SPOILER WARNING
* A lot to swallow. Maybe too much? Maybe they should have just done an hour? Not that I’m complaining, really, but it was a little hard to get a handle on any kind of “story unit” flow because it was two separate episodes crammed together rather than a two-hour premiere. The breakneck pace established now that we’ve done away with flashbacks and flashforwards and are doing all-plot episodes contributes to the feeling that we’re just seeing a lot of stuff happening.
* Last night I told a friend that I thought a lot fewer people were going to complain about the show dividing the cast this time than they did during the beginning of season three, because this time both halves of the story were so crazy and action-packed. But sure enough, there’s someone on my Tori Amos board complaining about how boring the Sayid and Hurley stuff is. You really can’t please everybody!
* My one beef/quibble/beefquibble with the time-travel storyline is that it would have been nice if, like, back in season two or something, we’d had maybe one random encounter between a character and a time-anomaly version of someone. Heck, even that same character, perhaps. I mean, maybe we HAVE, but it wasn’t anything obvious. I’m mentally comparing it to a scene from Savage Dragon where the Dragon suddenly flashes forward into a post-apocalyptic future, and his as-yet-unborn son wearing a space suit appears to him and says “Dad?”, and it wasn’t followed up on for literally YEARS. I’d like for something like that to have happened relating to the time-travel storyline much earlier in the show–something that really stuck out, like Libby showing up in Hurley’s asylum, but then they don’t explain it for season after season. Trying to shoehorn it in after the fact–as with Faraday’s meeting with Desmond, which Desmond had never been shown to remember until last night–doesn’t cut it.
* Now that I think about it, it seems reasonable to assume that the mysterious eye that peers out of Jacob’s cabin’s window the second time Locke goes to visit it is in fact Locke himself. So maybe I’ve got nothing to complain about. But that’s something we’ve all filed away in the “Jacob’s cabin is crazy” file, not the “time travel paradox” file. Also, I’m hearing people say that maybe the whispers are the sound of people elsewhere in the time stream, and that when Locke initially discovered the crashed plane he had a flash-vision of the actual crash and then inexplicable leg pain, which would seem to connect to his Billy Pilgrim routine last night, so there’s that stuff too, I suppose.
* It’s good to see Sun becoming a cold-hearted bastard because she’s always been a bit annoying and she’s always had that side to her personality. And I was pleasantly surprised to see her stick the knife in Kate over her “I’ll go get Jin” move on the freighter, which I had totally forgotten about but at the time was like “Way to go get Jin there, Freckles.”
* I liked seeing Ana Lucia, and I liked the shout-out to Libby and the unspoken remembrance of Eko and his brother with the plane crash (even though Locke’s mental associations with it would most likely be the death of Boone and Charlie’s heroin addiction, at least WE can remember Eko and his brother). I like it when the show acknowledges the existence of the non-Bernard Tailies and acts as though that whole storyline actually made a difference even though it really didn’t. I hate when external factors like negotiations with actors and scheduling conflicts and so on force changes on the storyline–the actor who played Eko not wanting to live in Hawaii anymore, for example, or the rumor that Libby and Ana Lucia’s DWIs hastened their departure. And I always assume that otherwise unexplained gaps in the story in terms of actors playing a part and then disappearing are related to such external concerns–the stewardess who joined the Others, the tribunal Other woman who the creators now claim died during the Others’ ill-fated attack on the beach camp even though we never saw her, why they’ve taken so long to follow up on Libby’s story, why Michelle Rodriguez didn’t show up again until now, why Eko hasn’t made any more cameos, whether Matthew Abbadon is now stuck in Fringe purgatory and won’t be coming back–and it drives me fucking nuts. So yeah, happy for all the Tail Section-related stuff last night.
* Always happy to see Rose and Bernard, too.
* Now that we’ve firmly established time travel as a phenomenon, who do we think are the Adam & Eve skeletons with the white and black stones that Jack and Kate discovered in the caves way back when? A friend of mine assumed it was whoever discovered them, since that would be the most poetically fitting thing. But the fact that it was Jack and Kate who discovered them makes that seem unlikely to me because a) I think the Sawyer/Kate couple will end up prevailing, not Jack/Kate; b) I’m not convinced that they’re gonna let their main characters die on the Island, whether through foul play or because they stay there voluntarily and die of old age or whatever. So who is it? Jack and Kate? Sawyer and Kate? Jack and Juliet? Desmond and Penny? Ben and his mysterious disappearing childhood girlfriend? Daniel and Redhead Woman whose name I can’t remember ever? Rose and Bernard?
* Do you think there are any mysteries they’re just not gonna get around to explaining by the end of the show? Like how they consigned the Numbers to that stupid ARG and are now just kind of pretending that was never a big deal?
I found the echoes of Locke’s season 1 experiences with the plane crash more momentous than you seemed to, Sean. I can’t imagine the writers had THIS exact explanation in mind, but it does make it seem like there was some sort of master plan there all along (and not just Locke faking an injury, like I always kind of assumed he was doing). I mean, this is a season 1 link we’re talking about. Gotta give ’em credit for that.
So if Locke’s visions relate to things that have become unstuck in time, are we going to see Boone again this season?
And I always just assumed Matthew Abbadon would take a weekend off from Fringe and come film some scenes, but if he doesn’t come back at all that would royally suck. Also, I love Daniel Faraday, and have no issues at all with his sudden incredible importance.
I’d forgotten about it, that’s why it didn’t hit me so hard!
I think they’ve more or less admitted they didn’t know what exactly was going on back then, but as I mentioned during the Battlestar Galactica comment thread the other day, what ultimately matters is what comes out on screen, not what went on behind closed doors. If Lost, Battlestar Galactica, Twin Peaks or whatever end up SEEMING like there’s a master plan within the fiction even if there wasn’t actually one in the writers’ room, that’s the thing to address.
And yes, one assumes that moving from one JJ Abrams produced show to another will be easy enough for good ol’ Lt. Daniels.
Agreed on Daniel. As with Desmond and Ben, and I’d argue with Juliet too, the show has a pretty good track record in terms of new characters they elevate to crazy levels of importance. The fumbles in most people’s eyes would be Nikki/Paulo and Ana Lucia, but I for one liked Ana Lucia a lot, and I thought the Nikki/Paulo stuff was fun. And then there’s Eko, who was obviously SUPPOSED to be a much bigger deal but they had to cut his story short due to external actor issues, which is a bummer as I said.
Yeah, I don’t think that back in season 1, Damon was like, “And now Locke can’t walk, because in the future he’s tripping through time and Tom Cruise’s cousin shoots him in the leg!” But I imagine they were like, “Now he can’t walk, because SOMETHING happens, and maybe it relates to time travel.” But even if they didn’t, if they can link everything together in a fairly convincing manner (like you said), I’ll walk away from this happy.
Good thing about time travel – we get to see dead characters again without having to figure out convoluted ways that they once walked past one of our characters in a Taco Bell 12 years ago. What’s the over-under on when we see Rousseau again?
“my Tori Amos board”!!! ASHAJDGH!!!
Own it, Shaggy.
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