When I picture the deaths of Daenerys Targaryen’s dragons, the first word that comes to mind is obscene.
The dragons are technical filmmaking achievements of a scale and quality never before seen on television. They are emblems of high-fantasy spectacle with real awe and real bite, in a field now dominated by literally and figuratively bloodless blockbusters. Most guttingly, they are symbols of the wonders of the natural world, pointlessly destroyed by merchants of death. For all these reasons, their killings made me want to look away … which is exactly why I felt the need to look closer. And the survival of the third, greatest, and last dragon in the Game of Thrones finale made that need impossible to resist.
Surviving the deaths of his siblings, Drogon leveled King’s Landing at the behest of his master and mother, killing countless thousands. Yet after her death, freed from human control for the first time in his life, he appears to decide against further devastation in favor of escape. He flies away and his future is unknown.
But while the minds of these dragons remain a mystery, what they symbolize can be sussed out more readily. With two of the creatures killed by two very different enemies and the third taking off on its own, the departures of the dragons track with the trajectory of the show’s final season. As such, they serve as legends on a map of the future. Two paths say, “Here be dragons.” The third is wide open.
I wrote about the deaths of Daenerys Targaryen’s dragons and what they symbolize for Vulture. Many people have called this the best writing I’ve ever done on the show, and I tend to agree.
Tags: A Song of Ice and Fire, asoiaf, fantasy, Game of Thrones, George R.R. Martin, reviews, TV, TV reviews, vulture