Putting prurient interests aside, the now-physical relationship between Chief Kevin Garvey and local survivor-celebrity Nora Durst deserves top billing. After all, it’s the softest plot thread in the show’s narrative tapestry, a rare display of human connection and kindness that’s not undermined by grief and guilt, or corrupted by attempts to harness those emotions to some grand ideological purpose. You want these two crazy mixed-up kids to fall for each other, because after what they’ve been through, they deserve it.
The show fuels our attachment to their attachment several times. Nora’s given the episode’s most purely cathartic moment when she turns the garden hose on the Guilty Remnant, in particular Liv Tyler’s sanctimonious new convert Meg. (Meg is rejected a second time when she narcs on the tryst to Kevin’s ex-wife Laurie, who seems just as turned off by her nosing around as we are.) And after an episode spent hiding or denying his mental deterioration, Kevin reveals his fear that he’s following in his schizophrenic father’s footsteps as part of pillow talk. Their actual sex may have been edited in an arrhythmic fashion that suggested Kevin viewed it as some kind of out-of-body experience, but afterwards, he’s comfortable enough with Nora to share his darkest secret. Forget Kevin Sr.’s cryptic messages – that intimacy and ability to connect with someone once more is the sign Kevin Jr. should pay attention to.
I really like good sex scenes on TV dramas; watching beautiful people do convincingly hot things with each other is one of the medium’s great pleasures. I wrote about that and a lot of other little things that made last night’s episode of The Leftovers pretty good for Rolling Stone.
Tags: reviews, Rolling Stone, the leftovers, TV, TV reviews