My partner Julia Gfrörer has really opened the floodgates for amazing things to purchase this week. In addition to the MIRROR MIRROR II kickstarter, she’s selling a host of t-shirt designs through her newly opened Threadless shop, including the coveted MISANDRY shirt (now available in black, white, or pink!). She’s entered a contest at Threadless for her leggings design, TEN OF SWORDS, as well, so please go vote for her. Finally, she’s selling the original art for her MMII contribution, her illustrations of medieval French heraldic devices by Claude Paradin, at her Etsy store. These things are unspeakably gorgeous up close, and it’s rare for Julia to part with this much original art all at once, so take advantage!

And please, if you haven’t done so already, consider ordering MIRROR MIRROR II through our kickstarter, or simply donating to it, and spreading the word far and wide across social media or to your friends. We’re about 65% of the way through with 9 days remaining, and we need your support. Just look at those beautiful books up there!

Julia Gfrörer, my partner and co-editor on the MIRROR MIRROR II anthology coming soon from 2dcloud, are the guests on this week’s episode of the Process Party podcast! Cartoonists and co-hosts Mike Dawson and Zack Soto go deep with us on the making of the book and our own contributions to it. At one point it gets really real out of nowhere! Please listen!

Meanwhile, with 12 days to go, the kickstarter for MIRROR MIRROR II and the rest of 2dcloud’s Spring 2017 collection is hovering at about the 45% mark. Please consider placing an order or making a donation. I’m proud of this book and I believe that if you enjoy what I do here, you’ll enjoy the book as well.

2dcloud—the publisher of MIRROR MIRROR II, the gothic comics anthology edited by me & Julia Gfrörer—has launched the kickstarter for its spring collection, in which our book is featured. For just ten bucks over the MMII cover price you can get every single book in the lineup. And as I’ve said a million times, our book is exactly what we wanted it to be when we jotted names down on a napkin in the bar across the street a year ago. I couldn’t be prouder of it, or to be a part of 2dcloud. Please consider ordering or donating at the link.

As a reminder, here’s what our book is:

Mirror Mirror II

edited by Sean T. Collins & Julia Gfrörer

Lala Albert — Clive Barker — Heather Benjamin — Apolo Cacho — Sean Christensen — Nicole Claveloux — Sean T. Collins — Al Columbia — Dame Darcy — Noel Freibert — Renee French — Meaghan Garvey — Julia Gfrörer — Simon Hanselmann — Aidan Koch — Laura Lannes — Céline Loup — Uno Moralez — Mou — Jonny Negron — Claude Paradin — Chloe Piene — Josh Simmons — Carol Swain — Trungles

6 x 9″
240pp
pantone black offset
flexibound
black fore edge printing
MSRP 39.95$

A thought-provoking, richly entertaining collection from some of the most exciting comic artists working today. A must read for fans of the horrific and perverse. —Bryan Cogman, coexecutive producer/writer, Game of Thrones

This is the preview sample for MIRROR MIRROR II, edited by me and Julia Gfrörer, coming from 2dcloud next year.

Featuring new and unpublished comics and art by Lala Albert, Clive Barker, Heather Benjamin, Apolo Cacho, Sean Christensen, Nicole Claveloux, Al Columbia, Dame Darcy, Noel Freibert, Renee French, Meaghan Garvey, Julia Gfrörer (with Claude Paradin), Simon Hanselmann (with Sean T. Collins), Aidan Koch, Laura Lannes, Céline Loup, Uno Moralez, Mou, Jonny Negron, Chloe Piene, Josh Simmons, Carol Swain, and Trungles, with an introduction by Gretchen Alice Felker-Martin.

