“His Dark Materials” thoughts, Season Two, Episode Seven: “Æsahættr”

If I felt like His Dark Materials was going to grapple with Asriel’s crimes and weigh them against his liberatory potential, a la Game of Thrones forcing you to confront Daenerys Targaryen’s bloodthirstiness even after she’s fought against an existential threat to humanity, or even a la The Lord of the Rings showing you the horrible shit that went down in the Shire while Frodo and friends were off questing, that would be one thing. But there’s no sign that this is the case, any more so than it was in the novels, in which Asriel and Coulter alike are given a free heroism pass more or less for being sexy — and how can you trust this show to wise up when, as seen in this episode, it’s capable of fucking up so many fundamentals?

If it seems like I’m being hard on a basically well-intentioned and well-made show… well, I probably am. Because I want to like the damn thing! I’m in the liking-things business, I wouldn’t even be a critic if I weren’t. As a matter of preference, I’m particularly in the liking-fantasy and liking-killing-God business, so you’d think this would be right up my alley. You almost have to try to screw that up… and yet screw it up His Dark Materials has. This despite lively and game performances from Dafne Keen, Lin-Manuel Miranda, Amir Wilson, Ruth Wilson, Will Keen, and Simone Kirby. This despite — and I can’t stress this enough — being about one randy British aristocrat’s mission to find and kill God. To get an enthusiastically lapsed a Christian as me to root against this clown is an achievement in and of itself. But that’s the story of His Dark Materials, I think. It makes the impossible feel far more laborious than any fantasy worth its salt ought to do.

I reviewed the season finale of His Dark Materials for Fanbyte.

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