Posts Tagged ‘Sean T. Collins’
FLASH FORWARD by me and Jonny Negron. Final 10 copies. $8. First come first served. Click here and note your mailing address.
Thanks to everyone who pitched in or spread the word. It means so much to us! Now our beautiful book just needs to find its way into your hands. Order today!
Max Morris: Your most recent project is co-editing Mirror Mirror II with Sean T. Collins, which is set to be released by 2D Cloud for their Spring 2017 collection. To my knowledge, this is the first anthology of comics work you’ve edited, but please let me know if I am incorrect. How was your experience of putting this book together?
Julia Gfrörer: It certainly deepened my empathy for people who regularly curate anthologies—it’s a lot of work, like herding cats. But it was also really a pleasure to work on, and gave me and Sean an opportunity to hone our vision of what matters most to us in art, writing, and comics. We’re honored to be able to work with so many incredible artists, many of whom are already well-known but have very different audiences, and get new eyes on their work.
Julia spoke to Max Morris at Bad at Sports about Mirror Mirror II, which you can purchase via our Kickstarter.
First off: wow! I haven’t had a book challenge me this much in a long time, in the sense that it tapped into some deep desires that I most often prefer to keep in the back rather than the forefront of my mind. Is this an effect that you were hoping to have on your readers?
Since I take that all as very high praise indeed, I suppose the answer is yes, it’s exactly the effect we were hoping to have. Julia and I share a lot of things—in addition to co-editing Mirror Mirror II, we live together and have a family as well—and one of them is the belief that when done right, dark and difficult work can push the reader in the direction of empathy. And our conviction is that it’s precisely by forcing the reader—and the artist, too—to confront parts of both the world and their own minds that they’d perhaps otherwise ignore or prefer to remain hidden that this kind of work makes real empathy possible. Instead of coming away reassured that you and the artist are in a sort of Good People Club where you agree that Behavior A is bad and Behavior B is good and aren’t we all enlightened to think so… I dunno, you can coast on that kind of work, you know what I mean? It lets you off the hook—again, meaning both the creator and the audience here. So in that sense we hope that the comics and art in Mirror Mirror II keep you on that hook, and I’m glad to hear it seems to have turned out that way for you.
I talked to Sarah Miller at Sequentialist about Mirror Mirror II, which you can order via our Kickstarter.
Rob: There are so many awesome horror comics. It’s one of my favorite genres, too. What makes comics such a great art form for horror?
Sean: That’s a tough question for me, because a lot of what people think of when they think of “horror comics” don’t move or frighten me at all. Mirror Mirror II is basically a who’s who of the artists who have scared us–Al Columbia, Uno Moralez, Renee French, Josh Simmons, and Julia too. Have you ever watched a horror movie, gotten to a really intensely scary part, and then been unable to resist rewinding and watching again? I definitely have, and I think the best horror comics make that compulsive instinct to face what frightens and disgusts us easy to give in to. You control the speed at which you pass through the images, so when something really sinks its claws into you, it’s entirely up to you how fast you pull those claws back out by turning the page.
I spoke to Rob McGonigal at Panel Patter about Mirror Mirror II, the horror comics and art anthology I co-edited with Julia Gfrörer. The kickstarter where you can order the book is right here.
I’ll be talking about the Golden Globes with theater critic Michael Riedel on his On the Town radio show tomorrow morning at 9am on 970AM in the New York area. The show will be posted here shortly thereafter. Enjoy!
Mirror Mirror II, the comics and art anthology I’m coediting with Julia Gfrörer, is now available for preorder on Amazon. The book contains new and unpublished work from Lala Albert, Clive Barker Heather Benjamin, Apolo Cacho, Sean Christensen, Nicole Claveloux, Al Columbia, Dame Darcy, Noel Freibert, Renee French, Meaghan Garvey, Julia Gfrörer (with Claude Paradin), Simon Hanselmann (with Sean T. Collins), Aidan Koch, Laura Lannes, Céline Loup, Uno Moralez, Mou, Jonny Negron, Chloe Piene, Josh Simmons, Carol Swain, and Trungles, with an introduction by Gretchen Felker-Martin.
