Posts Tagged ‘Sean’s comics’
MIRROR MIRROR II
a comics and art anthology
edited by Sean T. Collins & Julia Gfrörer
featuring new and unpublished work by Lala Albert, Clive Barker, Heather Benjamin, Apolo Cacho, Sean Christensen, Nicole Claveloux, Al Columbia, Dame Darcy, Noel Freibert, Renee French, Meaghan Garvey, Julia Gfrörer (with Claude Paradin), Simon Hanselmann (with Sean T. Collins), Hellen Jo, Aidan Koch, Laura Lannes, Céline Loup, Uno Moralez, Mou, Jonny Negron, Chloe Piene, Josh Simmons, Carol Swain, Trungles
coming soon from 2dcloud
My publisher is so close to meeting its kickstarter goals for its current collection. It’s no charity case — you just use it the way you would a webstore, basically. The best way to ensure our book happens is to pay a visit and order yourself some good comics!
I’ll be reading Hottest Chick in the Game, me and Andrew White’s comic about Drake and friends, at the HiFi Bar in NYC at 8pm tonight as part of Zachary Lipez & Michael Tedder’s Words and Guitars reading series. A whole bunch of other luminaries will be reading too, so heed the words of the man himself and come thru!
The HiFi Bar is located at 169 Avenue A between East 10th & 11th in Manhattan. I hope to see you there!
Mirror Mirror 2
featuring new comics and drawings by
Lala Albert / Clive Barker / Heather Benjamin / Sean Christensen / Nicole Claveloux / Sean T. Collins / Al Columbia / Dame Darcy / Noel Freibert / Renee French / Meaghan Garvey / Julia Gfrörer / Simon Hanselmann / Hellen Jo / Hadrianus Junius / Aidan Koch / Laura Lannes / Céline Loup / Uno Moralez / Mou / Chloe Piene / Josh Simmons / Carol Swain
horror / pornography / the Gothic / the abject
edited by Sean T. Collins & Julia Gfrörer
published by 2dcloud
Q1 2017 | advance copies Fall 2016
“For darkness restores what light cannot repair”
teaser image by Clive Barker
Mirror Mirror 1 | available now for preorder
Julia Gfrörer and I will be editing volume two of Mirror Mirror, the flagship anthology of the alternative comics publisher 2dcloud. Much more on this soon, but suffice it to say we’re very excited about what we’re putting together.
In the meantime, the best way you can support our book is by supporting 2dcloud right now. If you order their current winter collection on their kickstarter, or simply pitch in, you’ll keep them in a healthy financial position for our book later in the year. Don’t get me wrong, we’re all committed to seeing this thing through no matter what, but every bit helps, and you’ll get some truly cutting-edge comics in the bargain (if you want). Please check it out!
Come see me and Julia Gfrörer at SPX in Bethesda this weekend! We will be at table M1 selling copies of our new minicomics The Deep Ones and Hiders, never before available as such, and we look like this. Julia is also selling prints and her usual assortment of excellent comics, some of them also written by me. (Unfortunately my remaining run of Flash Forward by me and Jonny Negron didn’t make the trip, but they’re still around!)
This is the cover for a minicomic edition of Hiders by me and Julia Gfrörer, previously available only in Study Group 3D, which we’ll be selling at SPX this weekend.
This is the cover illustration for a print version of The Deep Ones by me and Julia Gfrörer, which we’ll be selling at SPX next week.
“You Are A Bad Person!”
by Sean T. Collins & Colin Panetta (after Jack T. Chick)
originally published in Mutant #6 by Atomic Books
“Is there anything more tragic than such a scene of failed self-erasure, when we are reduced to the obscene slime which, against our will, persists in the picture?” (Slavoj Zizek, The Thing from Inner Space)
“Jesus Christ.” (Tom Spurgeon)
A meditation on fucking as the final integrative attempt of a flagging psyche, on the refusal of the sensual half of the self to be repressed. It also includes incest, voyeurism and attempted murder. This comic was scripted by Sean T. Collins, and drawn by Julia Gfrörer, based on “The Fall of the House of Usher” by Edgar Allan Poe. It contains pornographic imagery and is intended for mature audiences. Xerox printed on lavender text weight paper, saddle stitched, 24 pages, $5.