“A thought-provoking, richly entertaining collection from some of the most exciting comic artists working today. A must read for fans of the horrific and perverse.” —Bryan Cogman, co-executive producer/writer, Game of Thrones

“An impressive collection of beautiful depictions of grotesque things and grotesque depiction of beautiful things.”—Alan Resnick, writer-director, Adult Swim’s Unedited Footage of a Bear and This House Has People in It

“Mirror Mirror II invites the most innovative creators working in the form today and proves just how expansive the pornographic and gothic can be, encapsulating the pop cultural, fantastical, and realistic in one fell swoop.” —Rachel Davies, Rookie Magazine

“Editors Sean T. Collins and Julia Gfrörer have assembled an exquisitely creepy and seductive new collection of comics with Mirror Mirror II. From Uno Moralez’s pixilated noir to Dame Darcy’s ornate Gothic ghost stories, the wide range of horror here is fantastic, as characters creep and fuck in the shadows of unimaginable darkness throughout. It’s certainly the perfect, freaky anthology for you, your lover, and all the demons in your mind.”—Hazel Cills, MTV News

2dcloud, the publisher that will be putting out me and Julia Grörer’s MIRROR MIRROR II next year, is currently kickstarting its Fall 2016 collection. Pitch in some money and come away with comics that push against the boundaries of what comics can be.

Those nice boys of online at the Chapo Trap House podcast had some very kind words for Julia Gfrörer’s new graphic novel from Fantagraphics, Laid Waste, on this week’s episode. Oh yeah, they also interviewed some guy named Adam Curtis, I think he makes movies? Anyway please listen, and visit Julia’s webstore if you’d like to know more.

Julia Gfrörer and I, and more importantly OUR TWO ADORABLE CHILDREN, will be attending the Comic Arts Brooklyn festival tomorrow from 11am – 7pm at Mt. Carmel Church in Williamsburg. We hope to see you there! Find us at table U26.

Mirror Mirror II, the comics and art anthology I’m coediting with Julia Gfrörer, is now available for preorder on Amazon. The book contains new and unpublished work from Lala Albert, Clive Barker Heather Benjamin, Apolo Cacho, Sean Christensen, Nicole Claveloux, Al Columbia, Dame Darcy, Noel Freibert, Renee French, Meaghan Garvey, Julia Gfrörer (with Claude Paradin), Simon Hanselmann (with Sean T. Collins), Aidan Koch, Laura Lannes, Céline Loup, Uno Moralez, Mou, Jonny Negron, Chloe Piene, Josh Simmons, Carol Swain, and Trungles, with an introduction by Gretchen Felker-Martin.

But you don’t have to take my word for it:

“A thought-provoking, richly entertaining collection from some of the most exciting comic artists working today.  A must read for fans of the horrific and perverse.” —Bryan Cogman, co-executive producer/writer, Game of Thrones

“Editors Sean T. Collins and Julia Gfrörer have assembled an exquisitely creepy and seductive new collection of comics with Mirror Mirror II. From Uno Moralez’s pixilated noirs to Dame Darcy’s ornate Gothic ghost stories, the wide range of horror here is fantastic, as characters creep and fuck in the shadows of unimaginable darkness throughout. It’s certainly the perfect, freaky anthology for you, your lover, and all the demons in your mind.” —Hazel Cills, MTV News

Order yours today!

I’m the guest on the latest episode of the venerable comics podcast Inkstuds, hosted by Robin McConnell. I talk about comics, TV, criticism, my history with all three, the Greatest Graphic Novels list I recently did, goth, the anthology @doopliss and I are doing, and more. Check it out!

11. Jack Kirby’s Fourth World Omnibus by Jack Kirby

They call Jack Kirby the King of Comics, and for good reason. As a precocious young artist, he co-created Captain America with writer-artist Joe Simon; his star-spangled superhero socked Hitler on the jaw a few years before Kirby himself helped liberate a satellite concentration camp during the Allied invasion of Nazi-occupied Europe in World War II. After returning to the States, Kirby would pioneer both romance and monster comics in the ’50s before work for which he is best remembered: the early-’60s co-creation of the Marvel Universe with his frenemy Stan Lee and fellow artist Steve Ditko. The dynamism of his artwork was miles away from the staid, square-jawed superheroics of Superman, Batman et al, and as the co-writer (and often primary writer) of Fantastic Four and other Marvel mainstays, Kirby gave birth to characters and concepts that essentially preserved the comics industry in North America after the censorious ’50s.

