Gossip Girl thoughts

Back by popular demand! SPOILERS for Monday’s season finale, so watch out.

* I stopped writing about Gossip Girl after it returned for its third season’s back half because, frankly, I was a lot less entertained by it. First off, I hate to be one of those people who turns against a show when it’s not even on, but I think that endless hiatus between the two halves of the season really hurt the show’s momentum in and hold on my mind, if not the larger pop-cultural hivemind too. The thing about Gossip Girl is that it works in, what, three-episode arcs? So unless you’re super-invested in whatever cliffhangers you have before a hiatus, it’s not like there’s some over-arching narrative that will pull you back in when it comes back.

* My biggest problem with this season is easy to pinpoint: The constant, purposeless lying by everyone to everyone about everything. Who slept where, who’s going to what party, who’s applying to what school, who’s sick, who’s healthy, who’s having an affair, who’s in town, who’s out of town, who’s a long-lost parent, everything, all the time. And since every lie is inevitably exposed within two episodes of its initial utterance, it’s all so pointless! I joked to a friend that you could replace pretty much every script this season with the sentence “Look, I was gonna tell you…” It’s simply impossible to get very invested in characters who lie all the time, to the people they love, about things they easily could have–and ought to have–told the truth, with ultimately no payoff for having lied.

* It didn’t help that in service to this constant-lying pattern, Serena and Jenny in particular became almost unwatchable. I don’t think it’s a coincidence that the two of them were put in more and more revealing clothing as the season went on: Without Blake Lively’s thighs and Taylor Momsen’s jailbait cleavage, I think most viewers would have just checked their email every time those two amoral idiots were on screen. It’s not so much the amoral part that irks–on a show starring Chuck Bass and Blair Waldorf, how could it be–it’s the idiocy. The dopey duo’s backing of Serena’s evil deadbeat dad’s play to break up Lily and Rufus was the icing on the cake of a season’s worth of moronic decisions that constantly hurt the people they cared about for no good reason.

* A related problem is how repetitive the show got. When your M.O. is “Have Character A lie to their significant other Character B about Life-Goal X,” that’s bound to happen. But even in terms of the specifics, this season saw two long-lost parents return to the lives of two characters, only for them to discover they had ulterior motives, only for us to discover these people had hearts of gold way down deep anyway, only for them to leave Manhattan. That’s an awfully weird well to draw from twice in one season.

* But I have to give the finale props, since it basically dropped a neutron bomb on the unsatisfactory status quo. Serena breaks up with Nate, and good riddance because she doesn’t deserve him. (Look at that guy, he’s a god walking among mortals.) Jenny’s reign of dumb terror is over and she’s off to the sticks, Serena’s sophomore year style. Dan’s ready to ditch the insufferable Vanessa and their joyless relationship, which started in a threesome with a movie star and quickly devolved into constant attempts to undermine one another’s college career, for another shot at being Serena’s human legwarmer. Nate’s playing Dick Grayson to Chuck’s time-lost Bruce Wayne, inheriting the Mantle of the Bass. Blair and Serena are off in Paris, mutually free of commitments for the first time, which really is just as cool as they seem to think it is. Lily and Rufus seem okay, and I’m glad because enough drama between those two already. Georgina and her amazing changing haircolor are pregnant, probably not with Dan’s lovechild but whatever, we can play along for the episode and a half tops it’ll take them to reveal he’s not the daddy. Chuck gets gunned down in Crime Alley, surely soon to be born again as the billionaire crimefighter he already more or less became this episode. Eric remains adorable and decent, and because he’s a young gay man he’s never going to get any on-screen action.

* So, I guess the whole sexual-assault thing is forgiven and forgotten, huh, Jenny? I’m actually a little disappointed in Chuck’s deflowering of Jenny. I know they were both supposed to be totally depressed and miserable at the time, but it would have been extra-delightfully perverse if they’d, you know, enjoyed it.

* That and the bogus gunshot/pregnancy cliffhanger’s aside, it was a fine clearing of the decks, with some fun, intense, ultra-dramatic confrontations and hook-ups and break-ups. It’s sort of like Gossip Girl Season Three Part Two was “Dark Reign,” the finale was Siege (with better fight choreography), and now hopefully Season Four will be the Heroic Age.

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