Buy yourself a copy of the new comic Julia and I made! It’s filth, just as Edgar Allan Poe intended.
Come see the total fucking dreamboat pictured above, yours truly, at Comic Arts Brooklyn tomorrow! This year’s CAB will see the debut of The Hideous Dropping Off of the Veil, a new pornographic comic inspired by Edgar Allan Poe’s “The Fall of the House of Usher,” written by me and drawn by Julia Gfrörer. It’s a follow-up to our previous Poe porn collaboration, In Pace Recquiescat (based on “The Cask of Amontillado”), which will also be there, along with everything else Julia’s done lately. I’ll have copies of Flash Forward by me & Jonny Negron, too.
The show runs from 11am-7pm at Our Lady of Mt. Carmel Church, 275 N 8th St., in Brooklyn. Come find me at table U28, where I’ll be spending a bunch of time alongside Julia and Michael DeForge; I’ll be easy to spot as the third-sexiest person at the table. Hope to see you there!
Julia and I made a comic about sea monsters, their meaning, and their menace. You can read it at The Nib and buy it in “Deep Trouble,” the latest issue of Symbolia Magazine.
You can also follow the inspiration blog we made for the comic, the-deep-ones.
I’m going to be at SPX, the Small Press Expo, in Bethesda, Maryland this weekend. I look like the person in the photo up top. I’m going to have work in the new Study Group Magazine #3D, which will debut at the show; I wrote a brand-new four-page comic about werewolves and secrets called “Hiders” that was drawn by Julia Gfrörer. Julia will also be selling our comic In Pace Requiescat, a pornographic extrapolation from “The Cask of Amontillado” by Edgar Allan Poe; I should have copies of Flash Forward, the horror comic Jonny Negron and I made about seeing and being seen, as well. I suspect you’ll find me mostly at Julia’s table, W34B. We look like the people in the photo at the bottom. SPX is a terrific show, and if you’re anywhere in the DC/Baltimore area and have any interest in alternative comics at all it’s well worth the trip. I would love to see you there!
What inspired you to make this Poe Porn (lol)?
Sean: Julia and I have a lot in common, and one of those things happened to be a fascination with this particular Poe story, which we’d both read at an impressionable age.
Julia: I felt like Sean’s script was such an effective interpolation of the original story because in a sense it wasn’t radical at all, its constituent elements are entirely native to the source material. There are hints of regret, of reluctance, almost tenderness, supporting the maniacal sadism. The meticulousness with which Montresor inflicts the final act of cruelty on his friend already carries an erotic undertone–maybe not all readers experience that, but Sean and I didn’t invent it.
Sean: In “The Cask of Amontillado” I recognized a link between the genres of horror and pornography. Both frequently rely on a sense of certainty for their visceral emotional impact: When you begin to read or watch a horror story, you know that a terrible thing will happen, and frequently so does the character to whom it’s going to happen. In pornography, as in sex generally, you know that when your partner begins touching you, you have entered into a process that will end with you briefly losing control of your own body, unable to think of anything but the pleasure your partner is effectively forcing you to experience at the expense of everything else. In both cases that certainty is magnetic to minds trapped in our unforgivingly inconstant and unpredictable world. Dread and eroticism are two sides of the same coin neither of us can stop flipping in the art we make or consume.
Julia: Right, I rarely respond to a sex scene that doesn’t have some foreboding attached to it. The sense that the world has stopped and what’s happening right now is the only thing that matters or exists is romantic, but it also feels like something on the verge of panic.
Sean: “The Cask of Amontillado” and Montresor’s revenge scheme both depend on that certainty — on Montresor letting Fortunato know exactly what’s happening to him, and exactly what will continue to happen to him until he dies. There just came a day when I wondered what would happen if Montresor’s mental circuit overloaded and that horrific mastery over another human being became erotic mastery over the same person. This was the result.
We hope to do more Poe-nography together, actually. We’ve been talking about “The Fall of the House of Usher.”
Julia: “The Pit and the Pendulum” seemed a little on the nose.
The marvelous writer/musician/dominatrix Hether Fortune interviewed me and Julia Gfrörer about In Pace Requiescat, our pornographic adaptation of/extrapolation from “The Cask of Amontillado” by Edgar Allan Poe, for Slutist.You can buy the comic here.