But you don’t have to take my word for it:
“A thought-provoking, richly entertaining collection from some of the most exciting comic artists working today. A must read for fans of the horrific and perverse.” —Bryan Cogman, co-executive producer/writer, Game of Thrones
“Editors Sean T. Collins and Julia Gfrörer have assembled an exquisitely creepy and seductive new collection of comics with Mirror Mirror II. From Uno Moralez’s pixilated noirs to Dame Darcy’s ornate Gothic ghost stories, the wide range of horror here is fantastic, as characters creep and fuck in the shadows of unimaginable darkness throughout. It’s certainly the perfect, freaky anthology for you, your lover, and all the demons in your mind.” —Hazel Cills, MTV News
I’ll be reading Hottest Chick in the Game, me and Andrew White’s comic about Drake and friends, at the HiFi Bar in NYC at 8pm tonight as part of Zachary Lipez & Michael Tedder’s Words and Guitars reading series. A whole bunch of other luminaries will be reading too, so heed the words of the man himself and come thru!
The HiFi Bar is located at 169 Avenue A between East 10th & 11th in Manhattan. I hope to see you there!
Eleven episodes deep into the season and with only two more to go, Daredevil’s plotlines are proliferating at an alarming rate. The Blacksmith, a sinister druglord I’d previously assumed to be just a McGuffin to keep the moving parts running, has now taken on central importance as both Daredevil and Punisher attempt to track him down. The Kingpin is in play, as is his old associate Madame Gao, who’s simultaneously battling the Blacksmith herself and issuing dire warnings about “the real threat” to the city. Said real threat is most likely the Hand, run by another former Fisk running buddy, Nobu, and his ninja army. They’re re-kidnapping brainwashed teens, murdering nurses, and fighting Daredevil, who is also busy fighting Gao’s men, the Blacksmith’s men, and the Punisher. Some mysterious person, likely the Blacksmith but yet to be confirmed as such, is murdering people and framing Frank Castle for it, including the district attorney and medical examiner who covered up the government’s involvement in the shootout between the Mexicans, the Irish, and the bikers, orchestrated by the Blacksmith and responsible for the deaths of Castle’s family. Karen Page is another of their would-be victims, though she’s now been saved twice by the Punisher. Matt’s other ex-girlfriend, Elektra, is similarly the survivor of a hit ordered by her and Matt’s old mentor Stick, who is also fighting the Hand. She’s now tracking him down to kill him, a confrontation Daredevil is racing to stop. Also Karen Page got a new job as an investigator for the Daily Bulletin, Claire Temple quit her job after the Hand bought off her hospital, and Foggy Nelson got a job offer at the law offices of Jeryn Hogarth from Jessica Jones from his sexy ex-girlfriend. Does that about cover it?
So it’s a testament to Daredevil and to this episode, “.380,” that the chaos feels planned — that it’s Daredevil’s world, not his show, spinning out of control.
Mirror Mirror 2
featuring new comics and drawings by
Lala Albert / Clive Barker / Heather Benjamin / Sean Christensen / Nicole Claveloux / Sean T. Collins / Al Columbia / Dame Darcy / Noel Freibert / Renee French / Meaghan Garvey / Julia Gfrörer / Simon Hanselmann / Hellen Jo / Hadrianus Junius / Aidan Koch / Laura Lannes / Céline Loup / Uno Moralez / Mou / Chloe Piene / Josh Simmons / Carol Swain
horror / pornography / the Gothic / the abject
edited by Sean T. Collins & Julia Gfrörer
published by 2dcloud
Q1 2017 | advance copies Fall 2016
“For darkness restores what light cannot repair”
teaser image by Clive Barker
Mirror Mirror 1 | available now for preorder
Julia Gfrörer and I will be editing volume two of Mirror Mirror, the flagship anthology of the alternative comics publisher 2dcloud. Much more on this soon, but suffice it to say we’re very excited about what we’re putting together.
