Posts Tagged ‘podcast’
I was delighted to become (I think) the first ever recurring guest on Shallow Rewards, the enormously insightful podcast from music criticism’s adulte terrible Chris Ott, to discuss the use of standout pop songs on the soundtracks of prestige television shows. We focus on Mr. Robot and Stranger Things (so watch out for spoilers) but touch on Halt and Catch Fire, The Sopranos, and The Wonder Years, with plenty of digressions into film soundtracks and film in general (Cameron Crowe, Martin Scorsese, SLC Punk, Under the Skin) as well. Chris is one of my favorite critics of any kind and it’s a pleasure talking to him. I hope you enjoy the results!
We’re turing the podcast Upside Down this episode with an in-depth discussion of Stranger Things, the hit summer thriller series from Netflix and the Duffer Brothers. Wearing its many, many genre influences on its sleeve so proudly that said sleeves might as well have had “STEVEN SPIELBERG” and “STEPHEN KING” directly embroidered on them, the show gave its fans an ‘80s nostalgia fix like few others. But is there more to the whole than the sum of its parts? Sean and Stefan explore that question at length, touching on related issues such as the nature of horror, the hegemony of nerd culture, the ever-increasing prominence of the ‘80s in contemporary entertainment, and of course the show’s similarities with and differences from the approach to genre taken by A Song of Ice and Fire and Game of Thrones. Grab your D&D dice and roll for initiative with us!
One of our most requested episode formats is back, thanks to our loyal patrons! Subscribers to our Patreon have selected the topic of this episode, a sequel to a much-loved previous installment in which we took a look at prominent fan theories not just in terms of whether they’re possible or even plausible, but whether they make sense in the framework of the kind of story George R.R. Martin is trying to tell and his overall vibe as a writer. This time around, the individual topics have been pitched in by our patrons as well, and there’s a wide range, from what we think happened at Summerhall to whether we believe Bran is essentially a godlike figure to which fool we like best. Give it a listen, and if you like what you here, become a Patreon contributor so you can select future podcast topics yourself!
I appeared on my favorite music podcast (and my favorite podcast period), Chris Ott’s Shallow Rewards, to discuss how the critical narrative of the 1990s has distorted the reality of how the era’s music, “alternative” and otherwise, functioned, flourished, and failed. There are substantial digressions about the overall state of arts criticism and journalism in there, too. Nobody does a better job than Chris of editing a podcast for maximum impact — honestly, it’s not even close. Moreover his work has been a huge inspiration and influence for me, and it was an honor to be a guest. Please listen!
Our special interview series returns at last! This episode, Sean & Stefan are pleased to welcome Jason DeMarco, Senior Vice President/Creative Director for Adult Swim On-Air. Jason’s worn many hats at the venerable nighttime animation/live-action/surrealist powerhouse: He’s the co-creator of its anime/action block Toonami, the person responsible for the network’s distinctive promos, and the unofficial “musical director” for both Adult Swim’s on-air sound and the albums and singles it’s released from a variety of hip-hop, electronic, and rock acts. He’s also a longtime fan of both A Song of Ice and Fire and Game of Thrones. Jason joined us for a wide-ranging discussion of the books, the show, the network, the seismic changes television has seen during his 20-year career, the connections between animation and comics, how those fields are viewed in America, Japan, and Europe respectively, the difference between European-American fantasy and its Japanese-genre counterpart, and much more. Cue up your Run the Jewels records and listen in!
Like Arya Stark joining the kitchen staff at the Twins, we’re just gonna get right down to business here: This episode, Sean & Stefan discuss the just-concluded sixth season of Game of Thrones, from the finale on down, for a full (boiled leather audio) hour. As a special bonus made possible by our Patreon subscribers, Stefan’s got a new mic, which means this ep sounds better than we ever have before. Enjoy!
Undoubtedly timed to coincide with our landmark 50th episode, George R.R. Martin has released, or rather read, a brand new sample chapter from The Winds of Winter, and Sean & Stefan are tackling it in our third podcast in a month! Suitably, it’s a biggie: Entitled “The Forsaken,” it’s told from the perspective of Aeron “the Damphair” Greyjoy as he’s held prisoner by his increasingly frightening brother Euron Crow’s Eye. How does this chapter function as prophecy, as plot mover, as horror fiction, as Lovecraftian homage? How far are we willing to go with predictions as to what it all means for the future? What is Euron’s true motivation? Is the apocalypse now? Listen and find out!
