Posts Tagged ‘Sean T. Collins’
I’ll be talking about the Golden Globes with theater critic Michael Riedel on his On the Town radio show tomorrow morning at 9am on 970AM in the New York area. The show will be posted here shortly thereafter. Enjoy!
Mirror Mirror II, the comics and art anthology I’m coediting with Julia Gfrörer, is now available for preorder on Amazon. The book contains new and unpublished work from Lala Albert, Clive Barker Heather Benjamin, Apolo Cacho, Sean Christensen, Nicole Claveloux, Al Columbia, Dame Darcy, Noel Freibert, Renee French, Meaghan Garvey, Julia Gfrörer (with Claude Paradin), Simon Hanselmann (with Sean T. Collins), Aidan Koch, Laura Lannes, Céline Loup, Uno Moralez, Mou, Jonny Negron, Chloe Piene, Josh Simmons, Carol Swain, and Trungles, with an introduction by Gretchen Felker-Martin.
But you don’t have to take my word for it:
“A thought-provoking, richly entertaining collection from some of the most exciting comic artists working today. A must read for fans of the horrific and perverse.” —Bryan Cogman, co-executive producer/writer, Game of Thrones
“Editors Sean T. Collins and Julia Gfrörer have assembled an exquisitely creepy and seductive new collection of comics with Mirror Mirror II. From Uno Moralez’s pixilated noirs to Dame Darcy’s ornate Gothic ghost stories, the wide range of horror here is fantastic, as characters creep and fuck in the shadows of unimaginable darkness throughout. It’s certainly the perfect, freaky anthology for you, your lover, and all the demons in your mind.” —Hazel Cills, MTV News
I’ll be reading Hottest Chick in the Game, me and Andrew White’s comic about Drake and friends, at the HiFi Bar in NYC at 8pm tonight as part of Zachary Lipez & Michael Tedder’s Words and Guitars reading series. A whole bunch of other luminaries will be reading too, so heed the words of the man himself and come thru!
The HiFi Bar is located at 169 Avenue A between East 10th & 11th in Manhattan. I hope to see you there!
Eleven episodes deep into the season and with only two more to go, Daredevil’s plotlines are proliferating at an alarming rate. The Blacksmith, a sinister druglord I’d previously assumed to be just a McGuffin to keep the moving parts running, has now taken on central importance as both Daredevil and Punisher attempt to track him down. The Kingpin is in play, as is his old associate Madame Gao, who’s simultaneously battling the Blacksmith herself and issuing dire warnings about “the real threat” to the city. Said real threat is most likely the Hand, run by another former Fisk running buddy, Nobu, and his ninja army. They’re re-kidnapping brainwashed teens, murdering nurses, and fighting Daredevil, who is also busy fighting Gao’s men, the Blacksmith’s men, and the Punisher. Some mysterious person, likely the Blacksmith but yet to be confirmed as such, is murdering people and framing Frank Castle for it, including the district attorney and medical examiner who covered up the government’s involvement in the shootout between the Mexicans, the Irish, and the bikers, orchestrated by the Blacksmith and responsible for the deaths of Castle’s family. Karen Page is another of their would-be victims, though she’s now been saved twice by the Punisher. Matt’s other ex-girlfriend, Elektra, is similarly the survivor of a hit ordered by her and Matt’s old mentor Stick, who is also fighting the Hand. She’s now tracking him down to kill him, a confrontation Daredevil is racing to stop. Also Karen Page got a new job as an investigator for the Daily Bulletin, Claire Temple quit her job after the Hand bought off her hospital, and Foggy Nelson got a job offer at the law offices of Jeryn Hogarth from Jessica Jones from his sexy ex-girlfriend. Does that about cover it?
So it’s a testament to Daredevil and to this episode, “.380,” that the chaos feels planned — that it’s Daredevil’s world, not his show, spinning out of control.