Kirby’s true masterwork came when, fed up with Lee’s spotlight-hogging and his own lack of creative control, he decamped to rival publisher DC and was given carte blanche to create his own line of superheroes. In genuinely prophetic fashion, the four titles that resulted — New Gods, Mister Miracle, The Forever People, and Jimmy Olsen — told one massive interlocking story about a war between rival deities, the evil half of which were led by a granite-faced embodiment of evil called Darkseid, whose son was secretly raised by the forces of good. (Sound familiar, Star Wars fans?) It’s not simply the scope of Kirby’s ambition nor the cataclysmic psychedelia of his artwork (drawn completely drug-free) that makes the Fourth World Saga, collected in four omnibus editions by DC, so compelling. No, it’s this World War II veteran’s Vietnam-era conviction that the true source of “Anti-Life” is violence itself, no matter how righteous the cause. Sadly, the epic was cut short by the publisher before Kirby could reach its proper conclusion. Several great superhero works would eventually follow (Alan Moore and Dave Gibbons’ Watchmen, Frank Miller and Lynn Varley’s The Dark Knight Returns and The Dark Knight Strikes Again, Grant Morrison and Frank Quitely’s All Star Superman, Mike Mignola and John Arcudi and Guy Davis’ Hellboy/B.P.R.D. saga), but they all labor in the humanistic, explosively creative shadow of the King.

10. Gast by Carol Swain

A work of such profound empathy that it almost feels like a hole in the world, Gast is a gentle yet ultimately unforgiving look at the ways in which the world can break down those who cannot quite bring themselves to fit in. It follows an 11-year-old girl named Helen on a trip to the Welsh countryside, during which she discovers she can talk with the wild and domesticated animals that populate its rolling landscape — all of whom speak to her of the death of a “rare bird” who lived near by. This turns out to be a farmer named Emrys, whose gender dysphoria (he wore women’s clothing and ostentatiously dyed his hair, but kept to himself out of fear of reprisal and continued to identify as male) and failing fortunes led him to suicide. Gast functions like a murder mystery with no real killer and no real victim; the investigation itself is the point, as Helen learns about this sad and secretly much-loved person’s life, and about life and death themselves in the process. Swain’s soft charcoal artwork, the unusual and descriptive angles of her drawings, and her willingness to take things slowly make for an utterly unique reading experience.

Well, this is it: I selected and wrote about the 33 Greatest Graphic Novels of All Time for Thrillist.

Just a reminder that Julia Gfrörer and I will be attending Cartoon Crossroads Columbus tomorrow through Sunday, where Julia will be a special guest and where we’ll both be hosting the Sunday night afterparty. We hope to see you there!

Julia Gfrörer and I will be guests at Cartoon Crossroads Columbus October 13-16th! We’re also hosting the afterparty for the final night of the show. Please come say hello!

You can get great deals on graphic novels from me & Julia’s merged collections by visiting our spiffy Amazon store! Titles for sale at bargain-basement prices include books by James Jean (a really rare one at that), Neil Gaiman, Darwyn Cooke, Jack Kirby, Ulli Lust, Michael DeForge, Jonny Negron, Blaise Larmee, John Stanley, Paul Dini, Harvey Kurtzman & Will Elder, Dennis Eichhorn, Paul Gravett, Yoshihiro Tatsumi, Raymond Briggs, Dave Cooper, Jenn Manley Lee and more. Check it out!

My partner is a cartoonist, and she once said that Meat Cake was hugely important to all the weird girls she knew in her teens and early 20s, but the male comic nerds she met afterwards had no clue what she was talking about. Have you noticed this disparity as well? To what would you attribute it?

