“Better Call Saul” thoughts, Season Six, Episode Four: “Hit and Run”

But there are times when appearances tell us more than what’s going on beneath the surface does. At nearly every step of this story, Rhea Seehorn, directing herself, places her character Kim in front of bar-like vertical blinds, walls of glass bricks, a window grid. Slowly but surely, as she’s been doing since the series started, she’s sealing herself into a Saul Goodman–shaped trap, like a vacant office in a strip mall furnished solely with a toilet.

I reviewed this week’s episode of Better Call Saul for my Patreon.

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