In the meantime, the best way you can support our book is by supporting 2dcloud right now. If you order their current winter collection on their kickstarter, or simply pitch in, you’ll keep them in a healthy financial position for our book later in the year. Don’t get me wrong, we’re all committed to seeing this thing through no matter what, but every bit helps, and you’ll get some truly cutting-edge comics in the bargain (if you want). Please check it out!
When you talk about what makes a TV series succeed or fail, you typically want to avoid repeating the same points over and over. Who wants to sound like a broken record, right? Tell that to John Lennon and Yoko Ono when they made “Revolution 9” — and if repetition is good enough for the Beatles, it’s good enough for us, and for Ash vs. Evil Dead. The penultimate episode of the show’s first season — “Bound in the Flesh” — gets where it’s going by repeating the same trick it’s pulled since the pilot: taking the gore and nastiness as far as it can, then taking them one step beyond. Like that creepy voice saying “Number nine … number nine …” over and over, it works.
The Walking Dead in Westeros
We’re comparing two of the biggest shows on television in this episode of the Boiled Leather Audio Hour. One of them is an adaptation of a popular staple of nerd culture—a genre work that had only appeared in print before—which has translated its bleak themes, wide scope, and controversial use of violence into a modern-day ratings blockbuster. The other is Game of Thrones.
That’s right—the BLAH Boys are taking on The Walking Dead, and its current spinoff Fear the Walking Dead, by contrasting the shows and their source material to Game of Thrones and A Song of Ice and Fire. How does their treatment of violence in an unforgiving world of real and supernatural menace differ? What do the relationships between the original works by George R.R. Martin, Robert Kirkman, Tony Moore, and Charlie Adlard and their adaptations by David Benioff, D.B. Weiss, and AMC’s land of a thousand showrunners reveal about their respective ideas, ideals, aesthetics, and ethics? Which shows really deserve our moral outrage, and why? We’ll be examining all these questions and more. And one of us, at least, will be getting really freaking worked up. Enjoy!
Come see me and Julia Gfrörer at SPX in Bethesda this weekend! We will be at table M1 selling copies of our new minicomics The Deep Ones and Hiders, never before available as such, and we look like this. Julia is also selling prints and her usual assortment of excellent comics, some of them also written by me. (Unfortunately my remaining run of Flash Forward by me and Jonny Negron didn’t make the trip, but they’re still around!)
This is the cover for a minicomic edition of Hiders by me and Julia Gfrörer, previously available only in Study Group 3D, which we’ll be selling at SPX this weekend.
This is the cover illustration for a print version of The Deep Ones by me and Julia Gfrörer, which we’ll be selling at SPX next week.
“You Are A Bad Person!”
by Sean T. Collins & Colin Panetta (after Jack T. Chick)
originally published in Mutant #6 by Atomic Books
I’ve put together a list of my strongest work this year. I hope you enjoy it.
My partner, the artist and cartoonist Julia Gfrörer, and I made several comics together this year:
The Hideous Dropping Off of the Veil, a pornographic extrapolation of “The Fall of the House of Usher” by Edgar Allan Poe and the second in our ongoing “Poe porn” series, available for purchase from Julia.
Additionally, my two collaborations with cartoonist Jonny Negron now have new homes on the web:
Finally, the cartoonist Colin Panetta and I collaborated on “What Is Nigeria?”, a comic about punditry, empathy, and the American gaze based on the Vox.com article “9 Questions About Nigeria You Were Too Embarrassed to Ask” by Max Fisher.
I wrote about TV regularly for Rolling Stone and the New York Observer this year, reviewing Boardwalk Empire, The Leftovers, Halt and Catch Fire, Game of Thrones, True Detective, and Downton Abbey for the former and The Comeback and The Wire for the latter. I also reviewed Mad Men for Wired. If you click on each title you’ll be linked to the piece I was happiest with for each show; spoiler alert, obviously. I included two links for Boardwalk Empire because I’m very proud of the work I did on that series, which in my estimation is one of the best ever to air.
I did plenty of TV writing outside the weekly review/recap format as well. My favorites:
Of everything I wrote about anything this year, this piece on Unedited Footage of a Bear, Too Many Cooks, Tim and Eric’s Bedtime Stories, and the new wave of Adult Swim horror is my favorite.