That statement brings a tear to my eye, knowing my life’s goal was not in vain. Thank you.

As a kid I hated that even on Sesame Street, everyone was a boy. Actually, I thought Big Bird was a girl, but in the end he was gay and I was mistaken. The only time girls showed up in things was as sex objects — except for Pippi Longstocking and Wonder Woman — and they rarely ever got any good dialogue. Meat Cake set out to change all that, and make something weird and thinking girls could relate to. I felt so alone for so long, and I made a beacon like a lighthouse to shine through the darkness and attract the bats of other like-minded souls.

It is my life’s goal and pleasure to encourage other girls, ladies, anyone to be who they are, to find their true passion and pursue their hearts desire with freedom in their soul despite all odds. In Oz and Cinderella, I always identified as Glinda and the Fairy Godmother, even as a kid. I like how Glinda doesn’t just wave her wand and whisk Dorothy home, even though she could. She gives her glamorous shoes and Dorothy uses them to find her own way. And through magic glamour and DIY elbow grease, Cinderella’s Fairy Godmother turns the normal pumpkin into a couture carriage vehicle to empower the young lady to change her life. If my artwork can be this for someone else, then my will here in this mortal plane is done.

I interviewed cartoonist Dame Darcy about her new complete-works collection Meat Cake Bible for the New York Observer.

I reopened my old Amazon marketplace store with great deals on great books & comics from me & Julia Gfrörer’s merged collections. Check it out! More will be added in the days and weeks to come, so keep your eyes peeled!

MIRROR MIRROR II

a comics and art anthology

edited by Sean T. Collins & Julia Gfrörer

featuring new and unpublished work by Lala Albert, Clive Barker, Heather Benjamin, Apolo Cacho, Sean Christensen, Nicole Claveloux, Al Columbia, Dame Darcy, Noel Freibert, Renee French, Meaghan Garvey, Julia Gfrörer (with Claude Paradin), Simon Hanselmann (with Sean T. Collins), Hellen Jo, Aidan Koch, Laura Lannes, Céline Loup, Uno Moralez, Mou, Jonny Negron, Chloe Piene, Josh Simmons, Carol Swain, Trungles

coming soon from 2dcloud

My publisher is so close to meeting its kickstarter goals for its current collection. It’s no charity case — you just use it the way you would a webstore, basically. The best way to ensure our book happens is to pay a visit and order yourself some good comics!

Their current run of books is being funded by a kickstarter underway now. For $40 you get five books, including genuinely singular memoirs by three women of color, but you can pitch in any amount you want. Please buy/donate today!

Come to Desert Island in Brooklyn tonight and you’ll find me, Julia Gfrörer, one of our kids, and many fine cartoonists celebrating the release of Kramers Ergot 9. Hope to see you there!

I had the impression going in that this is “Lisa Hanawalt’s Food Book,” but having read it’s like your real subject is how it feels to inhabit a physical body. The food angle is just there to whet your appetite. So to speak.

You totally found me out. This book is an edible Trojan horse? But yes, it could have been called Here’s a Pile of Stuff Lisa Felt Like Making Over the Last Few Years and Most of It Is Related to Food, but people tend to want a tighter concept before committing to reading an entire book.

[…]

One aspect of physicality it doesn’t address much is sex. There are a couple of allusions, and a lot of sex-adjacent body parts, but it’s much more about eating, shitting, peeing, menstruating, traveling, riding, feeling full, getting sick…

That’s a good point, because I haven’t been one to shy away from sex in the past. Maybe it’s a subconscious attempt at making something sliiiightly less creepy, and to let people dig for my hornier work if they’re true fans? Maybe I’m just going through a bowel phase, the way Picasso had a blue period? I’m also a little grossed out when food and sex are combined, honestly.

I interviewed the terrific cartoonist Lisa Hanawalt about her fascinating new book Hot Dog Taste Test for the New York Observer.