Mirror Mirror 2
featuring new comics and drawings by
Lala Albert / Clive Barker / Heather Benjamin / Sean Christensen / Nicole Claveloux / Sean T. Collins / Al Columbia / Dame Darcy / Noel Freibert / Renee French / Meaghan Garvey / Julia Gfrörer / Simon Hanselmann / Hellen Jo / Hadrianus Junius / Aidan Koch / Laura Lannes / Céline Loup / Uno Moralez / Mou / Chloe Piene / Josh Simmons / Carol Swain
horror / pornography / the Gothic / the abject
edited by Sean T. Collins & Julia Gfrörer
published by 2dcloud
Q1 2017 | advance copies Fall 2016
“For darkness restores what light cannot repair”
teaser image by Clive Barker
Mirror Mirror 1 | available now for preorder
Julia Gfrörer and I will be editing volume two of Mirror Mirror, the flagship anthology of the alternative comics publisher 2dcloud. Much more on this soon, but suffice it to say we’re very excited about what we’re putting together.
In the meantime, the best way you can support our book is by supporting 2dcloud right now. If you order their current winter collection on their kickstarter, or simply pitch in, you’ll keep them in a healthy financial position for our book later in the year. Don’t get me wrong, we’re all committed to seeing this thing through no matter what, but every bit helps, and you’ll get some truly cutting-edge comics in the bargain (if you want). Please check it out!
When you talk about what makes a TV series succeed or fail, you typically want to avoid repeating the same points over and over. Who wants to sound like a broken record, right? Tell that to John Lennon and Yoko Ono when they made “Revolution 9” — and if repetition is good enough for the Beatles, it’s good enough for us, and for Ash vs. Evil Dead. The penultimate episode of the show’s first season — “Bound in the Flesh” — gets where it’s going by repeating the same trick it’s pulled since the pilot: taking the gore and nastiness as far as it can, then taking them one step beyond. Like that creepy voice saying “Number nine … number nine …” over and over, it works.
The Walking Dead in Westeros
We’re comparing two of the biggest shows on television in this episode of the Boiled Leather Audio Hour. One of them is an adaptation of a popular staple of nerd culture—a genre work that had only appeared in print before—which has translated its bleak themes, wide scope, and controversial use of violence into a modern-day ratings blockbuster. The other is Game of Thrones.
That’s right—the BLAH Boys are taking on The Walking Dead, and its current spinoff Fear the Walking Dead, by contrasting the shows and their source material to Game of Thrones and A Song of Ice and Fire. How does their treatment of violence in an unforgiving world of real and supernatural menace differ? What do the relationships between the original works by George R.R. Martin, Robert Kirkman, Tony Moore, and Charlie Adlard and their adaptations by David Benioff, D.B. Weiss, and AMC’s land of a thousand showrunners reveal about their respective ideas, ideals, aesthetics, and ethics? Which shows really deserve our moral outrage, and why? We’ll be examining all these questions and more. And one of us, at least, will be getting really freaking worked up. Enjoy!
Come see me and Julia Gfrörer at SPX in Bethesda this weekend! We will be at table M1 selling copies of our new minicomics The Deep Ones and Hiders, never before available as such, and we look like this. Julia is also selling prints and her usual assortment of excellent comics, some of them also written by me. (Unfortunately my remaining run of Flash Forward by me and Jonny Negron didn’t make the trip, but they’re still around!)
This is the cover for a minicomic edition of Hiders by me and Julia Gfrörer, previously available only in Study Group 3D, which we’ll be selling at SPX this weekend.
This is the cover illustration for a print version of The Deep Ones by me and Julia Gfrörer, which we’ll be selling at SPX next week.
“You Are A Bad Person!”
by Sean T. Collins & Colin Panetta (after Jack T. Chick)
originally published in Mutant #6 by Atomic Books
I’ve put together a list of my strongest work this year. I hope you enjoy it.
My partner, the artist and cartoonist Julia Gfrörer, and I made several comics together this year:
The Hideous Dropping Off of the Veil, a pornographic extrapolation of “The Fall of the House of Usher” by Edgar Allan Poe and the second in our ongoing “Poe porn” series, available for purchase from Julia.
