If the movie had finished five minutes or so before it did end it would have been a very good horror flick.
And in a year that saw the awesome, singed mythicism of 28 Weeks Later (itself one of the latest in the long line of films spawned by Matheson’s novel), I Am Legend’s digitized aesthetic is too clean to convey true social and moral rot, too processed for a storyline loaded with themes of death and destruction. Likewise, the hordes of mutant zombie/vampires are a disappointing use of CG technology. They’re like digital superballs vying for menace, lacking a genuine physical presence and only superficially connected to their surroundings.
It’s telling that the film works best when Neville is restricted to permeating solitude; the eerie suggestion of the unseen villains is a threat the film is unable to justly manifest in the flesh.
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