“Better Call Saul” thoughts, Season Four, Episode Seven: “Something Stupid”

Jimmy McGill (Bob Odenkirk) and Kim Wexler (Rhea Seehorn) are living separate lives together, and Better Call Saul is using every trick in the book to prove it.

“Something Stupid,” the seventh episode of the show’s outstanding fourth season, kicks off with a musical montage set to the song of the same name. Made famous by Frank and Nancy Sinatra, it’s a meticulously constructed tune, its verbose lyrics and complicated two-part harmony embodying the fear of being really close to someone but holding back because you’re worried about revealing you’re more into them than they are into you. (It’s made slightly awkward by the fact that Frank and Nancy were father and daughter, but this is the Nicole Kidman/Robbie Williams version, so no harm done.) It’s one of the most astute soundtrack selections in the history of the BCS/Breaking Bad universe, and that’s saying something.

The imagery accompanying the song is equally effective. Using a split-screen effect — one that takes a few seconds to get going so that at first all you see is half a screen before the second image kicks in — it chronicles Jimmy and Kim’s daily routine. They brush their teeth, eat breakfast, go to work. Kim moves into her new office as a partner in the firm of Schweikart & Cokely; Jimmy plays handball against the window of his empty cellphone store. Kim racks up commemorative trophies for Mesa Verde branch openings and clients for her sideline as a pro bono public defender; Jimmy piles up visits to his parole officer and stacks of cellphones for sale to his less-than-legal clientele.

But the split screen stays in effect even when the two are right next to each other, eating dinner or getting into bed. Sure, Jimmy might reach across that black bar to pour Kim some wine, or Kim might stretch a leg across to drape it over Jimmy as she sleeps, but it’s always there. And in the end, after the song fades away, Kim’s side of the split screen fades away too, leaving Jimmy alone in the dark. Writer Alison Tatlock and director Deborah Chow conveyed the slow death of a relationship in the form of a music video, basically, and it’s beautifully sad to watch. A later scene, in which Jimmy wows everyone at Kim’s company party with his gift of gab except for Kim herself, only underscores the initial point.

I reviewed episode seven of Better Call Saul Season Four for TV Guide. This show can take your breath away with what feels like no effort at all.

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