Additionally, my two collaborations with cartoonist Jonny Negron now have new homes on the web:
Finally, the cartoonist Colin Panetta and I collaborated on “What Is Nigeria?”, a comic about punditry, empathy, and the American gaze based on the Vox.com article “9 Questions About Nigeria You Were Too Embarrassed to Ask” by Max Fisher.
I wrote about TV regularly for Rolling Stone and the New York Observer this year, reviewing Boardwalk Empire, The Leftovers, Halt and Catch Fire, Game of Thrones, True Detective, and Downton Abbey for the former and The Comeback and The Wire for the latter. I also reviewed Mad Men for Wired. If you click on each title you’ll be linked to the piece I was happiest with for each show; spoiler alert, obviously. I included two links for Boardwalk Empire because I’m very proud of the work I did on that series, which in my estimation is one of the best ever to air.
I did plenty of TV writing outside the weekly review/recap format as well. My favorites:
Of everything I wrote about anything this year, this piece on Unedited Footage of a Bear, Too Many Cooks, Tim and Eric’s Bedtime Stories, and the new wave of Adult Swim horror is my favorite.
I wrote 14 of the 16 entries for Rolling Stones tournament of TV’s Most Shocking Moments — a real journey through the length and breadth of the New Golden Age and its immediate antecedents, with a variety of definitions for both “shocking” and “moments.”
I faced off against Eric Thurm in a he said/he said debate about The Affair, which I think was the best new series of the year.
I also debated Hazel Cills about the value of Don Draper to Mad Men for Netflix, and discussed Mad Men‘s deliberate self-destruction of its Rat Pack retro stylistic appeal for Esquire.
I kept on writing about Downton Abbey even after I stopped doing so for Rolling Stone.
Finally, I’m a founding and regular panelist on Spoiler Alert, HuffPost Live’s semiweekly television talk show. I recommend the episode where we beat the tar out of The Newsroom‘s penultimate installment.
I spoke with many talented people this year about their work. Some favorites:
Anita Sarkeesian, feminist video game critic; I believe this was my most popular piece this year by an order of magnitude
Terence Winter, creator of Boardwalk Empire
Rory McCann, aka Sandor “The Hound” Clegane, from Game of Thrones
Neil Marshall, director of The Descent, Centurion, and the “Blackwater” and “The Watchers on the Wall” episodes of Game of Thrones
I resumed writing about comics regularly this summer after a lengthy hiatus, mostly at The Comics Journal. Again, some favorites:
I also listed the five best comics of the year.
Finally, my review of How to Be Happy by Eleanor Davis was complimented by Gary Groth, a hero.
A Song of Ice and Fire
I am a tremendous admirer George R.R. Martin’s epic fantasy series A Song of Ice and Fire, the basis for Game of Thrones. I write and talk about it a lot, so much so that it’s honestly hard for me to remember stand-outs. I suppose I’d just suggest you follow my dedicated blog for that material boiledleather.com, on tumblr if that sort of thing interests you.
That said, Stefan Sasse and I co-host a podcast on the series called The Boiled Leather Audio Hour. My favorite episodes this year include our reviews of Game of Thrones Season Four; The World of Ice and Fire , the in-world encyclopedia for the books; the Tales of Dunk and Egg, a series of prequel novellas; and “The Rogue Prince,” a faux-historical novella chronicling an earlier time period.
Finally, I made $60, eventually.
…and the rest
I wrote about how sociopolitical analysis, source-text purism, theory-mongering, and shipping/stanning/bad-fan behavior are connected by a common desire to create a falsely objective approach to the inherently subjective fields of art and criticism.
Writer and musician Hether Fortune interviewed Julia Gfrörer and I about our first pornographic Poe adaptation, In Pace Requiescat, for Slutist.
Julia and I maintained several tumblrs together:
The Devil in Love: images of the infernal with undeniable erotic or aesthetic appeal.
The Deep Ones: sea monsters, real, extinct, and imaginary.
Homage to Catalonia: churches on fire or in ruins.
