The 1990s albums reissued here, however, tell the story best. After a period in the pop-music wilderness, this is the decade during which Bowie reasserted his role as the godfather of alternative music, in pretty much any form it took. (The missing link between this box set and its 1980s equivalent Loving the Alien are the two records he recorded with his unjustly reviled rock band Tin Machine; I’ll just say “Justice for ‘You Belong in Rock n’ Roll’” and leave it at that.) Accusations of trend-hopping dogged Bowie at the time, for reasons that now feel increasingly silly—who wouldn’t want to hear him take a stab at industrial or jungle? This is the kind of genre play that paid dividends with his avant-jazz inflected swan song Blackstar, two decades later.

I reviewed the new David Bowie box set Brilliant Adventure—which features all his 1990s albums, including Black Tie White Noise, Buddha of Suburbia, 1. Outside, Earthling, ‘hours…,’ and the previously unreleased Toy—for Pitchfork.

Tags: 1. Outside, black tie white noise, brilliant adventure, buddha of suburbia, David Bowie, earthling, music, music reviews, music time, pitchfork, Toy

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