Sean and Stefan are joined by a very special guest to talk about a very special episode! Emmett Booth, the ASoIaF analyst behind the widely read Poor Quentyn tumblr and a maester at ASoIaF University, hops aboard the BLAH train to discuss the shocking revelations of “The Door,” this week’s episode ofGame of Thrones, and use this mid-point opportunity to take stock of the season thus far. What do the secret origins of the White Walkers and Hodor mean for both the show and the books? What does the current political status quo portend for the future, in terms of both plot and theme? What’s wrong with the Game of Thrones critical discourse? Is the show…evil? We’re answering all these questions and more. If you like what you hear, subscribe, rate, and review us on iTunes to help the Boiled Leather Rebellion emerge victorious!
We’re analyzing the new sample chapter from The Winds of Winter available at GeorgeRRMartin.com this week, and it’s all about Arianne Martell! In this episode of BLAH, Sean & Stefan investigate the latest sneak preview of the next volume of A Song of Ice and Fire, which Martin has previously read aloud at live appearances, as it takes us further into the future adventures of the Princess of Dorne. What do her discoveries tell us about Aegon and Jon Connington’s invasion? What do they portend for the South now that it’s torn between so many rival forces: Lannister, Tyrell, Faith Militant, Martell, the Golden Company, potential Targaryen loyalists, and who knows what else? And what do they teach us about Arianne herself? In just under half an hour we tackle everything from the likely condition of the Seven Kingdoms when the Others invade to whether or not releasing this chapter was a subtweet of the show’s handling of Dorne and more. Enjoy!
What impact did the Blackfyre Rebellion have on the characters of A Song of Ice and Fire’s view of bastards? What impact might the Blackfyre Rebellion have had on our understanding of those views, had these civil wars of succession been introduced earlier in the series? What role will they play now that they’ve entered the story in a relatively big way, via “Young Griff” and Varys,The World of Ice and Fire, and A Knight of the Seven Kingdoms? They’re good questions – so good, in fact, that we didn’t think them up ourselves at all. This episode, we’re tackling a topic specifically chosen for us by Rosie Gleeson of Dublin, Ireland, our first Patreon subscriber to donate at the $50 a month level. This earns her an episode of her own choosing, and so at her request we’ll be delving into the Blackfyres, bastardry, and both the in-story and meta reasons for Martin’s treatment of both. Thank you so much for your generosity, Rosie! And if any of you other listeners would like that kind of clout – or would care to pitch it at any level at all – our Patreon page is still accepting donations to make this a better podcast. Thanks for listening, and for supporting us any way you choose! (Moral support counts.)
We’re going back to the future with part two of our all-predictions podcast series on The Winds of Winter! This time around we’re traveling to Essos to speculate as to what Volume Six of A Song of Ice and Fire has in store for our old friends, from Braavos to Meereen. What fate will befall the five POV characters currently located east of Westeros—Arya, Barristan, Victarion, Tyrion, and Daenerys? What about supporting players like Jorah Mormont, Moqorro, and Marwyn the Mage? (Forgot about him, didn’t you?) Then, of course, there’s the matter of the dragons to consider, and consider them we do. It winds up being a wide-ranging discussion of lands near and far, futures immediate and distant. Guess along with us!
This episode also features an update on our fundraisers, both our emergency PayPal fund to help fix Sean’s broken laptop and our Patreon drive, where your monthly subscription/donation can help guarantee more episodes, better sound quality, topics of your choosing, and more. We greatly appreciate all our donors and patrons so far, and if you think the podcast’s worth a few bucks a month, we’d be so grateful for you to join their ranks!