Comics Democracy: comics with over 10,000 notes on tumblr, reblogged without comment.
This and this happened.
I spent the first full year of my life as a full-time freelance writer, I fell deeper in love with an astonishing woman, I helped parent a marvelous child.
See you next year.
“Is there anything more tragic than such a scene of failed self-erasure, when we are reduced to the obscene slime which, against our will, persists in the picture?” (Slavoj Zizek, The Thing from Inner Space)
“Jesus Christ.” (Tom Spurgeon)
A meditation on fucking as the final integrative attempt of a flagging psyche, on the refusal of the sensual half of the self to be repressed. It also includes incest, voyeurism and attempted murder. This comic was scripted by Sean T. Collins, and drawn by Julia Gfrörer, based on “The Fall of the House of Usher” by Edgar Allan Poe. It contains pornographic imagery and is intended for mature audiences. Xerox printed on lavender text weight paper, saddle stitched, 24 pages, $5.
Buy yourself a copy of the new comic Julia and I made! It’s filth, just as Edgar Allan Poe intended.
Come see the total fucking dreamboat pictured above, yours truly, at Comic Arts Brooklyn tomorrow! This year’s CAB will see the debut of The Hideous Dropping Off of the Veil, a new pornographic comic inspired by Edgar Allan Poe’s “The Fall of the House of Usher,” written by me and drawn by Julia Gfrörer. It’s a follow-up to our previous Poe porn collaboration, In Pace Recquiescat (based on “The Cask of Amontillado”), which will also be there, along with everything else Julia’s done lately. I’ll have copies of Flash Forward by me & Jonny Negron, too.
The show runs from 11am-7pm at Our Lady of Mt. Carmel Church, 275 N 8th St., in Brooklyn. Come find me at table U28, where I’ll be spending a bunch of time alongside Julia and Michael DeForge; I’ll be easy to spot as the third-sexiest person at the table. Hope to see you there!
Julia and I made a comic about sea monsters, their meaning, and their menace. You can read it at The Nib and buy it in “Deep Trouble,” the latest issue of Symbolia Magazine.
You can also follow the inspiration blog we made for the comic, the-deep-ones.
I’m going to be at SPX, the Small Press Expo, in Bethesda, Maryland this weekend. I look like the person in the photo up top. I’m going to have work in the new Study Group Magazine #3D, which will debut at the show; I wrote a brand-new four-page comic about werewolves and secrets called “Hiders” that was drawn by Julia Gfrörer. Julia will also be selling our comic In Pace Requiescat, a pornographic extrapolation from “The Cask of Amontillado” by Edgar Allan Poe; I should have copies of Flash Forward, the horror comic Jonny Negron and I made about seeing and being seen, as well. I suspect you’ll find me mostly at Julia’s table, W34B. We look like the people in the photo at the bottom. SPX is a terrific show, and if you’re anywhere in the DC/Baltimore area and have any interest in alternative comics at all it’s well worth the trip. I would love to see you there!
Another chapter from the GRRMArillion? You betcha! Rogues, the latest cross-genre anthology edited by George R.R. Martin & Gardner Dozois, is out, and you know what that means: another long short story/novella set in the world of Ice and Fire and written by Martin himself. As was the case with Dangerous Women‘s “The Princess and the Queen,” Martin’s contribution this time around is an excerpt from the larger history of the Targaryen dynasty eventually to be published in expanded form as Fire and Blood. And it turns out it’s a direct prequel to “The Princess and the Queen”‘s tale of internecine Targaryen civil war — like, it ends the moment “TPatQ” begins. As such, it casts many of the events and characters of that story in a whole new light. And like that story, it strrrrrrrrrrrrrrrrrretches the boundaries of the rubric for its inclusion in the anthology in which it appears. Is it worth it? Listen and find out! (And try not to be perturbed by the sounds of chaos in revelry in the background, as Stefan’s native Germany defeats a rival in the World Cup whilst we record. Just imagine we’re discussing this over a bowl o’ brown in the stews of Flea Bottom. I know I always do!)