toss giant monsters at each other and get out of the way. But there’s a pretty wide range of quality in terms of the movies surrounding those monster fights. Kong: Skull Island is a charmingly berserk adventure-movie throwback, with a fun cast of memorable little characters. This puts it head and shoulders above the three Godzilla-led entries in the series, in which the characters range from inert to inane. But there are some truly awe-inspiring, almost cosmic monster visuals in Godzilla: King of the Monsters, and Godzilla vs. Kong has the lizard/ape action you crave. 

The biggest disappointment in the series is its opening entry, 2014’s Godzilla, for two reasons. First, it hides its monster effects by staging its fights at night, an annoying maneuver also employed by Pacific Rim. Second, it fails completely to deliver on the horror promised by the Bryan Cranston–heavy trailer (not least by killing off Bryan Cranston after the second reel). One of the reasons the subsequent entry, Kong, feels so strong is because it does just the opposite: It focuses squarely on its best actors, roots itself in horror with genuinely gruesome kills, and shows us its titans clashing in glorious broad daylight.

So there’s a template to be followed for Monarch: Legacy of Monsters, the new TV show set in the MonsterVerse — a set of Giant Radioactive Do’s and Don’t’s already established by the franchise. What approach will showrunner Chris Black, who developed the show with Matt Fraction, wind up taking?

I’m covering the new Godzilla TV show Monarch: Legacy of Monsters for Decider, starting with my review of the first episode. It has its moments.

It’s unlike me, but with Monarch I banked all the reviews I could in advance, so I’ve seen and reviewed the first eight episodes. My initial reviews won’t reflect it, but the show does get much better as it goes. The material centered on romance and on Godzilla himself is very strong by the end. The Russells are as good as you’d expect and Mari Yamamoto is really something.

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