* Today on Robot 6: Frank Miller directed a Gucci ad. YESSSSSS
* This teaser for an upcoming arc of Robert Kirkman and Charlie Adlard’s The Walking Dead looks very, very promising if you like zombies. The series goes so long without zombies becoming a genuine threat to the cast other than isolated fuckup-based incidents that when the threat re-emerges, it’s usually stunning.
* Speaking of The Walking Dead, here’s the trailer for the 90-minute pilot episode of Frank Darabont’s adaptation of the series for AMC, which will debut on Halloween.
A few quick thoughts: 1) I’m surprised they kept the coma/hospital opening, which was written before Kirkman had seen the very similar opening of 28 Days Later; 2) Modern slow zombies just look like Improv Everywhere zombie-flashmobs to me anymore; 3) The music cue in the back end of the trailer is to me by far the most unexpected and interesting thing about it. But as always, trailers are meaningless and we’ll see how the show is.
* Brand spankin’ new Jordan Crane comics! Where the hell is this thing headed?
* Brian Chippendale and C.F. are doing a little book tour together in November. Be on the lookout for two ragamuffins who make good comics. Wait, does this mean Powr Mastrs 3 is seriously coming out by November?
* Bobsy of the Mindless Ones makes the case against Jonathan Hickman and Dustin Weaver’s S.H.I.E.L.D. I must admit I’ve dialed way back from my initial enthusiasm for the book. It’s great to be in love with ideas, but it helps if the ideas aren’t so familiar, and if the ideas are happening to actual characters rather than sort of vague gestures in the direction of character. The critique Bobsy goes with is one I hadn’t even really considered, which is that an alternate history of a fictional world whose history is constantly altered loses the impact of good alternate history. In a way it reminds me of Brian Michael Bendis’s similarly conspiratorial/revisionist Illuminati project, which also missed the point of conspiracy fiction by taking a bunch of supergeniuses and attributing to them all the icky aspects of being the world’s secret puppetmasters with none of such organizations’ efficacy. (They couldn’t stop Secret Wars 2 from happening, so what good are they?) Personally, my biggest problem with S.H.I.E.L.D. (and, it would seem, Fantastic Four, into which Hickman has drawn some of his key S.H.I.E.L.D. concepts) is that by turning Iron Man and Mister Fantastic’s dads into members of an elite secret society that’s been saving the world from Marvel’s alien villains since ancient Egypt, modern-day Marvel has turned yet another pair of Stan Lee hard-luck heroes into destiny-driven Chosen Ones. The appeal of virtually every Silver Age Marvel character is that they were all varying stripes of self-centered asshole who fell bass-ackwards into their lives as superheroes, and indeed had to make the choice to live those lives that way. They’re not the culmination of centuries of machinations by spider-gods or Leonardo da Vinci, they’re just folks. Genius folks in some cases, but still just folks.
* Tom Spurgeon ponders DC management.
* In this gutwrenching post on a) the death of his father and b) the music of Hole, Matthew Perpetua drops a throwaway notion that I’m stunned had never occurred to me before: Perhaps the reason there’s so little in the way of genuinely tortured-sounding rock music today is because labels can no longer afford to babysit crazies and junkies. Rattle off a list of a dozen of the mid-’90s big alternative artists and surely at least half had weapons-grade heroin habits, alcohol addictions, or other debilitating mental illnesses. With sales levels today being what they are, who can afford anything other than consummate professionals? (I suppose you could argue that the incarceration rate of today’s rap superstars gives lie to this, but incarceration is a step in the right direction from “getting murdered by your/your rival’s former label head.”)
* Real Life Horror: I can’t even imagine swimming in Loch Ness, let alone swimming Loch Ness. When I visited, I’m not sure I even touched the water. Just in case!
* Congratulations to this list of Democratic officials who’ve stood up for civil rights, American values, and basic human decency. Short list.
When I first read SHIELD I was bored by what appeared to be a one-off alternate universe that would probably be canceled in a year. Then I found out that it’s not supposed to be an alternate universe, and my jaw hit the floor because in just two issues Hickman has single-handedly dismantled so many cool things about the Marvel Universe that I hope this book is forgotten as quickly as The Other or Romulus.
That said, Reed’s dad being a manipulative time traveler is an old plot point dating back to Byrne and DeFalco, hardly Hickman’s invention. However, Howard Stark has (to my knowledge) never been portrayed as an abusive, distant asshole.
The CF comic in The Lifted Brow is a 16-page excerpt from Powr Mastrs 3, and it was late coming in because it was the last section he had left to draw.
Completely agree with your criticism of SHIELD, but I would go further. Not only does it detract from the just folks angle it also works to parochialize the MU and make it less epic. That’s also the problem (one of the problems) with Johns’ geocentrism.
Ronnie: Outstanding!
Tim: Comics people and their daddy issues, man.
Zom: I just can’t get worked up about Johns making the Earth the center of the Multiverse and the font of all life because the DCU is such a ridiculous ad hoc agglomeration of second-rate science fiction to begin with. It’s not like he’s undermining some Tolkienesque feat of worldbuilding. And honestly I kind of LIKE having an explanation as to why the Multiverse’s existence-threatening crises always seem to center around the same couple dozen people on planet Earth. The Marvel U. on the other hand always legitimately did feel to me like this was just one place out of many where shit was happening.
Oh yeah, I’d agree that the MU and DCU are very different beasts when it comes to cosmic shenangigans. The DCU is a great big crazy mess and I kinda like it that way, and despite all yer Crises that’s not going to change any time soon. That’s pretty much my goto argument when I want calm my private anti-johns, however if I want stories which explain Earth’s centrality in the DCU I’ll head for Morrison’s any day of the week.
I moan about Johns’ take here. I also compare Johns to outsider artists.
“Today on Robot 6: Frank Miller directed a Gucci ad. YESSSSSS”
Yes. But where was Batman?
HE’S AT HOME, WASHING HIS TIGHTS!