Superhero stories geared toward adults always run the risk of trying too hard to establish their serious-business bonafides. But that seemed wholly unnecessary for this series, which is so deeply tied to Jessica’s rape and trauma that there’s no need to take things over the top elsewhere. By this point in the episode, we’ve established that Kilgrave stole a man’s kidneys and left him a suicidal cripple between abducting and raping multiple women, recklessly hijacking the minds of countless people along the way. Did we really need to watch him make a terrified little girl piss her pants in a closet to get the message that he’s a piece of shit? The suffering of children is a tool in the artist’s arsenal not to be used lightly, and while it’s clearJessica Jones is taking the trauma inflicted on victims of violence seriously, it’s less apparent that it knows not to gratuitously gild the lily.
Compare this to our first prolonged exposure to Daredevil’s big bad. When we meet Wilson Fisk, we already know he’s used his massive fortune—and his equally imposing physique—to seize control of New York City’s underworld and real-estate market alike. But instead of watching him throw his weight around (sorry), we see him awkwardly flirting with an art-gallery owner, first at an exhibition and then over dinner. This bold, mold-breaking choice humanized the supervillain in a way we’ve never seen a live-action superhero project attempt before. And the show stuck with it, too: While it never shied away from depicting the ugly brutality of Fisk’s gentrification plan, it also showed him to be a man with actual, honest-to-god friends, who cared about him as much as he cared about them. Ultimately, he and his gang were as much a surrogate family as Matt Murdock and friends, making the conflict between them that much more compelling. This isinteresting, folks, and it made for a compelling, unpredictable hero-vs-villain narrative.
Making Kilgrave an unmitigated monster is a legit choice, don’t get me wrong—it’s not like I’m clamoring to see the softer side of a serial rapist—but it’s cutting off Jessica Jones from exploring a rich vein of character and story. Imagine Game of Thrones if, instead of complicated figures like the Lannisters, the Hound, and Stannis Baratheon, all the antagonists were raw uncut psychopaths like Ramsay Bolton, Gregor “The Mountain” Clegane, and those crazy bald cannibals from Season Four. Their thoroughly black hearts make them entertaining enemies, but it’d be tough to sustain the show without a bit more shading.
Tags: decider, jessica jones, Marvel, reviews, TV, TV reviews