If fools rush in where angels fear to tread, then we’re about to pull a Patchface: We’re foolishly forecasting the events of The Winds of Winter in our new episode! The start of a series, this installment sees us attempting to predict what’s in store for the North in volume six of A Song of Ice and Fire. What fate awaits our POV characters—Bran, Davos, Melisandre, Asha, Theon, and of course Jon Snow? How will things shake out for supporting characters like Rickon, Osha, Hodor, Tormund Giantsbane, Wyman Manderly, the Reeds, and the Boltons? What will happen at Hardhome, Winterfell, the Wall? Like everyone who isn’t George R.R. Martin, we have no freaking idea, but it’s fun to guess, and our best guesses await! (NOTE: We do refer on occasion to the TWoW preview chapters Martin has published or read aloud, so be warned!)
But wait, there’s more! This episode also includes the formal announcement of two new fundraising drives for the podcast. The first is our new Patreon page, where you can pledge to pitch in a few dollars a month to help keep the podcast running. The podcast will always be free, but even a little money per month will make it easier for us to record more frequently and with better equipment. There are also some cool goals and rewards, so please check it out!
Our second fundraiser involves a more urgent concern: Sean’s laptop screen was recently shattered in a mishap involving his kids’ Wii controllers, and replacing it is an expensive proposition on a fulltime-freelancer’s salary. So we’re opening the coffers at our PayPal donation page. A one-time donation of any amount will help Sean revive the computer he uses to work and record—a real necessity. Again, any amount helps. Thank you so much for your generosity, and enjoy the episode!
Hi all! Before we upload this week’s episode, which we think you’ll like, an announcement: We have set up a Patreon page for the podcast, to help raise funds for new equipment and make it easier for the two of us (Sean especially) to commit to recording more episodes without it coming at a cost to our financial health. Please pledge any amount you want–every bit helps!
Also, on a more urgent note, Sean is in dire need of laptop repair after a mishap with his kids’ toys broke his screen. This is very expensive, especially on a full-time freelancer’s salary. So if you like, you can donate to the BLAH paypal page to help raise funds to replace the laptop and make recording (and working!) possible. Thanks again!
Ronald Reagan once said “If you’re explaining, you’re losing.” Far be it from me to encourage a journalist to heed the words of the Gipper—explaining is what journalists do, after all—but in the case of Serial, he’s got a point. “Our one story, told week by week, will now be week biweek,” Sarah Koenig announced on last week’s non-episode episode of her podcast. “Get it?” she asked, before answering her own rhetorical question in the negative: “No? ‘Biweek,’ like ‘biweekly’? B-I-weekly?” We’re not 15 seconds into the announcement that Serial is shifting to an every-other-week schedule before Koenig begins apologizing for her own writing. “Sorry, that’s a pun that only print could love, and I just tried to pull it in an audio story.”Could print love that pun, though, really? I mean, you tell me. I just wrote it up, it’s sitting there a few lines above this one, and “biweek” still isn’t an actual word, printed or no. To paraphrase Harrison Ford’s famous critique of George Lucas: Sarah, you can type this shit, but you sure can’t say it. Maybe you shouldn’t type it either.
But that’s Sarah Koenig’s Serial for you. Once this procrustean podcast has settled on an idea and a format, it’s by-god sticking with them, no matter how little sense that makes. Of course, forcing a pun that she admits almost immediately doesn’t work is the least of Koenig’s problems in that regard. Now that “Meanwhile, in Tampa,” the series’ delayed fifth episode, is finally up and running, it’s apparent that the show’s difficulties are only intensified by the biweekly schedule. Whether told week by week or week biweek [sic], this “one story” has yet to be presented in a way that justifies its telling at all.
Prepare for a guided tour of The World of Ice and Fire! The co-authors of George R.R. Martin’s ambitious sourcebook for A Song of Ice and Fire — and longtime friends of the podcast — Elio M. García, Jr. and Linda Antonsson join us to talk about the book, which hit stores in time for the holiday season one year ago. Beginning with a look back over TWoIaF’s reception over the past year, our chat ranges from a discussion of fanfiction to the influence of Lovecraft and Howard; the way using in-world maesters as narrators shaped the writing; the material left on the cutting room floor to avoid spoiling future stories—and the stuff inserted to lay the groundwork for them; and, of course, what’s up with the Deep Ones. And we close with the big question: Are there future collaborations on the history of the setting in store?