I wrote 14 of the 16 entries for Rolling Stones tournament of TV’s Most Shocking Moments — a real journey through the length and breadth of the New Golden Age and its immediate antecedents, with a variety of definitions for both “shocking” and “moments.”
I faced off against Eric Thurm in a he said/he said debate about The Affair, which I think was the best new series of the year.
I also debated Hazel Cills about the value of Don Draper to Mad Men for Netflix, and discussed Mad Men‘s deliberate self-destruction of its Rat Pack retro stylistic appeal for Esquire.
I kept on writing about Downton Abbey even after I stopped doing so for Rolling Stone.
Finally, I’m a founding and regular panelist on Spoiler Alert, HuffPost Live’s semiweekly television talk show. I recommend the episode where we beat the tar out of The Newsroom‘s penultimate installment.
I spoke with many talented people this year about their work. Some favorites:
Anita Sarkeesian, feminist video game critic; I believe this was my most popular piece this year by an order of magnitude
Terence Winter, creator of Boardwalk Empire
Rory McCann, aka Sandor “The Hound” Clegane, from Game of Thrones
Neil Marshall, director of The Descent, Centurion, and the “Blackwater” and “The Watchers on the Wall” episodes of Game of Thrones
I resumed writing about comics regularly this summer after a lengthy hiatus, mostly at The Comics Journal. Again, some favorites:
I also listed the five best comics of the year.
Finally, my review of How to Be Happy by Eleanor Davis was complimented by Gary Groth, a hero.
A Song of Ice and Fire
I am a tremendous admirer George R.R. Martin’s epic fantasy series A Song of Ice and Fire, the basis for Game of Thrones. I write and talk about it a lot, so much so that it’s honestly hard for me to remember stand-outs. I suppose I’d just suggest you follow my dedicated blog for that material boiledleather.com, on tumblr if that sort of thing interests you.
That said, Stefan Sasse and I co-host a podcast on the series called The Boiled Leather Audio Hour. My favorite episodes this year include our reviews of Game of Thrones Season Four; The World of Ice and Fire , the in-world encyclopedia for the books; the Tales of Dunk and Egg, a series of prequel novellas; and “The Rogue Prince,” a faux-historical novella chronicling an earlier time period.
Finally, I made $60, eventually.
…and the rest
I wrote about how sociopolitical analysis, source-text purism, theory-mongering, and shipping/stanning/bad-fan behavior are connected by a common desire to create a falsely objective approach to the inherently subjective fields of art and criticism.
Writer and musician Hether Fortune interviewed Julia Gfrörer and I about our first pornographic Poe adaptation, In Pace Requiescat, for Slutist.
Julia and I maintained several tumblrs together:
The Devil in Love: images of the infernal with undeniable erotic or aesthetic appeal.
The Deep Ones: sea monsters, real, extinct, and imaginary.
Homage to Catalonia: churches on fire or in ruins.
Comics Democracy: comics with over 10,000 notes on tumblr, reblogged without comment.
This and this happened.
I spent the first full year of my life as a full-time freelance writer, I fell deeper in love with an astonishing woman, I helped parent a marvelous child.
See you next year.
“Is there anything more tragic than such a scene of failed self-erasure, when we are reduced to the obscene slime which, against our will, persists in the picture?” (Slavoj Zizek, The Thing from Inner Space)
“Jesus Christ.” (Tom Spurgeon)
A meditation on fucking as the final integrative attempt of a flagging psyche, on the refusal of the sensual half of the self to be repressed. It also includes incest, voyeurism and attempted murder. This comic was scripted by Sean T. Collins, and drawn by Julia Gfrörer, based on “The Fall of the House of Usher” by Edgar Allan Poe. It contains pornographic imagery and is intended for mature audiences. Xerox printed on lavender text weight paper, saddle stitched, 24 pages, $5.
Buy yourself a copy of the new comic Julia and I made! It’s filth, just as Edgar Allan Poe intended.