SPOILER WARNING
Frankly, I’m still processing how I feel about writer and showrunner Carlo Bernard’s choice to go down this road. In dramatic terms, ending the episode on Walt’s scummy sting operation—at first we’re led to believe he’s confessing his personal failings and the evil he’s done in the DEA to his ex-girlfriend Dani, but he’s just lulling a target into a false sense of security—is a much more impactful choice. Moreover, it fits in better with the bitter tone of the show overall, which has always been about how the War on Drugs is waged by criminals on both sides, though it just so happens that some of them carry badges and bear the blessings of the United States government.
Teasing the idea that Amado lives on? That turns him from a cartel boss—a more likeable and genteel cartel boss than any of the others we’ve encountered since the Escobar days, but still, a cartel boss—into a living legend. It’s fitting that a narcocorrido about Amado accompanies this final scene: Like that genre of music, this ending portrays Amado as a sort of folk hero, a guy who saw that there was no happy ending for anyone who stayed in the game, and who boldly chose to get out on his own terms, to live happily ever after.
But maybe that’s as fitting an ending, in its way, as Walt’s squalid fate. It’s hardly a controversial statement to say that Narcos and Narcos: Mexico, which ends its own three-season run here, have capitalized on the glitz and glamor of its drug traffickers’ lives, from the Arellanos’ rich narcojunior allies all the way to Pablo Escobar’s imported hippopotami. Is there life after death for a narco? Look no further than the existence of this show for your answer.
I reviewed the season/series finale of Narcos: Mexico for Decider. How about that ending, huh?
Tags: decider, narcos, narcos: mexico, reviews, TV, TV reviews