“Secret City” thoughts, Season One, Episode Six: “The Light on the Hill”

It’s an enormously tantalizing note to end on. Yet I can’t help but wish it really was the end. I know that political thrillers tend to be endlessly iterative, and detectives and spies are as franchiseable as superheroes. But Secret City already started stumbling over itself here in the end, and now we know it’s done so without the satisfaction of a self-contained story to compensate for it.

No one’s going to complain about seeing more Anna Torv, a natural-born leading actor for this sort of story, that’s for sure. There’s a throwaway moment in this episode, when she has a tension-breaking laugh about her cop pal Bremmer’s target-shooting prowess in which she jokes she’ll safe as long as all their attackers are made of paper, that’s as human and incisive as anything you’re likely to see in a genre work this year. But Torv, and Harry, deserved a conclusion as well-drawn and decisive as Harry herself. I wish they’d gotten it.

I reviewed the season finale of Secret City for Decider. It tripped up in the end, which is a shame.

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