A long time ago, in a galaxy far, far away, Sean and Stefan discuss the new Star Wars movie! Star Wars Episode VII: The Force Awakens Jedi mind tricked us into dedicating this episode of our A Song of Ice and Fire podcast to an entirely different fantasy franchise. How did the film fit in with larger saga? How did J.J. Abrams’s direction differ from George Lucas’s? Is Rey a Mary Sue, and if so, how does that impact the film? What the hell was up with Starkiller Base? We answer all these questions and more, including a discussion of the film’s cinematography, the performances of its actors, the pros and cons of the characters, and even a few connections to the world of Westeros. I’ve got a good feeling about this…
Exciting news from the world of ASoIaF podcasts: Stefan and I are the special guests on this week’s edition of A Podcast of Ice and Fire. Join us and host Amin Javadi as we celebrate the 100th installment of Stefan & Amin’s Supreme Court of Westeros Q&A feature (which I all too infrequently remember to post here at boiledleather.com) by tackling a host of reader-generated questions about the series’ biggest mysteries, theories, and themes. Consider it the Boiled Leather Audio Hour Episode 42.5!
I’m the guest on this week’s episode of Chase Thomas’s Cut to the Chase podcast on writers and critics! Chase and I discuss my origin story as a writer, Game of Thrones, Lost, The Affair, Empire, True Detective, Gotham, Daredevil, cartoons, comics, and much more. I hope you enjoy!
We’re traveling from Westeros to Nazi Germany in this unusual—and, to us, urgent—episode of the Boiled Leather Audio Hour. Why are we venturing so far afield from our usual topics of discussion and debate? Because we’ve always believed that A Song of Ice and Fire, like life itself, is best viewed through an unsparing ethical and historical lens. Lately, however, that lens has been clouded. In recent weeks, numerous right-wing politicians—most notably Republican presidential candidate Ben Carson and his supporters in the United States—have distorted and repurposed the rise of Adolf Hitler and the roots of the Holocaust to suit their preexisting positions. Astonishingly, in the day since this podcast was recorded, Israeli Prime Minister Benjamin Netanyahu followed suit. We believe this to be an act of tremendous disrespect for the dead, one that also does a grave disservice to the living. Given our personal and professional interests in this pivotal epoch in history, which have shaped our interaction with ASoIaF in ways large and small, we decided to explore the era’s real lessons as best we could.
What role did privately held weaponry and paramilitary organizations actually play both in the Nazi Party’s ascent to power and the resistance against it? How should we view Europe’s failure to act in the face of Hitler’s belligerence, and Germany’s failure to capitulate in the face of certain defeat? What parallels can be drawn between the forces that fueled the war Hitler ignited and those at play in Westeros and Essos? What makes World War II different enough from other conflicts for the likes of Vietnam-era conscientious objector George R.R. Martin to say it was worth fighting? Is there such a thing as a “good war” at all? In this experiment of an episode, we try to answer those questions.
Two notes before we proceed:
2) On a much lighter note, this episode (hopefully—with iTunes, god only knows) marks the debut of our brand new logo, created by Sean’s partner, Julia Gfrörer. We are in her debt.
The Walking Dead in Westeros
We’re comparing two of the biggest shows on television in this episode of the Boiled Leather Audio Hour. One of them is an adaptation of a popular staple of nerd culture—a genre work that had only appeared in print before—which has translated its bleak themes, wide scope, and controversial use of violence into a modern-day ratings blockbuster. The other is Game of Thrones.
That’s right—the BLAH Boys are taking on The Walking Dead, and its current spinoff Fear the Walking Dead, by contrasting the shows and their source material to Game of Thrones and A Song of Ice and Fire. How does their treatment of violence in an unforgiving world of real and supernatural menace differ? What do the relationships between the original works by George R.R. Martin, Robert Kirkman, Tony Moore, and Charlie Adlard and their adaptations by David Benioff, D.B. Weiss, and AMC’s land of a thousand showrunners reveal about their respective ideas, ideals, aesthetics, and ethics? Which shows really deserve our moral outrage, and why? We’ll be examining all these questions and more. And one of us, at least, will be getting really freaking worked up. Enjoy!