143. We’ve met before, haven’t we?

Now, I’m not saying that Dr. Elizabeth Clay is the white-magic call to the shadow-self Dweller on the Threshold response, arriving at a raucous but fraught gathering to force a handsome man who favors loose beige jackets to face his innermost desires because he is afraid to do so himself while he charts a course for confrontation with a wealthy psychotic businessman in charge of a barely disguised criminal enterprise (played by an actor of Italian extraction born in New York City in 1930), but I’m not not saying it either.

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