“Better Call Saul” thoughts, Season Six, Episode Nine: “Fun and Games”

I walked around my apartment, holding a beer and singing the opening riff to “Plainsong” by the Cure to myself. I wasn’t sure what else to do. 

In the very first installment of my series of posts entitled My Favorite Music, I wrote about the Cure’s Disintegration, calling it an album about a sadness so huge you could land a spacecraft on it. It’s about outsized emotions, extravagant emotions, emotions in excess, emotions too big to be talked about, to be hashed out, to be discussed in logical terms.

In tonight’s episode of Better Call Saul, Jimmy McGill snaps. Instantly, as far as the magic of TV time is concerned. One moment, he’s being dumped by his wife Kim Wexler, who is so aghast at the horrors their conduct together has wrought that she gives up her life as a lawyer as well as his wife. The next moment, Jimmy awakens to a Journey song, next to a prostitute, in a ghastly and gaudy new apartment. He then makes the transition to his awful strip-mall office, with its inflatable Statue of Liberty on the roof and the ridiculous text of the Constitution written on its high-columned walls.

It happens that fast. He’s Jimmy for most of the episode, and then he’s Saul, forever and ever, amen.

I wrote about tonight’s episode of Better Call Saul for my Patreon.

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