The flipside to Andy’s stairway to heaven is Sarah Palmer’s ongoing descent into hell – a journey, it seems, that’s literal as well as psychological. When the matriarch is hit on by a barfly, it sounds as if she can barely get out the words to reject him: “Would you sit back where you were,” she she stammers. “Please.” He turns vulgar, and potentially violent, at which point actor Grace Zabriskie’s eyes go wide. Then Mrs. Palmer reaches up … and takes her own face off, revealing a void inhabited by snake-like tongue, a ghostly hand, and an enormous, terrible grin. “Do you really want to fuck with this?” growls her voice from within. She puts her face back on. And then she bites an enormous chunk out of her harasser’s neck. When the bartender comes over to see what happened, Sarah turns cold. “Sure is a mystery, huh?”
It’s a horrifying scene, and not just for the obvious reasons. The Black Lodge is not just a supernatural locus of darkness; it’s an opportunistic infection that enters our world where our boundaries are worn thin by all-too-human evil. A quarter of a century ago, Mrs. Palmer was helpless to stop her possessed husband from assaulting and killing her daughter Laura (and other young women too) before the entity inside him devoured the man in turn. How do you recover from that? The allegorical answer offered in this scene, and its vision of corruption beneath the surface, is that you don’t. The Lodge, which first used her as its mouthpiece during a scene you may have forgotten from the original series finale, has eaten her away from within. (And while it’s tempting to wish that Laura had her mother’s powers when facing any of the men who abused her, you should recall that the original series’ posthumous heroine chose death rather than allowing that kind of evil to inhabit her.)
I reviewed last night’s episode of Twin Peaks for Rolling Stone.
Tags: horror, reviews, Rolling Stone, TV, TV reviews, Twin Peaks