Posts Tagged ‘Drake’
Hottest Chick in the Game, the comic about Drake that I made with Andrew White, made BuzzFeed Music’s list of 44 Wonderful Things About Music in 2012. We beat Animal Collective. Thank you to everyone for reading it.
Also, Mark Frauenfelder of Boing Boing linked to my interview with Uno Moralez at The Comics Journal. The more people who see Moralez’s work, the better.
Jenny Nelson at the A.V. Club, Matthew Perpetua at Buzzfeed, Chris Coplan at Consequence of Sound, B. Michael Payne, Maré Odomo, a solid 30, 35% of the people on this Kanye West message board thread, and, uh, IlluminatiWatcher are saying nice things about “Hottest Chick in the Game”.
And it looks like I somehow missed linking to the kind words that Joe “Jog” McCulloch had for “The Cockroach,” me and William Cardini’s contribution to Thickness #3, in his Comic Books Are Burning in Hell podcast with Tucker Stone, Matt Seneca, and Chris Mautner.
When last I checked in with Drake he was sounding like Everything But the Girl. In “Marvin’s Room” he’s sounding even more like Everything But the Girl — specifically “Single,” in which Tracey Thorn engages her ex in a bit of extraordinarily bitter concern-trolling over a hotel phone, accompanied a shuffling beat and ghostly synths. Voila, I’ve just described “Marvin’s Room” as well. But what Drake lacks in Thorn’s luscious vocal instrument he more than makes up for in a level of lyrical candor that is either really exquisite artistry or the complete lack thereof. This is a guy who’ll lilt “Fuck that nigga that you love so bad” like it’s the most romantic thing in the world, who’ll say “After a while, girl, they all seem the same / I’ve had sex four times this week — I’ll explain” in a song whose sketch of a chorus revolves around chiding his ex “I’m just sayin’ you could do better.” I have no idea if he knows what a leap it is to expose his assholishness to the world like this and is consciously making that leap, or if he’s simply so fascinated by himself that he’s sharing this information because he’s his own muse. In the end I’m not sure it matters if it makes for sad, lovely, disturbing music like this. Bonus points for repeating the ex’s incredulous “Are you drunk right now?” like it’s one of those Houston-to-Apollo transmissions from The Orb’s Adventures Beyond the Ultraworld.