“Foundation” thoughts, Season Two, Episode One: “In Seldon’s Shadow”

“Rip-roarin’” isn’t an adjective I’d use to describe Foundation, science-fiction godhead Isaac Asimov’s heady tome (is there any other kind of tome?) about a rogue mathematician’s plan to save humanity from itself. I do not mentally associate the novel with the phrase “psychedelic freak-out.” Nowhere in its pages do I recall a chapter entitled “The Emperor Fucks a Robot, Then Has a Fight Scene in the Nude.”

And yet, my friends. And yet!

Bombastic, lascivious, arch, gorgeous — “In Seldon’s Shadow,” the long-awaited return of David S. Goyer’s epic-scale adaptation of Asimov’s magnum opus, is all of the above. Written by Goyer and his fellow genre luminary Jane Espenson and directed with verve and grace by Alex Graves, it indicates that this show learned every possible lesson from its inconsistent but entertaining first season. It leans hard into its strengths, shores up its weaknesses, and provides enough beauty — both science-fictional and human-physical — to leave me as optimistic about this show as I’ve ever been. 

And I’m not gonna bury the lede here: Lee Pace has a naked fight scene in it.

I reviewed the terrific season premiere of Foundation for Decider.

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